Adult Education

NEW YORK TIMES EDITORS' CHOICE - A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author's encounters with gun violence.

Finalist for the Dayton Literary Peace Prize - Goop Book Club Pick - "Essential . . . We need more voices like Toni Jensen's, more books like Carry."--Tommy Orange, New York Times bestselling author of There There

Toni Jensen grew up around guns: As a girl, she learned to shoot birds in rural Iowa with her father, a card-carrying member of the NRA. As an adult, she's had guns waved in her face near Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known that in this she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of Indigenous women, on Indigenous land, and the ways it is hidden, ignored, forgotten.

In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen connects the trauma of school shootings with her own experiences of racism and sexual assault on college campuses. "The Worry Line" explores the gun and gang violence in her neighborhood the year her daughter was born. "At the Workshop" focuses on her graduate school years, during which a workshop classmate repeatedly killed off thinly veiled versions of her in his stories. In "Women in the Fracklands," Jensen takes the reader inside Standing Rock during the Dakota Access Pipeline protests and bears witness to the peril faced by women in regions overcome by the fracking boom.

In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history--as well as to the violent cultural landscape in which she finds her coordinates. With each chapter, Carry reminds us that surviving in one's country is not the same as surviving one's country.

One of the most important Ukrainian voices throughout the Russian invasion, the author of Death and the Penguin and Grey Bees collects his searing dispatches from the heart of Kyiv.

This journal of the invasion, a collection of Andrey Kurkov's writings and broadcasts from Kyiv, is a remarkable record of a brilliant writer at the forefront of a 21st-century war. Andrey Kurkov has been a consistent satirical commentator on his adopted country of Ukraine. His most recent work, Grey Bees, is a dark foreshadowing of the devastation in the eastern part of Ukraine in which only two villagers remain in a village bombed to smithereens. The author has lived in Kyiv and in the remote countryside of Ukraine throughout the Russian invasion. He has also been able to fly to European capitals where he has been working to raise money for charities and to address crowded halls. Kurkov has been asked to write for every English newspaper, as also to be interviewed all over Europe. He has become an important voice for his people.

Kurkov sees every video and every posted message, and he spends the sleepless nights of continuous bombardment of his city delivering the truth about this invasion to the world.

In 1610, Galileo published the Siderius nuncius, or Starry Messenger, a "hurried little masterpiece" in John Heilbron's words. Presenting to the world his remarkable observations using the recently invented telescope--the craters of the moon, the satellites of Jupiter--Galileo dramatically challenged our idea of the perfection of the heavens and the centrality of the Earth in the universe. Indeed, the appearance of the little book is regarded as one of the great moments in the history of science.

Here is a major new biography of Galileo, a fresh and much more rounded view of the great scientist than found in previous works. Unlike previous biographers, Heilbron shows us that Galileo was far more than a mathematician: he was deeply knowledgeable in the arts, an expert on the epic poet Ariosto, a fine lutenist. More important, Heilbron notes that years of reading the poets and experimenting with literary forms were not mere sidebars--they enabled Galileo to write clearly and plausibly about the most implausible things. Indeed, Galileo changed the world not simply because he revolutionized astronomy, but because he conveyed his discoveries so clearly and crisply that they could not be avoided or denied. If ever a discoverer was perfectly prepared to make and exploit his discovery, it was the dexterous humanist Galileo aiming his first telescope at the sky.

In Galileo, John Heilbron captures not only the great scientist, but also the creative, artistic younger man who would ultimately become the champion of Copernicus, the bête-noire of the Jesuits, and the best-known of all martyrs to academic freedom.

First published in 1934, Goodbye to Berlin has been popularized on stage and screen by Julie Harris in I Am a Camera and Liza Minelli in Cabaret. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafés; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires -- this was the period when Hitler was beginning his move to power. Goodbye to Berlin is inhabited by a wealth of characters: the unforgettable and "divinely decadent"Sally Bowles; plump Fraulein Schroeder, who considers reducing her Buste relieve her heart palpitations; Peter and Otto, a gay couple struggling to come to terms with their relationship; and the distinguished and doomed Jewish family, the Landauers.