Bookarts Calligraphy Type
A lively, lavishly illustrated biography of the great printer Bodoni, vividly describing his work, life, and times while justifying his reputation as the "prince of typographers."
This is the first English-language biography of the relentlessly ambitious and incomparably talented printer Giambattista Bodoni (1740-1813). Born to a printing family in the small foothill town of Saluzzo, he left his comfortable life to travel to Rome in 1758 where he served as an apprentice of Cardinal Spinelli at the Propaganda Fide press. There, under the sponsorship of Ruggieri, his close friend, mentor, and protector, he learned all aspects of the printing craft. Even then, his real talent, indeed his genius, lay in type design and punch-cutting, especially of the exotic foreign alphabets needed by the papal office to spread the faith. Bodoni's life changed when in 1768 at age 28 he was invited by the young Duke of Parma to abandon Rome for that very French city to establish and direct the ducal press. He remained in Parma, overseeing a vast variety of printing, some of it pedestrian, but much of it glorious. And all of it making use of the typefaces he personally designed and engraved. This book goes beyond Bodoni's capacity as a printer; it examines the life and times in which he lived, the turbulent and always fragile political climate, the fascinating cast of characters that enlivened the ducal court, the impressive list of visitors making the pilgrim- age to Parma, and the unique position Parma occupied, politically Italian but very much French in terms of taste and culture. Even the food gets its due (and in savory detail). The illustrations--of the city, of the press, of the types and matrices--are compelling enough, but most striking are the pages from the books he designed. And especially, pages from his typographic masterpiece, the Manuale Tipografico, painstakingly prepared by his wife Ghitta, posthumously published in two volumes, and displaying the myriad typefaces in multiple sizes that Bodoni had designed and engraved over a long and prolific career. Intriguing, scholarly, visually arresting, and designed to Bodoni's standards, this title belongs on the shelf of any bibliophile. It not only makes for compelling reading, it will be considered the biography of record of a great printer for years to come.
A breathtaking journey into the hidden history of medieval manuscripts, from the Lindisfarne Gospels to the ornate Psalter of Henry VIII
"A delight--immersive, conversational, and intensely visual, full of gorgeous illustrations and shimmering description." -Helen Castor, author of She-Wolves
Medieval manuscripts can tell us much about power and art, knowledge and beauty. Many have survived because of an author's status--part of the reason we have so much of Chaucer's writing, for example, is because he was a London-based government official first and a poet second. Other works by the less influential have narrowly avoided ruin, like the book of illiterate Margery Kempe, found in a country house closet, the cover nibbled on by mice. Scholar Mary Wellesley recounts the amazing origins of these remarkable manuscripts, surfacing the important roles played by women and ordinary people--the grinders, binders, and scribes--in their creation and survival.
The Gilded Page is the story of the written word in the manuscript age. Rich and surprising, it shows how the most exquisite objects ever made by human hands came from unexpected places.
"Mary Wellesley is a born storyteller and The Gilded Page is as good as historical writing gets. This is a sensational debut by a wonderfully gifted historian." --Dan Jones, bestselling author of The Plantagenets and The Templars
Creative Projects to Master the Art of Modern Lettering
Learn to create stunning hand lettered art with projects that showcase the range of modern calligraphy. With a guide to getting started, tips on avoiding common mistakes and fully illustrated step-by-step instructions, artist Marcella Astore makes it easier than ever to achieve professional-quality effects in your lettering. Master the skill of blending to create smooth gradient effects between colors or add a soft watercolor look inside your letters. Discover the secrets of layering to make realistic ocean waves or add bold patterns like plaid and shimmering scales from a mermaid tail. In addition, Marcella's pro tips for effectively adding shadows and highlights will make your work pop off the page. Whether you're still a beginner or a lettering artist looking for new tips and fresh inspiration, Marcella's creative designs and whimsical messages will guide you in achieving your lettering dreams.
Most of us give little thought to the back of the book--it's just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past.
Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and--of course--indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart--and we have been for eight hundred years.
An Open Letters Review Best Book of the Year
"Grafton presents largely unfamiliar material...in a clear, even breezy style...Erudite."--Michael Dirda, Washington Post In this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book--compiling notebooks, copying and correcting proofs, preparing copy--and shows us how scribes and scholars shaped influential treatises and forgeries. Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas. "Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers...Captivating and often amusing."
--Wall Street Journal "Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper."
--New York Review of Books "Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible."
--Christine Jacobson, Book Post "Scholarship is a kind of heroism in Grafton's account, his nine protagonists' aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge."
--London Review of Books
Clear instructions and 129 photos welcome you to the world of calligraphy. Starting with the pens, inks, and writing surfaces you'll need, the book explains the basics, from filling the pen to holding the nib at the right angle. Practice exercises help you understand upstrokes, downstrokes, the optical center, and more. Then comes a chronological introduction to 5 major styles of Western script, beginning with the Roman Uncial script of around 600 BCE and covering several important scripts that developed in the following centuries. For each style, the book explains its historical use and its characteristics, teaches the correct formation of each letter, and offers suggestions and tips. Then a practice exercise helps you master the style. Learn the all-capital Uncial script, and create a beautiful wine list with it; try Gothic Textura for a calendar, or Chancery for a letterhead design. Finally, a gallery of 24 masterworks by experts offers even more inspiration.
Providing a comprehensive and accessible orientation to the field of medieval manuscript studies, this lavishly illustrated book by Raymond Clemens and Timothy Graham is unique among handbooks on paleography, codicology, and manuscript illumination in its scope and level of detail. It will be of immeasurable help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print.
Introduction to Manuscript Studies features three sections:
- Part 1, "Making the Medieval Manuscript," offers an in-depth examination of the process of manuscript production, from the preparation of the writing surface through the stages of copying the text, rubrication, decoration, glossing, and annotation to the binding and storage of the completed codex.
- Part 2, "Reading the Medieval Manuscript," focuses on the skills necessary for the successful study of manuscripts, with chapters on transcribing and editing; reading texts damaged by fire, water, insects, and other factors; assessing evidence for origin and provenance; and describing and cataloguing manuscripts. This part ends with a survey of sixteen medieval scripts dating from the eighth to the fifteenth century.
- Part 3, "Some Manuscript Genres," provides an analysis of several of the most frequently encountered types of medieval manuscripts, including Bibles and biblical concordances, liturgical service books, Books of Hours, charters and cartularies, maps, and rolls and scrolls. The book concludes with an extensive glossary, a guide to dictionaries of medieval Latin, and a bibliography subdivided and keyed to the subsections of the volume's chapters.
Every chapter in this magisterial guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge.
The first comprehensive intellectual history of alphabet studies. Inventing the Alphabet provides the first account of two-and-a-half millennia of scholarship on the alphabet. Drawing on decades of research, Johanna Drucker dives into sometimes obscure and esoteric references, dispelling myths and identifying a pantheon of little-known scholars who contributed to our modern understandings of the alphabet, one of the most important inventions in human history. Beginning with Biblical tales and accounts from antiquity, Drucker traces the transmission of ancient Greek thinking about the alphabet's origin and debates about how Moses learned to read. The book moves through the centuries, finishing with contemporary concepts of the letters in alpha-numeric code used for global communication systems. Along the way, we learn about magical and angelic alphabets, antique inscriptions on coins and artifacts, and the comparative tables of scripts that continue through the development of modern fields of archaeology and paleography. This is the first book to chronicle the story of the intellectual history through which the alphabet has been "invented" as an object of scholarship.