Chicago
A BookRiot Most Anticipated Travel Book of 2023
Italian beef and hot dogs get the headlines. Cutting-edge cuisine and big-name chefs get the Michelin stars. But Chicago food shows its true depth in classic dishes conceived in the kitchens of immigrant innovators, neighborhood entrepreneurs, and mom-and-pop visionaries.
Monica Eng and David Hammond draw on decades of exploring the city's food landscape to serve up thirty can't-miss eats found in all corners of Chicago. From Mild Sauce to the Jibarito and from Taffy Grapes to Steak and Lemonade, Eng and Hammond present stories of the people and places behind each dish while illuminating how these local favorites reflect the multifaceted history of the city and the people who live there. Each entry provides all the information you need to track down whatever sounds good and selected recipes even let you prepare your own Flaming Saganaki or Akutagawa.
Generously illustrated with full-color photos, Made in Chicago provides locals and visitors alike with loving profiles of a great food city's defining dishes.
An exploration of how the Windy City became a postwar Latinx metropolis in the face of white resistance. Though Chicago is often popularly defined by its Polish, Black, and Irish populations, Cook County is home to the third-largest Mexican-American population in the United States. The story of Mexican immigration and integration into the city is one of complex political struggles, deeply entwined with
issues of housing and neighborhood control. In Making Mexican Chicago, Mike Amezcua explores how the Windy City became a Latinx metropolis in the second half of the twentieth century. In the decades after World War II, working-class Chicago neighborhoods like Pilsen and Little Village became sites of upheaval and renewal as Mexican Americans attempted to build new communities in the face of white resistance that cast them as perpetual aliens. Amezcua charts the diverse strategies
used by Mexican Chicagoans to fight the forces of segregation, economic predation, and gentrification, focusing on how unlikely combinations of social conservatism and real estate market savvy paved new paths for Latinx assimilation. Making Mexican Chicago offers a powerful multiracial history of
Chicago that sheds new light on the origins and endurance of urban inequality.
issues of housing and neighborhood control. In Making Mexican Chicago, Mike Amezcua explores how the Windy City became a Latinx metropolis in the second half of the twentieth century. In the decades after World War II, working-class Chicago neighborhoods like Pilsen and Little Village became sites of upheaval and renewal as Mexican Americans attempted to build new communities in the face of white resistance that cast them as perpetual aliens. Amezcua charts the diverse strategies
used by Mexican Chicagoans to fight the forces of segregation, economic predation, and gentrification, focusing on how unlikely combinations of social conservatism and real estate market savvy paved new paths for Latinx assimilation. Making Mexican Chicago offers a powerful multiracial history of
Chicago that sheds new light on the origins and endurance of urban inequality.
The Man with the Golden Arm is Nelson Algren's most powerful and enduring work. On the 50th anniversary of its publication in November 1949, for which Algren was honored with the first National Book Award (which he received from none other than Eleanor Roosevelt at a ceremony in March 1950), Seven Stories is proud to release the first critical edition of an Algren work.
A novel of rare genius, The Man with the Golden Arm describes the dissolution of a card-dealing WWII veteran named Frankie Machine, caught in the act of slowly cutting his own heart into wafer-thin slices. For Frankie, a murder committed may be the least of his problems.
The literary critic Malcolm Cowley called The Man with the Golden Arm Algren's defense of the individual, while Carl Sandburg wrote of its strange midnight dignity. A literary tour de force, here is a novel unlike any other, one in which drug addiction, poverty, and human failure somehow suggest a defense of human dignity and a reason for hope.
Special contributions by Russell Banks, Bettina Drew, James R. Giles, Carlo Rotella, William Savage, Lee Stringer, Studs Terkel, Kurt Vonnegut, and others.
A novel of rare genius, The Man with the Golden Arm describes the dissolution of a card-dealing WWII veteran named Frankie Machine, caught in the act of slowly cutting his own heart into wafer-thin slices. For Frankie, a murder committed may be the least of his problems.
The literary critic Malcolm Cowley called The Man with the Golden Arm Algren's defense of the individual, while Carl Sandburg wrote of its strange midnight dignity. A literary tour de force, here is a novel unlike any other, one in which drug addiction, poverty, and human failure somehow suggest a defense of human dignity and a reason for hope.
Special contributions by Russell Banks, Bettina Drew, James R. Giles, Carlo Rotella, William Savage, Lee Stringer, Studs Terkel, Kurt Vonnegut, and others.
The celebrated bestselling author of The House on Mango Street "is back with her first work of fiction in almost a decade, a story of memory and friendship [and] the experiences young women endure as immigrants worldwide" (AP). In this masterfully written dual-language edition, a long-forgotten letter sets off a charged encounter with the past. As a young woman, Corina leaves her Mexican family in Chicago to pursue her dream of becoming a writer in the cafés of Paris. Instead, she spends her brief time in the City of Light running out of money and lining up with other immigrants to call home from a broken pay phone. But the months of befriending panhandling artists in the métro, sleeping on crowded floors, and dancing the tango at underground parties are given a lasting glow by her intense friendships with Martita and Paola. Over the years the three women disperse to three continents, falling out of touch and out of mind--until a rediscovered letter brings Corina's days in Paris back with breathtaking immediacy. Martita, I Remember You is a rare bottle from Sandra Cisneros's own special reserve, preserving the smoke and the sparkle of an exceptional year. Told with intimacy and searing tenderness, this tribute to the life-changing power of youthful friendship is Cisneros at her vintage best, in a beautiful
dual-language edition.
A VINTAGE ORIGINAL
dual-language edition.
A VINTAGE ORIGINAL
As a young woman, Corina leaves her Mexican family in Chicago to pursue her dream of becoming a writer in the cafés of Paris. Instead, she spends her brief time in the City of Light running out of money and lining up with other immigrants to call home from a broken pay phone. But the months of befriending panhandling artists in the métro, sleeping on crowded floors, and dancing the tango at underground parties are given a lasting glow by her intense friendships with Martita and Paola. Over the years the three women disperse to three continents, falling out of touch and out of mind—until a rediscovered letter brings Corina’s days in Paris back with breathtaking immediacy.
Martita, I Remember You is a rare bottle from Sandra Cisneros’s own special reserve, preserving the smoke and the sparkle of an exceptional year. Told with intimacy and searing tenderness, this tribute to the life-changing power of youthful friendship is Cisneros at her vintage best, in a beautiful
dual-language edition.
Discover how the Midwest refined the nation's sweet tooth through a delicious mix of immigrant traditions and American ingenuity.
Chef Jenny Lewis dips a spoon into generations of homemade desserts and examines the inner workings of some of the biggest brands of the baking industry. Learn how to make Pumpkin Whoopie Pies, witness the rise of Red Star Yeast, and plumb the secrets of the Kraft Oil Method, before sitting down to consume an engaging history in which Midwest beet sugar, vanilla cream and evaporated milk are mixed into a narrative of wars, social shifts, and politics. Encounter a rich medley of true stories and irresistible recipes from Wisconsin, Illinois, Indiana and Michigan in this delightful collection.
In this groundbreaking work, William Cronon gives us an environmental perspective on the history of nineteenth-century America. By exploring the ecological and economic changes that made Chicago America's most dynamic city and the Great West its hinterland, Mr. Cronon opens a new window onto our national past. This is the story of city and country becoming ever more tightly bound in a system so powerful that it reshaped the American landscape and transformed American culture. The world that emerged is our own.
Winner of the Chicago Tribune Heartland Prize
With the incisive pen of a newspaperman and the compassionate soul of a poet, Mike Royko was a Chicago institution who became, in Jimmy Breslin's words, the best journalist of his time. Culled from 7500 columns and spanning four decades, from his early days to his last dispatch, the writings in this collection reflect a radically changing America as seen by a man whose keen sense of justice and humor never faltered. Faithful readers will find their old favorites and develop new ones, while the uninitiated have the enviable good fortune of experiencing this true American voice for the first time. A treasure trove lies between these covers. Royko was in a class by himself. He was a true original.--Ann Landers The joy of One More Time is Royko in his own words.--Mary Eileen O'Connell, New York Times Book Review Reading a collection of Royko's columns is even more of a pleasure than encountering them one by one, and that is a large remark for he rarely wrote a piece that failed to wake you up with his hard-earned moral wit. Three cheers for Royko!--Norman Mailer Powerful, punchy, amazingly contemporary.--Neil A. Grauer, Cleveland Plain Dealer This crackling collection of his own favorite columns as well as those beloved by his fans reminds us just how much we miss the gruff, compassionate voice of Mike Royko.--Jane Sumner, Dallas Morning News A marvelous road map through four decades of America.--Elizabeth Taylor, Chicago Tribune Books Royko was an expert at finding universal truths in parochial situations, as well as in the larger issues--war and peace, justice and injustice, wealth and poverty--he examined. Think of One More Time as one man's pungent commentary on life in these United States over the last few decades.--Booklist Royko was one of the most respected and admired people in the business, by readers and colleagues alike. . . . Savor [his sketches] while you can.--Jonathan Yardley, Washington Post Book World Book collections of columns aren't presumed to be worth reading. This one is, whether or not you care about newspapering or Chicago.--Neil Morgan, San Diego Union-Tribune A treasure house for journalism students, for would-be writers, for students of writing styles, for people who just like to laugh at the absurdity of the human condition or, as Studs Terkel said, for those who will later seek to learn what it was really like in the 20th century.--Georgie Anne Geyer, Washington Times Full of astonishments, and the greatest of these is Royko's technical mastery as a writer.--Hendrik Hertzberg, New Yorker A great tribute to an American original, a contrarian blessed with a sense of irony and a way with words.--Bob Minzesheimer, USA Today In this posthumous collection of his columns, journalist Royko displays the breezy wit that made him so beloved in the Windy City.--People
Known variously as "'the Windy City,"' "'the City of Big Shoulders,"' or "'Chi-Raq,"' Chicago is one of the most widely celebrated, routinely demonized, and thoroughly contested cities in the world.
Chicago is the city of Gwendolyn Brooks and Chief Keef, Al Capone and Richard Wright, Lucy Parsons and Nelson Algren, Harold Washington and Studs Terkel. It is the city of Fred Hampton, House Music, and the Haymarket Martyrs. Writing in the tradition of Howard Zinn, Kevin Coval's A People's History of Chicago celebrates the history of this great American city from the perspective of those on the margins, whose stories often go untold. These seventy-seven poems (for the city's seventy-seven neighborhoods) honor the everyday lives and enduring resistance of the city's workers, poor people, and people of color, whose cultural and political revolutions continue to shape the social landscape.
Kevin Coval is the poet/author/editor of seven books including The BreakBeat Poets: New American Poetry in the Age of Hip-Hop and the play, This Iis Modern Art, co-written with Idris Goodwin. Founder of Louder Than A Bomb: The Chicago Youth Poetry Festival and the Artistic Director of Young Chicago Authors, Coval teaches hip-hop aesthetics at the University of Illinois--Chicago. The Chicago Tribune has named him "the voice of the new Chicago" and the Boston Globe calls him "the city's unofficial poet laureate."
When World War II ended, Americans celebrated a military victory abroad, but the meaning of peace at home was yet to be defined. From roughly 1943 onward, building a postwar society became the new national project, and every interest group involved in the war effort--from business leaders to working-class renters--held different visions for the war's aftermath. In Postwar, Laura McEnaney plumbs the depths of this period to explore exactly what peace meant to a broad swath of civilians, including apartment dwellers, single women and housewives, newly freed Japanese American internees, African American migrants, and returning veterans. In her fine-grained social history of postwar Chicago, McEnaney puts ordinary working-class people at the center of her investigation.
What she finds is a working-class war liberalism--a conviction that the wartime state had taken things from people, and that the postwar era was about reclaiming those things with the state's help. McEnaney examines vernacular understandings of the state, exploring how people perceived and experienced government in their lives. For Chicago's working-class residents, the state was not clearly delineated. The local offices of federal agencies, along with organizations such as the Travelers Aid Society and other neighborhood welfare groups, all became what she calls the state in the neighborhood, an extension of government to serve an urban working class recovering from war. Just as they had made war, the urban working class had to make peace, and their requests for help, large and small, constituted early dialogues about the role of the state during peacetime. Postwar examines peace as its own complex historical process, a passage from conflict to postconflict that contained human struggles and policy dilemmas that would shape later decades as fatefully as had the war.
The variety of LGBTQ life in Chicago is too abundant and too diverse to be contained in a single place. But since 1981, the Gerber/Hart Library and Archives has striven to do just that, amassing a wealth of records related to the city's gay, lesbian, bisexual, transgender, and queer-identified people and organizations. In Queer Legacies, John D'Emilio--a pioneering scholar in the field--digs deep into Gerber/Hart's collection to unearth a kaleidoscopic look at the communities built by generations of LGBTQ people. Excavated from one of the country's most important, yet overlooked, LGBTQ archives, D'Emilio's entertaining and enthusiastic essays range in focus from politics and culture to social life, academia, and religion. He gives readers an inclusive and personal look at fifty years of a national fight for visibility, recognition, and equality led by LGBTQ Americans who, quite literally, made history. In these troubled times, it will surely inspire a new generation of scholars and activists.