Many Chicagoans rose in protest over A. J. Liebling's tongue-in-cheek tour of their fair city in 1952. Liebling found much to admire in the Windy City's people and culture--its colorful language, its political sophistication, its sense of its own history and specialness, but Liebling offended that city's image of itself when he discussed its entertainments, its built landscapes, and its mental isolation from the world's affairs.
Liebling, a writer and editor for the New Yorker, lived in Chicago for nearly a year. While he found a home among its colorful inhabitants, he couldn't help comparing Chicago with some other cities he had seen and loved, notably Paris, London, and especially New York. His magazine columns brought down on him a storm of protests and denials from Chicago's defenders, and he gently and humorously answers their charges and acknowledges his errors in a foreword written especially for the book edition. Liebling describes the restaurants, saloons, and striptease joints; the newspapers, cocktail parties, and political wards; the university; and the defining event in Chicago's mythic past, the Saint Valentine's Day Massacre. Illustrated by Steinberg, Chicago is a loving, if chiding, portrait of a great American metropolis.
Robert G. Athearn Award from the Western History Association In City Indian Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indians who migrated to Chicago from across America to work and emerged as activists. From the 1893 World's Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues.
City Indian focuses on the privileged members of the American Indian community in Chicago: doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era more than any other time in the city's history, they could be found in the company of politicians and society leaders, at Chicago's major cultural venues and events, and in the press, speaking out. When Mayor "Big Bill" Thompson declared that Chicago public schools teach "America First," American Indian leaders publicly challenged him to include the true story of "First Americans."
As they struggled to reshape nostalgic perceptions of American Indians, these men and women developed new associations and organizations to help each other and to ultimately create a new place to call home in a modern American city.
City Indian focuses on the privileged members of the American Indian community in Chicago: doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era more than any other time in the city's history, they could be found in the company of politicians and society leaders, at Chicago's major cultural venues and events, and in the press, speaking out. When Mayor "Big Bill" Thompson declared that Chicago public schools teach "America First," American Indian leaders publicly challenged him to include the true story of "First Americans."
As they struggled to reshape nostalgic perceptions of American Indians, these men and women developed new associations and organizations to help each other and to ultimately create a new place to call home in a modern American city.
"Gregory Pratt had a rare front-row seat to the passions, problems, peculiarities, hopes, disappointments, shenanigans, and pettiness in the drama and farce that was Lori Lightfoot's uneasy tenure on the fifth floor at City Hall. What he delivers on these pages takes us backstage to give us a powerful, incisive portrait of the woman, the details of her mayoralty, and the many players who shared the stage." --Rick Kogan, Chicago Tribune reporter and author of A Chicago Tavern
Introduce babies and toddlers to iconic symbols of the Windy City with Nicole LaRue's quirky, modern illustrations.
This bright board book makes learning about Chicago as easy as 1, 2, 3! Covering everything from deep-dish pizza to sailboats, baseballs, monarch butterflies, and fishing poles Count On Chicago is the perfect gift for little Chicagoans and tiny tourists alike. This fresh and contemporary take on the Windy City will be a hit with little learners.
In chaotic bohemian Chicago of the 1920s, a powerful love affair is threatened by illness, a red scare and anti Semitic hatred. Confined to a TB sanitarium, Rhoda corresponds with Jerry, a left wing Jewish bookseller. Their letters reveal that the challenges and hatred they face are countered by their mutual love for each other, their love of literature, poetry and music and the left wing political causes they fight for. Their struggles come to life in the counter culture of Chicago's Dil Pickle Club, which is frequented by Rhoda, Jerry and their friends like poet Carl Sandburg, lawyer Clarence Darrow, labor leader Jack Jones, hobo and left wing debater Lizzie Davis and feminist Red Martha Biegler. The discovery of the letters nearly a century later in an abandoned trunk offers a message of hope by linking their past to the present.
#1 NEW YORK TIMES BESTSELLER - ONE OF ESSENCE'S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS In this iconic memoir of his early days, Barack Obama "guides us straight to the intersection of the most serious questions of identity, class, and race" (The Washington Post Book World). "Quite extraordinary."--Toni Morrison In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father--a figure he knows more as a myth than as a man--has been killed in a car accident. This sudden death inspires an emotional odyssey--first to a small town in Kansas, from which he retraces the migration of his mother's family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father's life, and at last reconciles his divided inheritance. Praise for Dreams from My Father "Beautifully crafted . . . moving and candid . . . This book belongs on the shelf beside works like James McBride's The Color of Water and Gregory Howard Williams's Life on the Color Line as a tale of living astride America's racial categories."--Scott Turow "Provocative . . . Persuasively describes the phenomenon of belonging to two different worlds, and thus belonging to neither."--The New York Times Book Review
"Obama's writing is incisive yet forgiving. This is a book worth savoring."--Alex Kotlowitz, author of There Are No Children Here "One of the most powerful books of self-discovery I've ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel."--Charlayne Hunter-Gault, author of In My Place
"Dreams from My Father is an exquisite, sensitive study of this wonderful young author's journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white."--Marian Wright Edelman
"Obama's writing is incisive yet forgiving. This is a book worth savoring."--Alex Kotlowitz, author of There Are No Children Here "One of the most powerful books of self-discovery I've ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel."--Charlayne Hunter-Gault, author of In My Place
"Dreams from My Father is an exquisite, sensitive study of this wonderful young author's journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white."--Marian Wright Edelman
From its launch in 1945, Ebony magazine was politically and socially influential. However, the magazine also played an important role in educating millions of African Americans about their past. Guided by the pen of Lerone Bennett Jr., the magazine's senior editor and in-house historian, Ebony became a key voice in the popular black history revival that flourished after World War II. Its content helped push representations of the African American past from the margins to the center of the nation's cultural and political imagination.
E. James West's fresh and fascinating exploration of Ebony's political, social, and historical content illuminates the intellectual role of the iconic magazine and its contribution to African American scholarship. He also uncovers a paradox. Though Ebony provided Bennett with space to promote a militant reading of black history and protest, the magazine's status as a consumer publication helped to mediate its representation of African American identity in both past and present.
Mixing biography, cultural history, and popular memory, West restores Ebony and Bennett to their rightful place in African American intellectual, commercial, and political history.
Original meditations on race, gender, identity, and the joy and pain of growing up, from a distinctive new voice.
Less celebrated than the 1893 Chicago World's Fair, the 1933-1934 Century of Progress Exposition brought visitors face-to-face with gleaming American consumerism in the midst of the Great Depression. Lindsay Fullerton draws on a wealth of personal photographs, scrapbooks, oral histories, and writings to illuminate the wildly different experiences of fairgoers against the backdrop of a city steeped in poverty and segregation.
The Exposition took place amidst massive changes sparked by expansion of mass media, Franklin Roosevelt's election, the repeal of Prohibition, and the Great Migration. A diverse cross-section of Chicagoans informs Fullerton's history of the event in the context of the fast-changing America of the interwar era. These personal accounts tell stories of how attendees interpreted their own experiences while being surrounded by whiz-bang products and full-throated evangelism on the benefits of progress.
A colorful people's history, Ephemeral City takes readers inside the other Chicago World's Fair and how visitors interacted with a pivotal moment in American history.
Discover the most enduring works of the legendary poet and first black author to win a Pulitzer Prize--now in one collectible volume "If you wanted a poem," wrote Gwendolyn Brooks, "you only had to look out of a window. There was material always, walking or running, fighting or screaming or singing." From the life of Chicago's South Side she made a forceful and passionate poetry that fused Modernist aesthetics with African-American cultural tradition, a poetry that registered the life of the streets and the upheavals of the 20th century. Starting with A Street in Bronzeville (1945), her epoch-making debut volume, The Essential Gwendolyn Brooks traces the full arc of her career in all its ambitious scope and unexpected stylistic shifts. "Her formal range," writes editor Elizabeth Alexander, "is most impressive, as she experiments with sonnets, ballads, spirituals, blues, full and off-rhymes. She is nothing short of a technical virtuoso." That technical virtuosity was matched by a restless curiosity about the life around her in all its explosive variety. By turns compassionate, angry, satiric, and psychologically penetrating, Gwendolyn Brooks' poetry retains its power to move and surprise. About the American Poets Project
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.