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Today, illumination can be used to add a special flair to diplomas, invitations, family trees, or a memorable event like a wedding, a birthday, or an anniversary.
Travel through time with words that have shaped the trajectory of the English language across centuries.
The world of books has played a striking role in the history of English vocabulary. "Book" itself is one of the oldest words in the language, originating from "boc" in Old English, and appears in many commonly used expressions today, including by the book, bring to book, and bookworm, to name a few.
With the arrival of printing and typesetting, and the development of the newspaper industry came terminology that birthed commonly used phrases such as "stop the press," "front-page news," and "hit the headlines." The emergence of the internet generated even more.
This anthology presents a selection of more than one hundred words that show the influence of writing, reading, and publishing books on our everyday vocabulary over the centuries, telling the stories behind their linguistic origins and uncovering some surprising twists in the development of their meaning through time.
On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand?
In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy--the practice of binding books in this most intimate covering. Dozens of such books live on in the world's most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives--captivating and macabre in all the right ways--she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.Written collaboratively by design luminary Ellen Lupton (Thinking with Type) and a diverse team of designers coming to the profession from a range of backgrounds: Farah Kafei, Jennifer Tobias, Josh A. Halstead, Kaleena Sales, Leslie Xia, and Valentina Vergara. Original, handcrafted illustrations by Jennifer Tobias throughout bring warmth, humor, and narrative depth to the book. A NEW TAKE ON THE DESIGN CANON: Critical essays rethink design principles and practices through theories of feminism, anti-racism, inclusion, and nonbinary thinking. ADDS NEW VOICES: The book is packed with interviews, essays, typefaces, and projects from dozens of contributors with a variety of racial and ethnic backgrounds, abilities, gender identities, and positions of economic and social privilege. FOR COLLEGE STUDENTS & PROFESSIONALS: This is an eye-opening and empowering resource for navigating a creative career today. It is for anyone in a creative field, from graphic design and type design to marketing and advertising, as well as anyone who works with creative teams.
Extra Bold is the inclusive, practical, and informative (design) career guide for everyone!
Part textbook and part comic book, zine, manifesto, survival guide, and self-help manual, Extra Bold is filled with stories and ideas that don't show up in other career books or design overviews.
• Both pragmatic and inquisitive, the book explores power structures in the workplace and how to navigate them.
• Interviews showcase people at different stages of their careers.
• Biographical sketches explore individuals marginalized by sexism, racism, and ableism.
• Practical guides cover everything from starting out, to wage gaps, coming out at work, cover letters, mentoring, and more.
A new take on the design canon.
• Opens with critical essays that rethink design principles and practices through theories of feminism, anti-racism, inclusion, and nonbinary thinking.
• Features interviews, essays, typefaces, and projects from dozens of contributors with a variety of racial and ethnic backgrounds, abilities, gender identities, and positions of economic and social privilege.
• Adds new voices to the dominant design canon.
Written collaboratively by a diverse team of authors, with original, handcrafted illustrations by Jennifer Tobias that bring warmth, happiness, humor, and narrative depth to the book.Extra Bold is written by Ellen Lupton (Thinking with Type), Farah Kafei, Jennifer Tobias, Josh A. Halstead, Kaleena Sales, Leslie Xia, and Valentina Vergara.
Probably no book designer of the twentieth century has had more written about him, his work, or his life than Bruce Rogers. He was, as his primary biographer Joseph Blumenthal observed, the ultimate "artificer of the book." His career as a working designer spanned six decades, but arguably his finest (and certainly his happiest) years were spent at Cambridge's Riverside Press where he took over from D. B. Updike in 1896 and where he remained until 1912, overseeing his own department and designing at least sixty titles for Houghton Mifflin's list of Riverside Press Editions.
This small and elegantly produced volume contains an essay by Jerry Kelly outlining Rogers's tenure at Riverside, a checklist of all the work he executed there (for Houghton Mifflin as well as others), and twenty pages of reproductions displaying the full range of BR titles, specimens of printing that--as he later wistfully remarked--"give me a definite satisfaction."
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past.
Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years.