Books

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life.

But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it

Designed by former 27 Chicago Designer Joseph Michael Essex and edited by former 27 Chicago Designer Jack Weiss, this book documents the work of the 125 cumulative members of the 27 Chicago Designers through its 55-year history. Published in conjunction with the exhibition, "27 Chicago Designers: Selling Design 1936-1991" exhibition co-curator Lara Allison said, “...without an understanding of 27 Designers, Chicago’s design history cannot be fully comprehended.”.

Throughout its history, America has been defined through maps. Whether made for military strategy or urban reform, to encourage settlement or to investigate disease, maps invest information with meaning by translating it into visual form. They capture what people knew, what they thought they knew, what they hoped for, and what they feared. As such they offer unrivaled windows onto the past.

In this book Susan Schulten uses maps to explore five centuries of American history, from the voyages of European discovery to the digital age. With stunning visual clarity, A History of America in 100 Maps showcases the power of cartography to illuminate and complicate our understanding of the past.

Gathered primarily from the British Library's incomparable archives and compiled into nine chronological chapters, these one hundred full-color maps range from the iconic to the unfamiliar. Each is discussed in terms of its specific features as well as its larger historical significance in a way that conveys a fresh perspective on the past. Some of these maps were made by established cartographers, while others were made by unknown individuals such as Cherokee tribal leaders, soldiers on the front, and the first generation of girls to be formally educated. Some were tools of statecraft and diplomacy, and others were instruments of social reform or even advertising and entertainment. But when considered together, they demonstrate the many ways that maps both reflect and influence historical change.

Audacious in scope and charming in execution, this collection of one hundred full-color maps offers an imaginative and visually engaging tour of American history that will show readers a new way of navigating their own worlds.

A master crime writer . . . Seicho Matsumoto's thrillers dissect Japanese society.--The New York Times Book Review

A stellar psychological thriller with a surprising and immensely satisfying resolution that flows naturally from the book's complex characterizations. Readers will agree that Matsumoto (1909-1992) deserves his reputation as Japan's Georges Simenon.-Publishers Weekly

While on a business trip to Kobe, Tsuneo Asai receives the news that his wife Eiko has died of a heart attack. Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife--who was shy and withdrawn, and only left their house twice a week to go to haiku meetings--ended up dead in a small shop in a shady Tokyo neighborhood?

When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife's death he discovers the villa Tachibana near by, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life...

Seicho Matsumoto was Japan's most successful thriller writer. His first detective novel, Points and Lines, sold over a million copies in Japan. Vessel of Sand, published in English as Inspector Imanishi Investigates in 1989, sold over four million copies and became a movie box-office hit.

It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared--57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s.

Who better than America's elder statesman of the theater, Williams' contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire? Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire. This definitive new edition will also include Williams' essay The World I Live In, and a brief chronology of the author's life.

George Eliot's first full-length novel, Adam Bede paints a powerful portrait of rural life, seduction, faith, and redemption. First published in 1859, this innovative novel carried its readers back sixty years to a time of impending change for England and the wider world. Eliot's penetrating portrayal of the interaction of ordinary people brought a new social realism to the novel, in which humor and tragedy co-exist, and fellow-feeling is the mainstay of human relationships. This is the first edition based on Eliot's final revision of the novel in 1861, using the definitive Clarendon text. It includes Eliot's journal entry on the real-life origins of the story and broadsheet accounts of Mary Voce, whose execution provided the germ of the novel. Carol Martin's superb Introduction sheds light on the novel's historical context and some of the main issues it explores: the role of work, class, and relations between the sexes, and Eliot's belief that the artist's duty is the faithful representing of commonplace things. The book includes comprehensive notes that identify literary and historical allusions.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Long a master of the crafts of Homeric translation and of rhapsodic performance, Stanley Lombardo now turns to the quintessential epic of Roman antiquity, a work with deep roots in the Homeric tradition. With characteristic virtuosity, he delivers a rendering of the Aeneid as compelling as his groundbreaking translations of the Iliad and the Odyssey, yet one that--like the Aeneid itself--conveys a unique epic sensibility and a haunting artistry all its own.

W. R. Johnson's Introduction makes an ideal companion to the translation, offering brilliant insight into the legend of Aeneas; the contrasting roles of the gods, fate, and fortune in Homeric versus Virgilian epic; the character of Aeneas as both wanderer and warrior; Aeneas' relationship to both his enemy Turnus and his lover Dido; the theme of doomed youths in the epic; and Virgil's relationship to the brutal history of Rome that he memorializes in his poem.

A map, a Glossary of Names, a Translator's Preface, and Suggestions for Further Reading are also included.

Chicago Writers Association Nonfiction Book of the Year (2017)
Society of Midland Authors Literary Award in Biography (2017)

A tireless champion of the downtrodden, Nelson Algren, one of the most celebrated writers of the 20th century, lived an outsider's life himself. He spent a month in prison as a young man for the theft of a typewriter; his involvement in Marxist groups earned him a lengthy FBI dossier; and he spent much of his life palling around with the sorts of drug addicts, prostitutes, and poor laborers who inspired and populated his novels and short stories.

Most today know Algren as the radical, womanizing writer of The Man with the Golden Arm, which won the first National Book Award, in 1950, but award-winning reporter Mary Wisniewski offers a deeper portrait. Starting with his childhood in the City of Big Shoulders, Algren sheds new light on the writer's most momentous periods, from his on-again-off-again work for the WPA to his stint as an uninspired soldier in World War II to his long-distance affair with his most famous lover, Simone de Beauvoir, to the sense of community and acceptance Algren found in the artist colony of Sag Harbor before his death in 1981.

Wisniewski interviewed dozens of Algren's closest friends and inner circle, including photographer Art Shay and author and historian Studs Terkel, and tracked down much of his unpublished writing and correspondence. She unearths new details about the writer's life, work, personality, and habits and reveals a funny, sensitive, and romantic but sometimes exasperating, insecure, and self-destructive artist. biography The first new biography of Algren in over 25 years, this fresh look at the man whose unique style and compassionate message enchanted readers and fellow writers and whose boyish charm seduced many women is indispensable to anyone interested in 20-century American literature and history.

Created for map lovers by map lovers, this rich book explores the intriguing stories behind maps across history and illuminates how the art of cartography thrives today.

In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps.

This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.

This entrancing book looks at [the clash of class and caste within the black community] . . . . An important reexamination of African American history.
--Choice

The 1893 World's Columbian Exposition in Chicago showed the world that America had come of age. Dreaming that they could participate fully as citizens, African Americans flocked to the fair by the thousands. All the World Is Here! examines why they came and the ways in which they took part in the Exposition. Their expectations varied. Well-educated, highly assimilated African Americans sought not just representation but also membership at the highest level of decision making and planning. They wanted to participate fully in all intellectual and cultural events. Instead, they were given only token roles and used as window dressing. Their stories of pathos and joy, disappointment and hope, are part of the lost history of White City. Frederick Douglass, who embodied the dream that inclusion within the American mainstream was possible, would never forget America's World's Fair snub.

Today Renaissance-era prints are typically preserved behind glass or in solander boxes in museums, but these decorative objects were once a central part of everyday life. Altered and Adorned is a delightful, surprising look at how prints were used: affixed on walls; glued into albums, books, and boxes; annotated; hand-colored; or cut apart.

This handsome volume introduces readers to the experimental world of printmaking in the mid-15th and 16th centuries and the array of objects it inspired, from illustrated books, sewing patterns, and wearable ornaments to printed sundials and anatomical charts. It features many never-before-published treasures from the Art Institute of Chicago's rich permanent collection, along with essays on the ways prints functioned--in some cases as three-dimensional and interactive works--and how their condition communicates their use.

An exuberant history of American dance, told through the lives of virtuoso performers who have defined the art

The history of American dance reflects the nation's tangled culture. Dancers from wildly different backgrounds learned, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American.

Using the stories of tapper Bill "Bojangles" Robinson, Ginger Rogers and Fred Astaire, ballet and Broadway choreographer Agnes de Mille, choreographer Paul Taylor, and Michael Jackson, Megan Pugh shows how freedom--that nebulous, contested American ideal--emerges as a genre-defining aesthetic. In Pugh's account, ballerinas mingle with slumming thrill-seekers, and hoedowns show up on elite opera house stages. Steps invented by slaves on antebellum plantations captivate the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the issues of race and class that haunt everyday life shadow American dance as well. Deftly narrated, America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement.

Winner of the Pulitzer Prize for Drama
Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika

"Glorious. A monumental, subversive, altogether remarkable masterwork...Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions--power, religion, sex, responsibility, the future of the world--are as perilous, yet as falling-down funny, as ever." -Linda Winer, Newsday

A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama. - Frank Rich, New York Times

A victory for theater, for the transforming power of the imagination to turn devastation into beauty. - John Lahr, New Yorker

"An enormously impressive work of the imagination and intellect, a towering example of what theater stretched to its full potential can achieve." -Philadelphia Inquirer

Angels in America is the finest drama of our time, speaking to us of an entire era of life and death as no other play within memory. It ranks as nothing less than one of the greatest plays of the twentieth century. - John Heilpern, New York Observer

"Some playwrights want to change the world. Some want to revolutionize theater. Tony Kushner is that rarity of rarities: a writer who has the promise to do both." -New York Times

This new edition of Tony Kushner's masterpiece is published with the author's recent changes and a new introduction in celebration of the twentieth anniversary of its original production. One of the most honored American plays in history, Angels in America was awarded two Tony Awards for Best Play and the Pulitzer Prize for Drama. It was made into an Emmy Award-winning HBO film directed by Mike Nichols. This two-part epic, subtitled A Gay Fantasia on National Themes, has received hundreds of performances worldwide in more than twenty-six languages.

Tony Kushner's plays include Angels in America; Hydriotaphia, or the Death of Dr. Brown; The Illusion, adapted from the play by Pierre Cornelle; Slavs!; A Bright Room Called Day; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols's film of Angels in America and for Steven Spielberg's Munich and Lincoln. His books include The Art of Maurice Sendak: 1980 to the Present; Brundibar, with illustrations by Maurice Sendak; and Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict, co-edited with Alisa Solomon.
Among many honors, Kushner is the recipient of a Pulitzer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, two Oscar nominations, and the Steinberg Distinguished Playwright Award. He is a member of the American Academy of Arts and Letters. In 2012, he was awarded a National Medal of Arts by President Barack Obama. He lives in Manhattan with his husband, Mark Harris.

This is the tale of a medieval masterpiece. York Minster boasts one of the great artistic achievements of the Middle Ages - a stunning expanse of stained glass of unparalleled size and beauty in Britain. The Great East Window, created by the 15th-century glass painter John Thornton, contains over 300 glazed panels, including a remarkable sequence depicting that most inspiring and controversial Biblical text, the Revelation of St John. The four horsemen, the Archangel Michael and the dragon, the whore of Babylon, the coming of the new Jerusalem - all of the famous phantasmagorical images of John's vision are here in searing colour and detail. Specially commissioned as the Minster received a generous grant to clean and preserve this masterwork, Apocalypse reproduces the entire cycle in colour for the first time. Expert commentary by medieval stained glass expert Sarah Brown is supplemented by a chapter on the interpretation of the Apocalypse by theologian Paula Gooder and an introduction by the Dean of York.

Literature, puns, and alcohol collide in this clever follow-up to Tequila Mockingbird, the world's bestselling cocktail recipes book.

Tim Federle's Tequila Mockingbird has become one of the world's bestselling cocktail books and resonated with bartenders and book clubs everywhere.

Now in this much anticipated follow-up, Are You There God? It's Me, Margarita, Federle has shaken up 49 all-new, all-delicious drink recipes paired with his trademark puns and clever commentary on more of history's most beloved books, as well as bar bites, drinking games, and whimsical illustrations throughout.

Cocktails include:

Fifty Shades of Grey Goose

The Handmaid's Ale

Little Soused on the Prairie

Tender Is the Nightcap

A Room With Vermouth

Go Get a Scotch, Man

As I Lay Drinking
and much more!

On December 4, 1969, attorney Jeff Haas was in a police lockup in Chicago, interviewing Fred Hampton's fiancée. She described how the police pulled her from the room as Fred lay unconscious on their bed. She heard one officer say, "He's still alive." She then heard two shots. A second officer said, "He's good and dead now." She looked at Jeff and asked, "What can you do?"
Fifty years later, Haas finds that there is still an urgent need for the revolutionary systemic changes Hampton was organizing to accomplish. With a new prologue discussing what has changed--and what has not--The Assassination of Fred Hampton remains Haas's personal account of how he and People's Law Office partner Flint Taylor pursued Hampton's assassins, ultimately prevailing over unlimited government resources and FBI conspiracy. Not only a story of justice delivered, the book puts Hampton in the spotlight as a dynamic community leader and an inspiration for those in the ongoing fight against injustice and police brutality.

The British Library's map collection is the national cartographic collection of Britain and numbers around four million maps dating from 15 CE to 2017 CE. These include road maps drawn for 13th century pilgrims and sea charts for 17th-century pirates. They include the first printed map to show the Americas and the last to show English-controlled Calais. They include the world's biggest and smallest atlases. They include maps for kings and queens, popes, ministers, schoolchildren, soldiers, tourists. There are maps which changed the world. As well as comprehensively showcasing the varied and surprising treasures of the British Library's "banquet of maps" for the first time, this book will examine the evolution of humanity's perceptions of the world through maps. By looking at how this map collection was assembled principally over two and a half centuries but in reality over a millennium, the book comprises a cartographic history of the world, as well as vivid celebration of the world's best map collection's best maps.

Neil LaBute burst onto the American theater scene with the premiere of BASH at NYC's Douglas Fairbanks Theater in 1999 in a wildly praised production that featured Calista Flockhart, Paul Rudd, and Ron Eldard. It went on to play at the Almeida Theatre in London and since then has seen hundreds of productions across the U.S. and around the world. These three provocative one-act plays examine the complexities of evil in everyday life and thrillingly exhibit LaBute's signature raw lyrical intensity. Ablaze with the muscular dialogue and searing artistry that immediately established him as a major playwright, BASH is enduringly brilliant--classic and essential Neil LaBute. In Medea Redux, a young woman relates her complex and ultimately tragic relationship with her high school English teacher; in Iphigenia in Orem, a businessman confides to a stranger in a Las Vegal hotel room about a chilling crime; and in A Gaggle of Saints, a young couple separately recounts the violent events of an anniversary weekend in New York City.

From its powerful opening scene, of a naked King Henry II praying at the tomb of Thomas Becket, to the final wrenching act of ultimate self-sacrifice, Jean Anouih's "Becket" remains a towering achievement in the history of the theatre. Winner of the Antoinette Perry Award for Best Play of the Season (1960-61), Anouih's monumental work draws from historical events in the Norman conquest of England to create a profound portrait of a man's soul - and a transcendent vision of the human spirit...

Toni Morrison's magnificent Pulitzer Prize-winning novel--first published in 1987--brought the unimaginable experience of slavery into the literature of our time and into our comprehension. Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has risked her life in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.
Sethe works at "beating back the past, " but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the "place over there" to claim retribution for what she lost and for what was taken from her. Sethe's struggle to keep Beloved from gaining possession of her present--and to throw off the long-dark legacy of her past--is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.
Upon the original publication of Beloved, John Leonard wrote in the "Los Angeles Times": "I can't imagine American literature without it." In fact, more than a decade later, it remains a preeminent novel of our time, speaking with timeless clarity and power to our experience as a nation with a past of both abominable and ennobling circumstance.

The magnificent Pulitzer Prize-winning work that brought the wrenching experience of slavery into the literature of our time, enlarging our comprehension of America's original sin.

Upon the original publication of Beloved in 1987, John Leonard wrote in the Los Angeles Times: "I can't imagine American literature without it." Nearly two decades later, The New York Times chose Beloved as the best American novel of the previous fifty years.

Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has lost a husband and buried a child; who has withstood savagery and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.

Sethe works at "beating back the past," but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the "place over there" to claim retribution for what she lost and for what was taken from her.

Sethe's struggle to keep Beloved from gaining possession of the present--and to throw off the long-dark legacy of the past--is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.

Drawing on the world-leading scholarship and vast collections of the British Museum, Bestiary is a wonderful visual, thematic exploration of animals--real, surreal, and imaginary--as depicted on beautiful ritual objects and works of art. Famous masterpieces mix with little-seen artifacts from every age and around the globe.

Arranged thematically into five chapters (wild, domestic, exotic, symbolic, and hybrids and mythical creatures), this book depicts animals in intelligent pairings and groupings of images that encourage the reader to find and learn the cultural context and connections between the origins of many different civilizations. An ancient Egyptian bronze divine cat sits next to a nineteenth-century print of English domestic feline bliss; a miniature Ice Age mammoth sits with an ancient engraved drawing of a horse; a Minoan acrobat leaps onto the back of a 3,500-year-old bull.

Art historian Christopher Masters is a wonderfully clear and informative guide, illuminating familiar masterpieces and bringing lesser-known treasures into the light. This book will enchant animal lovers and gift buyers, as well as appealing to curious general readers and offering inspiration to the creative imagination.

Raymond Chandler's first novel, published in 1939, introduces us to Philip Marlowe, a thirty-eight-old private detective moving through the seamy side of Los Angeles in the 1930s. The case involves a paralyzed California millionaire, two psychotic daughters, blackmail, and murder.

A New York Times Bestseller
A Read with Jenna Today Show Book Club Pick!

"Askaripour closes the deal on the first page of this mesmerizing novel, executing a high wire act full of verve and dark, comic energy."
--Colson Whitehead, author of The Nickel Boys

"A hilarious, gleaming satire as radiant as its author. Askaripour has announced himself as a major talent of the school of Ralph Ellison, Paul Beatty, Fran Ross, and Ishmael Reed. Full of quick pacing, frenetic energy, absurd--yet spot on--twists and turns, and some of the funniest similes I've ever read, this novel is both balm and bomb."
--Nafissa Thompson-Spires, author of Heads of the Colored People

For fans of Sorry to Bother You and The Wolf of Wall Street--a crackling, satirical debut novel about a young man given a shot at stardom as the lone Black salesman at a mysterious, cult-like, and wildly successful startup where nothing is as it seems.

There's nothing like a Black salesman on a mission.

An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor.

After enduring a "hell week" of training, Darren, the only Black person in the company, reimagines himself as "Buck," a ruthless salesman unrecognizable to his friends and family. But when things turn tragic at home and Buck feels he's hit rock bottom, he begins to hatch a plan to help young people of color infiltrate America's sales force, setting off a chain of events that forever changes the game.

Black Buck is a hilarious, razor-sharp skewering of America's workforce; it is a propulsive, crackling debut that explores ambition and race, and makes way for a necessary new vision of the American dream.