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It's one of the first things we discover as children, reading and drawing: Maps have a unique power to transport us to distant lands on wondrous travels. Put a map at the start of a book, and we know an adventure is going to follow. Displaying this truth with beautiful full-color illustrations, The Writer's Map is an atlas of the journeys that our most creative storytellers have made throughout their lives. This magnificent collection encompasses not only the maps that appear in their books but also the many maps that have inspired them, the sketches that they used while writing, and others that simply sparked their curiosity. Philip Pullman recounts the experience of drawing a map as he set out on one of his early novels, The Tin Princess. Miraphora Mina recalls the creative challenge of drawing up "The Marauder's Map" for the Harry Potter films. David Mitchell leads us to the Mappa Mundi by way of Cloud Atlas and his own sketch maps. Robert Macfarlane reflects on the cartophilia that has informed his evocative nature writing, which was set off by Robert Louis Stevenson and his map of Treasure Island. Joanne Harris tells of her fascination with Norse maps of the universe. Reif Larsen writes about our dependence on GPS and the impulse to map our experience. Daniel Reeve describes drawing maps and charts for The Hobbit film trilogy. This exquisitely crafted and illustrated atlas explores these and so many more of the maps writers create and are inspired by--some real, some imagined--in both words and images. Amid a cornucopia of 167 full-color images, we find here maps of the world as envisaged in medieval times, as well as maps of adventure, sci-fi and fantasy, nursery rhymes, literary classics, and collectible comics. An enchanting visual and verbal journey, The Writer's Map will be irresistible for lovers of maps, literature, and memories--and anyone prone to flights of the imagination.
Join renowned geographer James Cheshire on a tour through a forgotten collection of maps that shaped over 200 years of Western history. Tucked just beyond offices and a lecture hall in the heart of London lies a turquoise door. Intrigued, James Cheshire stepped through and was astonished by what he found inside: thousands of maps and atlases, spilling out of wooden drawers. It was a map library. In The Library of Lost Maps, Cheshire transports us to the nineteenth and twentieth centuries, when the library's maps were wielded for war and negotiated during peace; when its charts traced, for the first time, the icy peaks of the Himalayas. Maps have played a vital role in shaping our scientific knowledge of the world, inspiring the theory of plate tectonics and showing the impact of climate change. They have also guided politicians, encouraging both beneficial reforms and horrific conquests, the consequences of which we live with today. Brimming with surprising discoveries and stunning four-color map reproductions, The Library of Lost Maps unveils the power of maps to remind us of our past and inspire us toward a better future.
Introduction Do you love a good map? Could you spend hours poring over Google Earth, looking at random islands and tiny villages up in the mountains? Me too. I love maps. I love looking at them, memorizing them and making them. Over the years I've drawn a sizable multitude of them. From Japan to Indiana, Africa to Seattle. It's been more than just a hobby, it's become my great quest. This project is a great way to encapsulate my journey so far. I've learned so much and have improved my craft with the help of some great artists. The Book What better way to showcase 75+ maps than a big ol' coffee table book? This book is designed to be displayed.
Nothing says "I celebrate Halloween all the way through the end of December" like this Spooky Wreath. Skip the boughs of holly and mistletoe - other holidays don't stand a chance against what this guy is bringing to the table. Soft and huggable!
The perfect Christmas present doesn't exist--- Introducing Holly, the Christmas goat-AKA the cutest Christmas present under the tree!
In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration: bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries.However, publishers retreated from Nielsen's project in the financially strapped postwar climate, and the publication never happened. A rising star, Nielsen moved on to other work. This world heritage classic's spectacular pen, ink, and watercolor images remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen's death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections.This publication is a unique compilation of fine art prints and stunning illustrations reproduced directly from Nielsen's original watercolors--the only complete set of his extraordinary drawings to have survived. The book features descriptions of all of the images and three generously illustrated essays on the making of this series, the origin of Nielsen's unique imagery, and a history of the tales. In addition, it shows many unpublished or rarely seen artworks by Nielsen and intricate black-and-white drawings Nielsen created for the original publication.
With ballerinas, pipers, and cats aplenty, this tabletop holiday decor will delight even the Scroogiest humbugs for years to come. Gather friends and family, dispose of the fruitcake, and serve up some flaming punch—it’s time to assemble an eclectic Christmas house party.Tower is 10 in. wide, 18 in. tall when assembledMade from punch-out artboard pieces trimmed with Gorey Christmas classicsIllustrated booklet to guide assemblySturdy slipcase box with ribbon pull tab
The Aztec Sun Stone, or Piedra del Sol, is a monumental basalt sculpture created between 1502 and 1520 during the reign of Moctezoma II. It is a ceremonial calendar representing the Aztec worldview, depicting the creation myths, and featuring a central image of the sun god Tonatiuh. Discovered in 1790 in Mexico City, the stone is now a national symbol displayed at the National Museum of Anthropology This puzzle, designed by Michael Angulo, is 1000 pieces, and 26 inches completed.
An irresistible advent calendar for booklovers based on Jane Mount's beloved Bibliophile books and artwork. The Bibliophile's Advent Calendar for Booklovers includes: 24 miniature books of prompts, trivia, and illustrations A mini keepsake journal for recording the year's bookish highlights A bookshelf for your little library A special surprise gift for the 25th day! Each tiny book will delight you--filled with a question for the day or trivia made for booklovers, all accompanied by irresistible illustrations. The little library provided inside offers the perfect place to shelve the mini treasures once you have enjoyed each book's splendor! Then, you can turn to the mini keepsake journal to record and reflect on your reading life. This deluxe advent calendar will create a perfect holiday tradition to return to and savor anew every year. BOOKLOVER'S COUNTDOWN CALENDAR: Enjoy 25 days of bookish fun with this irresistible advent calendar based on Jane Mount's beloved bestseller, Bibliophile. Discover a new miniature book every day, fill the delightful little library shelf inside, and celebrate your literary love in the included mini keepsake journal. POPULAR AUTHOR-ILLUSTRATOR: Jane Mount has become synonymous with creative, unique book illustrations, especially in her signature book stack style. From her own illustration-filled books to covers designed for Reese Witherspoon's book club, bookstore tote bags to covetable enamel pins, and much more, Jane's work is instantly recognizable. UNIQUE ADVENT CALENDAR: A wonderful family tradition for some and a crafty new endeavor for others, advent calendars offer an engaging way to kick off the holiday season. This artistic all-paper calendar features an interactive element that makes it a delight to return to year after year. GREAT GIFT FOR BOOKWORMS: For Jane Mount fans or any bookstagram or booktok devotee, this advent can be paired with Bibliophile: An Illustrated Miscellany, Bibliophile: Diverse Spines, or themed items including Bibliophile Reader's Journal, Ceramic Vase, Wall Calendar, stationery, and puzzles to create a booktastic bundled gift! Perfect for: Booklovers and voracious readers Aspiring writers Book club members, librarians, and teachers Fans of Jane Mount and Ideal Bookshelf Holiday shoppers, advent calendar collectors, and Christmas enthusiasts
A sweeping, gorgeously produced celebration of beloved American writer, artist, and illustrator Edward Gorey on his 100th birthday. Issued by the Edward Gorey Charitable Trust and produced in creative partnership with The Edward Gorey House. For more than seven decades, Edward Gorey's work has delighted fans of all ages and inspired artists across multiple disciplines. His collection of self-authored books, which comprises more than 100 volumes including The Gashlycrumb Tinies and The Doubtful Guest, remains a profoundly radical and uncompromised body of work. Viewed either separately or in their entirety, these works represent one of the most unique voices in American arts and letters. E Is for Edward celebrates Edward Gorey as author, illustrator, humorist, playwright, printmaker, fabric artist, and stage designer, showcasing the vast array of material he created between 1953 and his death in 2000. Curated by Gregory Hischak, Director of The Edward Gorey House, the book is organized by major themes and topics that characterize Gorey's work including hapless children, mutant menageries, the murder mystery, the ballet, sartorial elegance, stylized decor, and the many recurring motifs and latent symbolism that underlie these subjects. In addition, Hischak offers a look into the pages of the dozens of rarely-viewed notebooks kept by Gorey throughout his lifetime. Illustrated with hundreds of original pieces of art and archival material, E Is for Edward is a must-have for every fan and the most comprehensive, in-depth exploration of Gorey's art in more than a decade.
Created for Myaamia households, this publication aims to provide context to the myaamia kiilhswaakani 'Miami Lunar Calendar' that each Miami Tribe household receives annually. Bought in conjunction with Nate Poyfair's talk at the Newberry Library, this visually rich book is an excellent introduction to the Miami Lunar Year's terms.
Drawing on significant recent scholarship on African American urban life over three centuries, Black Urban History at the Crossroads bridges disparate chronological, regional, topical, and thematic perspectives on the Black urban experience beginning with the Atlantic slave trade. Across ten cutting-edge chapters, leading scholars explore the many ways that urban Black people across the United States built their own communities; crafted their own strategies for self-determination; and shaped the larger economy, culture, and politics of the urban environment and of their cities, regions, and nation. This volume not only highlights long-running changes over time and space, from preindustrial to emerging postindustrial cities, but also underscores the processes by which one era influences the emergence of the next moment in Black urban history.
Multiple times a day, in cities across the US and beyond, a simple yet powerful message is repeated by the well-meaning, the ill-informed, and the bigoted: "don't go" - avoid at all costs those Black and Brown disinvested neighborhoods that have become bywords for social disorder and urban decay. This book is a collection of intimate stories and evocative photos that uncover the hidden influence of both subtle and overt "don't go" messages and the segregation they perpetuate in Chicago. Told by everyday people to Tonika Lewis Johnson and Maria Krysan - a Black artist and a White academic who met through their shared passion for anti-segregation work - the stories paint a rich picture of life in a segregated city. One by one, the storytellers upend pessimism with candid, deeply personal, humorous, and heartbreaking tales, and with novel ideas for simple actions that can serve as antidotes to both racism and "place-ism." By inviting readers into the lives of regular people who have ignored the warning to stay away from "don't go" neighborhoods or who live in those very same neighborhoods, the stories in Don't Go illuminate the devastating consequences of racial segregation and disinvestment as well as the inevitable rewards of coming together.Also available as an audiobook.
*Pattis award runner up*WINNER, 2023 Underground Railroad Free Press Hortense Simmons Memorial Prize for the Advancement of Knowledge! Uncovering stories of the freedom network in northeastern Illinois Decades before the Civil War, Illinois's status as a free state beckoned enslaved people, particularly those in Kentucky and Missouri, to cross porous river borders and travel toward new lives. While traditional histories of the Underground Railroad in Illinois start in 1839, and focus largely on the romanticized tales of white men, Larry A. McClellan reframes the story, not only introducing readers to earlier freedom seekers, but also illustrating that those who bravely aided them were Black and white, men and women. McClellan features dozens of individuals who made dangerous journeys to reach freedom as well as residents in Chicago and across northeastern Illinois who made a deliberate choice to break the law to help. Onward to Chicago charts the evolution of the northeastern Illinois freedom network and shows how, despite its small Black community, Chicago emerged as a point of refuge. The 1848 completion of the I & M Canal and later the Chicago to Detroit train system created more opportunities for Black men, women, and children to escape slavery. From eluding authorities to confronting kidnapping bands working out of St. Louis and southern Illinois, these stories of valor are inherently personal. Through deep research into local sources, McClellan presents the engrossing, entwined journeys of freedom seekers and the activists in Chicagoland who supported them. McClellan includes specific freedom seeker journey stories and introduces Black and white activists who provided aid in a range of communities along particular routes. This narrative highlights how significant biracial collaboration led to friendships as Black and white abolitionists worked together to provide support for freedom seekers traveling through the area and ultimately to combat slavery in the United States.
*Pattis 2025 runner up*The Salt Shed chronicles the compelling work of reimagining and transforming Chicago's impressive and iconic Morton Salt Warehouse while honoring its history and its working-class roots.Originally constructed in 1929, the Morton Salt Shed and Warehouse Complex has been a familiar and beloved Chicago landmark along Elston Avenue between Division Street and North Avenue. For decades, the iconic hand-painted sign has captivated people traveling along busy Interstate I-90 and on Elston Avenue at ground level. As times changed, the building was no longer used for salt storage and processing, and eventually lay dormant. Recently, the building has been repurposed and transformed into a stunning music venue. The Salt Shed tells the story of the building's reimagining and transformation. Photographer and writer Sandra Steinbrecher spent nearly two years documenting the deconstruction, reconstruction, and reinvigoration of this classic, industrial Chicago building. Through breathtaking photos and interviews with the people who made the restoration possible--including architects, developers and workers who did the daily labor-The Salt Shed takes the reader behind the scenes in one of Chicago's most distinctive restoration projects of the 21st century.
*2025 Pattis award winner* WINNER OF THE MIDLAND AUTHORS AWARD FOR HISTORY - LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE - A NEW YORKER BEST BOOK OF THE YEAR - The "illuminating" (New Yorker) story of the Great Chicago Fire: a raging inferno, a harrowing fight for survival, and the struggle for the soul of a city--told with the "the clarity--and tension--of a well-wrought military narrative" (Wall Street Journal) In the fall of 1871, Chicagoans knew they were due for the "big one"--a massive, uncontrollable fire that would decimate the city. It had been bone-dry for months, and a recent string of blazes had nearly outstripped the fire department's already scant resources. Then, on October 8, a minor fire broke out in the barn of Irishwoman Kate Leary. A series of unfortunate mishaps and misunderstandings along with insufficient preparation and a high south-westerly wind combined to set the stage for an unmitigated catastrophe. The conflagration that spread from the Learys' property quickly overtook the neighborhood, and before long the floating embers had been cast to the far reaches of the city. Nothing to the northeast was safe. Families took to the streets with every possession they could carry. Powerful gusts whipped the flames into a terrifying firestorm. The Chicago River boiled. Over the next forty-eight hours, Chicago fell victim to the largest and most destructive natural disaster the United States had yet endured. The effects of the Great Fire were devastating. But they were also transforming. Out of the ashes, faster than seemed possible, rose new homes, tenements, hotels, and civic buildings, as well as a new political order. The elite seized the reconstruction to crack down on vice, control the disbursement of vast charitable funds, and rebuild the city in their image. But the city's working class recognized only a naked power grab that would challenge their traditions, hurt their chances to keep their hard-earned property, and move power out of the hands of elected officials and into private interests. As soon as the battle against the fire ended, another battle for the future of the city erupted between its entrenched business establishment and its poor and immigrant laborers and shopkeepers. An enrapturing account of the fire's inexorable march and an eye-opening look at its aftermath, The Burning of the World tells the story of one of the most infamous calamities in history and the new Chicago it precipitated--a disaster that still shapes American cities to this day.
This imprinted cap is made from 100% cotton.Each cap features an unstructured, low-profile design with a soft-lined front.Designed with a six-paneled crown and a pre-curved visor.Includes a self-fabric closure strap with an antique silver buckle.
This reprint edition of the 1932 Gangland Map of Chicago utilizes the devices of a classic seafaring map to humorous effect: a compass rose, cartouches, and (instead of sea monsters) neighborhood dangers. Printed on acid-free, heavy-weight paper, the map can easily be framed and used to decorate your den of iniquity.24in tall, 30in wide.
Published to commemorate our anniversary, The Newberry 125: Stories of Our Collection features images and essays highlighting 125 outstanding items from our collections. Each item is presented with a one- or two-page spread that includes stunning high-resolution photographs and an essay by a Newberry curator, librarian, or researcher documenting the item’s historical context, literary significance, and amusing tidbits about production, reception, and provenance.Arranged so as to tell both the story of the library as an institution and its collecting history, The Newberry 125 covers a wide range of topics, including American culture; the history of Chicago and the Midwest; geography and exploration; religion; music and dance; medieval and Renaissance studies; and the indigenous peoples of North America.The collection includes items as varied as a painting by 19th-century artist Elbridge Ayer Burbank; the correspondence between Ernest Hemingway and Sherwood Anderson; the earliest print version of Voltaire’s Candide; and a copy of Ptolemy’s Geographia that dates from the fifteenth century.The Newberry 125 serves as a wonderful introduction to our collection and provides a new and fascinating lens through which visitors can view our library.To mark its 125th anniversary, the Newberry has assembled one hundred and twenty-five of its most significant objects in one beautifully illustrated volume. Arranged in order to tell both the story of the library as an institution and its collecting history, The Newberry 125 covers a great breadth of topics including: American culture throughout the ages; the history of Chicago and the Midwest; geography and exploration; religion; music and dance; Medieval and Renaissance studies; and the indigenous peoples of North America. Each of the highlighted items has been photographed in stunning full color and is accompanied by a brief description, its call number, and a concise yet informative essay by a Newberry curator, librarian, or researcher on the object's importance to the collection. By describing the unique physical qualities of these items, as well as their great scholarly import, these essays remind us how irreplaceable many of these maps, books, and documents are--and how much they still have to offer us. The pieces themselves show us the amazing power of physical objects, particularly the products of humanists over many centuries. Included are items as varied as a painting by Elbridge Ayer Burbank, the correspondence between Ernest Hemingway and Sherwood Anderson, the earliest print version of Voltaire's Candide, and a copy of Ptolemy's Geographia that dates from the fifteenth century. The Newberry 125 is as wide-ranging and impressive as the library itself, and it serves as a wonderful introduction to the collection, as well as a new and fascinating lens through which visitors and fans can view the Newberry.
In honor of the Newberry's 2023 exhibition, Pop-Up Books through the Ages, Hannah Batsel and Shawn Sheehy created a wonderfully wild (and also architecturally accurate!) pop-up version of the library. Brimming with detail and imagination, the pop-up is a celebration of the centuries of history lurking within the Newberry's walls.There are plenty of Easter eggs for keen observers to uncover: The mysterious unfinished arches on the exterior of the Newberry building, the bust of Walter L. Newberry at the foot of the library's main staircase, and an early 20th-century postcard Ferriswheel located in the library's third-floor reference center.Batsel wanted to give expression to the sense of possibility and discovery she feels when she’s in the Newberry.“ You don't know what you're going to find when you go around a corner at the Newberry. In our pop-version of the library, if you're willing to pry into little crevices and look into windows, you will be rewarded.”Hannah BatselArtistBatsel's illustrations bring the pop-up Newberry to life, while Sheehy's paper engineering gives it a structure worthy of the library's iconic architecture.“ The building has a lot of character. The building IS a character. There was strong interest in featuring it in the pop-up.”Shawn SheehyPaper Engineer
