Designed for lifelong learners with busy schedules and inquiring minds, the Newberry’s Adult Education Classes dive into the humanities from fresh perspectives. Explore your creative or intellectual pursuits in literature, music, history, philosophy, religion, language, genealogy, or creative writing. Taught by experts in their fields, each class fosters conversation, creativity, and an open exchange of knowledge.
We offer nearly 150 classes annually, ranging in size, duration, cost, and format and held over three terms (Fall, Winter/Spring, and Summer).
Adult Education
The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of Hamlet is edited with an introduction by series editor A. R. Braunmuller and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction--above all, the extraordinary Wide Sargasso Sea--that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now.
In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable--and shockingly contemporary.
Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.
When beautiful young Lucy Graham accepts the hand of Sir Michael Audley, her fortune and her future look secure. But Lady Audley's past is shrouded in mystery, and Sir Michael's nephew Robert has vague forebodings. When Robert's good friend George Talboys suddenly disappears, he is determined to find him, and to unearth the truth. His quest reveals a tangled story of lies and deception, crime and intrigue, whose sensational twists turn the conventional picture of Victorian womanhood on its head. Can Robert's darkest suspicions really be true? A publishing sensation in its day, Lady Audley's Secret is a thrilling novel of deception and villainy in which the golden-haired heroine is not at all what she seems. But it is not just a pot-boiler. Indeed, Mary Elizabeth Braddon's terrific plot touches on many contemporary social concerns, including class, madness, and the separate roles of men and women. Lyn Pykett's introduction illuminates Braddon's fascinating tale of bigamy, murder, impersonation, and blackmail in the context of the nineteenth-century sensation novel and Braddon's immensely successful career. Throughout the book, thorough notes elucidate literary and historical allusions and shed light on the social mores of the day. In addition, the book includes an up-to-date bibliography and a full chronology of Braddon's life and work. Lady Audley's Secret was an immediate bestseller, and readers have enjoyed its thrilling plot ever since its first publication in 1862. This marvelous new edition introduces Braddon's portrait of her scheming heroine to a new generation of readers. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
A deeply resonant memoir for anyone who has loved and lost, from acclaimed poet and Pulitzer Prize finalist Elizabeth Alexander. In The Light of the World, Elizabeth Alexander finds herself at an existential crossroads after the sudden death of her husband. Channeling her poetic sensibilities into a rich, lucid price, Alexander tells a love story that is, itself, a story of loss. As she reflects on the beauty of her married life, the trauma resulting from her husband's death, and the solace found in caring for her two teenage sons, Alexander universalizes a very personal quest for meaning and acceptance in the wake of loss.
The Light of the World is at once an endlessly compelling memoir and a deeply felt meditation on the blessings of love, family, art, and community. It is also a lyrical celebration of a life well-lived and a paean to the priceless gift of human companionship. For those who have loved and lost, or for anyone who cares what matters most, The Light of the World is required reading.
The Light of the World is at once an endlessly compelling memoir and a deeply felt meditation on the blessings of love, family, art, and community. It is also a lyrical celebration of a life well-lived and a paean to the priceless gift of human companionship. For those who have loved and lost, or for anyone who cares what matters most, The Light of the World is required reading.
This Norton Critical Edition includes:
- Melville's classic novel of whaling and revenge, based on Hershel Parker's revision of the 1967 text edited by Harrison Hayford and Hershel Parker.
- Twenty-six illustrations, including maps, contemporary engravings, and diagrams of whaleboat rigging.
- Background and source materials centering on whaling and whalecraft, Melville's international reception, the inspirations for Moby-Dick, and Melville's related correspondence.
- Forty-four reviews and interpretations of the novel spanning three centuries.
- A revised and updated Selected Bibliography.
About the Series
Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format--annotated text, contexts, and criticism--helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
Nations and Nationalism since 1780 is Eric Hobsbawm's widely acclaimed and highly readable inquiry into the question of nationalism. Events in the late twentieth century in Eastern Europe and the Soviet republics have since reinforced the central importance of nationalism in the history of the political evolution and upheaval. This second edition has been updated in light of those events, with a final chapter addressing the impact of the dramatic changes that have taken place. Also included are additional maps to illustrate nationalities, languages and political divisions across Europe in the nineteenth and twentieth centuries.
A new translation from the French by Marion Wiesel. Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.
This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
Nightwood, Djuna Barnes' strange and sinuous tour de force, belongs to that small class of books that somehow reflect a time or an epoch (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna--a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.
The outsized characters who inhabit this world are some of the most memorable in all of fiction--there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, A man is another persona woman is yourself, caught as you turn in panic; on her mouth you kiss your own) has made the novel a landmark of feminist and lesbian literature.
Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book so good a novel that only sensibilities trained on poetry can wholly appreciate it. Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.
The outsized characters who inhabit this world are some of the most memorable in all of fiction--there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, A man is another persona woman is yourself, caught as you turn in panic; on her mouth you kiss your own) has made the novel a landmark of feminist and lesbian literature.
Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book so good a novel that only sensibilities trained on poetry can wholly appreciate it. Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.
Ernest Hemingway's most beloved and popular novel ever, winner of the Pulitzer Prize, now featuring a previously unpublished short story and additional supplementary material--plus a personal foreword by the author's only living son, Patrick Hemingway, and an introduction by the author's grandson Seán Hemingway. The last of his novels Ernest Hemingway saw published, The Old Man and the Sea has proved itself to be one of the most enduring works of American fiction. The story of a down-on-his-luck Cuban fisherman and his supreme ordeal--a relentless, agonizing battle with a giant marlin far out in the Gulf Stream--has been cherished by generations of readers. Hemingway takes the timeless themes of courage in the face of adversity and personal triumph won from loss and transforms them into a magnificent 20th-century classic. First published in 1952, this hugely popular tale confirmed his power and presence in the literary world and played a large part in his winning the 1954 Nobel Prize in Literature.
A trip through Paris as it will never be again--dark and dank and poor and slapdash and truly bohemian
Paris, the City of Lights, the city of fine dining and seductive couture and intellectual hauteur, was until fairly recently always accompanied by its shadow: the city of the poor, the outcast, the criminal, the eccentric, the willfully nonconforming. In The Other Paris, Lucy Sante gives us a panoramic view of that second metropolis, which has nearly vanished but whose traces are in the bricks and stones of the contemporary city, in the culture of France itself, and, by extension, throughout the world. Drawing on testimony from a great range of witnesses, Sante, whose thorough research is matched only by the vividness of her narration, takes the reader on a whirlwind tour. Richly illustrated with more than three hundred images, The Other Paris scuttles through the knotted pre-Haussmann streets, through the improvised accommodations of the original bohemians, through the whorehouses and dance halls and hobo shelters of the old city. A lively survey of labor conditions, prostitution, drinking, crime, and popular entertainment, and of the reporters, réaliste singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to upend the story of the French capital, to reclaim the city from the bons vivants and the speculators, and to hold a light to the work and lives of those expunged from its center by the forces of profit.