By one of America's most talented playwrights, Marsha Norman's 'night, Mother won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983.
'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.Hilarious and relatable to all singletons of the realm, this medieval guide to modern dating is sure to turn thine frown upsidedown.
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The Chicago Race Riot of 1919, the most intense of the riots comprising the nation's Red Summer, has shaped the last century but is not widely discussed. In 1919, award-winning poet Eve L. Ewing explores the story of this event--which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries--through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. Fair organizers, together with corporate leaders, believed that progress rides on the tide of technological innovation and consumerism.
But not all those who struggled for a voice at Chicago's 1933 exposition had abandoned the traditional notions of progress that entailed social justice and equality, recognition of ethnic and gender-related accomplishments, and personal freedom and expression. The stark pronouncement of the fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of others, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. They all met obstacles but ultimately introduced personal, social definitions of "progress" and thereby influenced the ways the fair took shape.
In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.
* Emily Dickinson, brilliant nineteenth-century poet who wrote about her desire for women.
* Gladys Bentley, Harlem blues singer who challenged restrictive cross-dressing laws in the 1920s.
* Bayard Rustin, Dr. Martin Luther King Jr.'s close friend, civil rights organizer, and an openly gay man.
* Sylvia Rivera, cofounder of STAR, the first transgender activist group in the US in 1970.
* Kiyoshi Kuromiya, civil rights and antiwar activist who fought for people living with AIDS.
* Jamie Nabozny, activist who took his LGBTQ school bullying case to the Supreme Court.
* Aidan DeStefano, teen who brought a federal court case for trans-inclusive bathroom policies.
* And many more! With over 60 illustrations and photos, a glossary, and a corresponding curriculum, A Queer History of the United States for Young People will be vital for teachers who want to introduce a new perspective to America's story.
It is crucial for lesbian, gay, bisexual, transgender, and queer youth to know their history. But this history is not easy to find since it’s rarely taught in schools or commemorated in other ways. A Queer History of the United States for Young People corrects this and demonstrates that LGBTQ people have long been vital to shaping our understanding of what America is today.
Through engrossing narratives, letters, drawings, poems, and more, the book encourages young readers, of all identities, to feel pride at the accomplishments of the LGBTQ people who came before them and to use history as a guide to the future. The stories he shares include those of
* Indigenous tribes who embraced same-sex relationships and a multiplicity of gender identities.
* Emily Dickinson, brilliant nineteenth-century poet who wrote about her desire for women.
* Gladys Bentley, Harlem blues singer who challenged restrictive cross-dressing laws in the 1920s.
* Bayard Rustin, Dr. Martin Luther King Jr.’s close friend, civil rights organizer, and an openly gay man.
* Sylvia Rivera, cofounder of STAR, the first transgender activist group in the US in 1970.
* Kiyoshi Kuromiya, civil rights and antiwar activist who fought for people living with AIDS.
* Jamie Nabozny, activist who took his LGBTQ school bullying case to the Supreme Court.
* Aidan DeStefano, teen who brought a federal court case for trans-inclusive bathroom policies.
* And many more!
With over 60 illustrations and photos, a glossary, and a corresponding curriculum, A Queer History of the United States for Young People will be vital for teachers who want to introduce a new perspective to America’s story.
"The hardboiled audacity and wit that became Hecht's signature as Hollywood's most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history."--L. S. Klepp, Voice Literary Supplement











