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Cartography
Padrón reveals the evolution of Spain's imagining of the New World as a space in continuity with Asia. Narratives of Europe's westward expansion often tell of how the Americas came to be known as a distinct landmass, separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain's understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun. The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa's discovery of the South Sea and ending almost a hundred years later with Spain's final push for control of the Pacific. Padrón traces a series of attempts--both cartographic and discursive--to map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.
The British Library has one of the largest and most impressive cartographic collections in the world, including manuscript maps and atlases, administrative records and plans, large-scale surveys, and digital maps. From this rich resource, 100 fascinating examples ranging from world and city maps, celestial and sea charts, literary and statistical maps, curiosities and fake maps have been selected as the basis for this puzzle book. Each map is faithfully reproduced with a description of its creation and use, followed by details showing areas of particular interest. Readers are asked to scrutinize the maps to answer a series of historical and geographical questions, all the while enjoying new perspectives on the world we live in provided by our eclectic and extensive archive.
The British Library has one of the largest and most impressive cartographic collections in the world, including manuscript maps and atlases, administrative records and plans, large-scale surveys, and digital maps. From this rich resource, 100 fascinating examples ranging from world and city maps, celestial and sea charts, literary and statistical maps, curiosities and fake maps have been selected as the basis for this puzzle book. Each map is faithfully reproduced with a description of its creation and use, followed by details showing areas of particular interest. Readers are asked to scrutinize the maps to answer a series of historical and geographical questions, all the while enjoying new perspectives on the world we live in provided by our eclectic and extensive archive.
Maps are inherently unnatural. Projecting three-dimensional realities onto two-dimensional surfaces, they are abstractions that capture someone's idea of what matters within a particular place; they require selections and omissions. These very characteristics, however, give maps their importance for understanding how humans have interacted with the natural world, and give historical maps, especially, the power to provide rich insights into the relationship between humans and nature over time. That is just what is achieved in Mapping Nature across the Americas. Illustrated throughout, the essays in this book argue for greater analysis of historical maps in the field of environmental history, and for greater attention within the field of the history of cartography to the cultural constructions of nature contained within maps. This volume thus provides the first in-depth and interdisciplinary investigation of the relationship between maps and environmental knowledge in the Americas--including, for example, stories of indigenous cartography in Mexico, the allegorical presence of palm trees in maps of Argentina, the systemic mapping of US forests, and the scientific platting of Canada's remote lands.
Where is paradise? It always seems to be elsewhere, inaccessible, outside of time. Either it existed yesterday or it will return tomorrow; it may be just around the corner, on a remote island, beyond the sea. Across a wide range of cultures, paradise is located in the distant past, in a longed-for future, in remote places or within each of us. In particular, people everywhere in the world share some kind of nostalgia for an innocence experienced at the beginning of history. For two millennia, learned Christians have wondered where on earth the primal paradise could have been located. Where was the idyllic Garden of Eden that is described in the Bible? In the Far East? In equatorial Africa? In Mesopotamia? Under the sea? Where were Adam and Eve created in their unspoiled perfection? Maps of Paradise charts the diverse ways in which scholars and mapmakers from the eighth to the twenty-first century rose to the challenge of identifying the location of paradise on a map, despite the certain knowledge that it was beyond human reach. Over one hundred illustrations celebrate this history of a paradox: the mapping of the unmappable. It is also a mirror to the universal dream of perfection and happiness, and the yearning to discover heaven on earth.
For more than four decades, 1965-2008, Jossy and Ken Nebenzahl have traveled the world; from the sands of Arabia to the Mogolian outback, Khyber Pass tothe Strait of Hormuz, from Himalaya to Papua New Guinea. Traveling by freighter, camel, dugout canoe, hot air balloon, antique aircraft and by their own rapidly toughening feet.
This book encapsulates their journals and photographs into a memoir that captures the exhilaration of setting off into the wild blue with little more than curiosity and a bedroll.
Instructive, amusing, colorful--pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects--the golden age of American pictorial maps. Picturing America is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, Picturing America covers a vast swath of the pictorial map tradition during its golden age, ranging from "Maps to Amuse" to "Maps for War." Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more. This remarkable, charming volume's glorious full-color pictorial maps will be irresistible to any map lover or armchair traveler.
From the author of the New York Times bestseller Prisoners of Geography, a fascinating, "refreshing, and very useful" (The Washington Post) follow-up that uses ten maps to explain the challenges to today's world powers and how they presage a volatile future. Tim Marshall's global bestseller Prisoners of Geography offered us a "fresh way of looking at maps" (The New York Times Book Review), showing how every nation's choices are limited by mountains, rivers, seas, and walls. Since then, the geography hasn't changed, but the world has. Now, in this "wonderfully entertaining and lucid account, written with wit, pace, and clarity" (Mirror, UK), Marshall takes us into ten regions set to shape global politics. Find out why US interest in the Middle East will wane; why Australia is now beginning an epic contest with China; how Turkey, Saudi Arabia, and the UK are cleverly positioning themselves for greater power; why Ethiopia can control Egypt; and why Europe's next refugee crisis looms closer than we think, as does a cutting-edge arms race to control space. Innovative, compelling, and delivered with Marshall's trademark wit and insight, this is "an immersive blend of history, economics, and political analysis that puts geography at the center of human affairs" (Publishers Weekly).
"For curious children ages 7-15, Prisoners of Geography has lots to fascinate."--The Wall Street Journal The secret world history written in the mountains, rivers, and seas that shape every country's politics, economy, and international relations--and our own lives--is revealed in this illustrated young readers edition of Prisoners of Geography, the million-copy international bestseller. History is a story--and it's impossible to tell the whole tale without understanding the setting. In this eye-opening illustrated edition of the international bestseller Prisoners of Geography, you'll learn to spot connections between geography and world affairs in ways you never noticed before.
How did the US's rivers help it become a superpower? Why are harsh, cold and swampy Siberia and the Russian Far East two of that country's most prized regions? How come Japan prefers to trade along the coasts instead of across its land? What do the Himalayas have to do with war?
With colorful maps that capture every continent and region, plus hundreds of illustrations that illuminate how our surroundings shape us, this one-of-a-kind atlas will inspire curious minds of all ages!
With colorful maps that capture every continent and region, plus hundreds of illustrations that illuminate how our surroundings shape us, this one-of-a-kind atlas will inspire curious minds of all ages!
In this New York Times bestseller, an award-winning journalist uses ten maps of crucial regions to explain the geo-political strategies of the world powers--"fans of geography, history, and politics (and maps) will be enthralled" (Fort Worth Star-Telegram).Maps have a mysterious hold over us. Whether ancient, crumbling parchments or generated by Google, maps tell us things we want to know, not only about our current location or where we are going but about the world in general. And yet, when it comes to geo-politics, much of what we are told is generated by analysts and other experts who have neglected to refer to a map of the place in question. All leaders of nations are constrained by geography. In "one of the best books about geopolitics" (The Evening Standard), now updated to include 2016 geopolitical developments, journalist Tim Marshall examines Russia, China, the US, Latin America, the Middle East, Africa, Europe, Japan, Korea, and Greenland and the Arctic--their weather, seas, mountains, rivers, deserts, and borders--to provide a context often missing from our political reportage: how the physical characteristics of these countries affect their strengths and vulnerabilities and the decisions made by their leaders. Offering "a fresh way of looking at maps" (The New York Times Book Review), Marshall explains the complex geo-political strategies that shape the globe. Why is Putin so obsessed with Crimea? Why was the US destined to become a global superpower? Why does China's power base continue to expand? Why is Tibet destined to lose its autonomy? Why will Europe never be united? The answers are geographical. "In an ever more complex, chaotic, and interlinked world, Prisoners of Geography is a concise and useful primer on geopolitics" (Newsweek) and a critical guide to one of the major determining factors in world affairs.
The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.