Cultural Studies
This timely and gorgeously illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures Afrofuturism: A History of Black Futures explores the evolving and exhilarating concept of Afrofuturism, a lens used to imagine a more empowering future for the Black community through music, art, and speculative fiction. Sumptuous, beautifully designed spreads feature 100 gorgeous illustrations of objects and images that reflect Black identity, agency, creativity, and hope, including: T'Challa's suit from Black Panther, Octavia Butler's typewriter, Uhura's outfit from Star Trek, Sun Ra's space harp, costumes from Broadway's The Wiz, handwritten lyrics by Jimi Hendrix, and Janelle Monae's ArchAndroid dress. Chapters include essays from a diverse group of scholars who reflect on themes such as legacy, alienation, and activism, with profiles on influential people and objects:
Foreword & Introduction Provides background on Afrofuturism Chapter 1 - Space is the Place Reflects on space and its defining connection to Afrofuturism and its African cultural legacy Chapter 2 - Speculative Worlds Explores short stories, Black speculative fiction and sci-fi, comics, and Black superheroes as bastions of Afrofuturist expression Chapter 3 - Visualizing Afrofuturism Analyzes the vast visual culture of Afrofuturism Chapter 4 - Musical Futures Explores Afrofuturism and music Afterword Afrofuturism offers a framework of radical potential to envision Black liberation and alternatives to oppressive structures like white supremacy. Afrofuturism comes at a time of increasing visibility for the concept, both in scholarship and in pop culture, and is a compelling ode to the revolutionary power of Black imagination. CONTRIBUTORS Reynaldo Anderson, Tiffany E. Barber, Herb Boyd, Ariana Curtis, Eve L. Ewing, Tuliza Fleming, Nona Hendryx, N. K. Jemisin, John Jennings, Steven Lewis, Mark Anthony Neal, Alondra Nelson, De Nichols, Elaine Nichols, William S. Pretzer, Vernon Reid, Matthew Shindell, Kevin M. Strait, Angela Tate, Michelle Wilkinson, Ytasha L. Womack, Alisha B. Wormsley, and Kevin Young
"Staggeringly good." --Counterpunch A major new work, a hybrid of history, journalism, and memoir, about the modern Freedom of Information Act--FOIA--and the horrifying, decades-old government misdeeds that it is unable to demystify, from one of America's most celebrated writers Eight years ago, while investigating the possibility that the United States had used biological weapons in the Korean War, Nicholson Baker requested a series of Air Force documents from the early 1950s under the provisions of the Freedom of Information Act. Years went by, and he got no response. Rather than wait forever, Baker set out to keep a personal journal of what it feels like to try to write about major historical events in a world of pervasive redactions, witheld records, and glacially slow governmental responses. The result is one of the most original and daring works of nonfiction in recent memory, a singular and mesmerizing narrative that tunnels into the history of some of the darkest and most shameful plans and projects of the CIA, the Air Force, and the presidencies of Harry Truman and Dwight Eisenhower. In his lucid and unassuming style, Baker assembles what he learns, piece by piece, about Project Baseless, a crash Pentagon program begun in the early fifties that aimed to achieve an Air Force-wide combat capability in biological and chemical warfare at the earliest possible date. Along the way, he unearths stories of balloons carrying crop disease, leaflet bombs filled with feathers, suicidal scientists, leaky centrifuges, paranoid political-warfare tacticians, insane experiments on animals and humans, weaponized ticks, ferocious propaganda battles with China, and cover and deception plans meant to trick the Kremlin into ramping up its germ-warfare program. At the same time, Baker tells the stories of the heroic journalists and lawyers who have devoted their energies to wresting documentary evidence from government repositories, and he shares anecdotes from his daily life in Maine feeding his dogs and watching the morning light gather on the horizon. The result is an astonishing and utterly disarming story about waiting, bureaucracy, the horrors of war, and, above all, the cruel secrets that the United States government seems determined to keep forever from its citizens.
An ambitious, honest portrait of the Black experience in flyover country. One of The St. Louis Post Dispatch's Best Books of 2020.
Black Americans have been among the hardest hit by the rapid deindustrialization and accompanying economic decline that have become so synonymous with the Midwest. After the 2016 election, many traditional media outlets renewed their attention on the conditions of "Middle America," but they often marginalized or completely overlooked the experience of the Black people who live there.
Edited by Terrion Williamson, the director of the Black Midwest Initiative, Black in the Middle places the voices of Black midwesterners front and center. Filled with compelling personal narratives, thought-provoking art, and searing commentaries, this anthology explores the various meanings and experiences of blackness throughout the Rust Belt, the Midwest, and the Great Plains. It brings together people from major metropolitan centers like Detroit and Chicago as well as smaller cities and rural areas where the lives of Black residents have too often gone unacknowledged to create "a timely, compelling collection that allows predominantly Black Midwesterners to reclaim their home, histories, and future."
A much-needed corrective to common narratives about the Midwest.
Race may dominate everyday speech, media headlines and public policy, yet still questions of racialized blackness and whiteness in Shakespeare are resisted. In his compelling new book Ian Smith addresses the influence of systemic whiteness on the interpretation of Shakespeare's plays. This far-reaching study shows that significant parts of Shakespeare's texts have been elided, misconstrued or otherwise rendered invisible by readers who have ignored the presence of race in early modern England. Bringing the Black American intellectual tradition into fruitful dialogue with European thought, this urgent interdisciplinary work offers a deep, revealing and incisive analysis of individual plays, including Othello, The Merchant of Venice and Hamlet. Demonstrating how racial illiteracy inhibits critical practice, Ian Smith provides a necessary anti-racist alternative that will transform the way you read Shakespeare.
Chooch Tenkiller is not thrilled to be spending some of his summer with his Cherokee story-telling uncles and cousin Janees at a convention in North Carolina. While there, the uncles want to visit Judaculla Rock, a place of spiritual significance to the Cherokee people. Little does Chooch know that he has his own connection to the rock--a connection that could put him in mortal danger.
The captivating, deeply reported true story of how one of the most notorious novels ever written--Marquis de Sade's 120 Days of Sodom--landed at the heart of one of the biggest scams in modern literary history. "Reading The Curse of the Marquis de Sade, with the Marquis, the sabotage of rare manuscript sales, and a massive Ponzi scheme at its center, felt like a twisty waterslide shooting through a sleazy and bizarre landscape. This book is wild."--Adam McKay, Academy Award-winning filmmaker Described as both "one of the most important novels ever written" and "the gospel of evil," 120 Days of Sodom was written by the Marquis de Sade, a notorious eighteenth-century aristocrat who waged a campaign of mayhem and debauchery across France, evaded execution, and inspired the word "sadism," which came to mean receiving pleasure from pain. Despite all his crimes, Sade considered this work to be his greatest transgression. The original manuscript of 120 Days of Sodom, a tiny scroll penned in the bowels of the Bastille in Paris, would embark on a centuries-spanning odyssey across Europe, passing from nineteenth-century banned book collectors to pioneering sex researchers to avant-garde artists before being hidden away from Nazi book burnings. In 2014, the world heralded its return to France when the scroll was purchased for millions by Gérard Lhéritier, the self-made son of a plumber who had used his savvy business skills to upend France's renowned rare-book market. But the sale opened the door to vendettas by the government, feuds among antiquarian booksellers, manuscript sales derailed by sabotage, a record-breaking lottery jackpot, and allegations of a decade-long billion-euro con, the specifics of which, if true, would make the scroll part of France's largest-ever Ponzi scheme. Told with gripping reporting and flush with deceit and scandal, The Curse of the Marquis de Sade weaves together the sweeping odyssey of 120 Days of Sodom and the spectacular rise and fall of Lhéritier, once the "king of manuscripts" and now known to many as the Bernie Madoff of France. At its center is an urgent question for all those who cherish the written word: As the age of handwriting comes to an end, what do we owe the original texts left behind?
THE NEW YORK TIMES BESTSELLER
In Ejaculate Responsibly, Gabrielle Blair offers a provocative reframing of the abortion issue in post-Roe America. In a series of 28 brief arguments, Blair deftly makes the case for moving the abortion debate away from controlling and legislating women's bodies and instead directs the focus on men's lack of accountability in preventing unwanted pregnancies.Highly readable, accessible, funny, and unflinching, Blair builds her argument by walking readers through the basics of fertility (men are 50 times more fertile than women), the unfair burden placed on women when it comes to preventing pregnancy (90% of the birth control market is for women), the wrongheaded stigmas around birth control for men (condoms make sex less pleasurable, vasectomies are scary and emasculating), and the counterintuitive reality that men, who are fertile 100% of the time, take little to no responsibility for preventing pregnancy.
The result is a compelling and convincing case for placing the responsibility--and burden--of preventing unwanted pregnancies away from women and onto men.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry--especially chemical embalming--and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.
***2021 NATIONAL BOOK AWARD WINNER*** ***THE NATIONAL BESTSELLER*** Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, 2021 Aspen Words Literary Prize Shortlist, 2022 Maya Angelou Book Award Shortlist, 2022 Carnegie Medal Longlist
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction One of Philadelphia Inquirer's Best Books of 2021 One of Shelf Awareness's Top Ten Fiction Titles of the Year One of TIME Magazine's 100 Must-Read Books One of NPR.org's Books We Love EW's Guide to the Biggest and Buzziest Books of 2021 One of the New York Public Library's Best Books for Adults San Diego Union Tribune--My Favorite Things from 2021 Writer's Bone's Best Books of 2021 Atlanta Journal Constitution--Top 10 Southern Books of the Year One of the Guardian's (UK) Best Ten 21st Century Comic Novels One of Entertainment Weekly's 15 Books You Need to Read This June On Entertainment Weekly's Must List One of the New York Post's Best Summer Reading books One of GMA's 27 Books for June One of USA Today's 5 Books Not to Miss One of Fortune's 21 Most Anticipated Books Coming Out in the Second Half of 2021 One of The Root's PageTurners: It's Getting Hot in Here One of Real Simple's Best New Books to Read in 2021
An astounding work of fiction from New York Times bestselling author Jason Mott, always deeply honest, at times electrically funny, that goes to the heart of racism, police violence, and the hidden costs exacted upon Black Americans and America as a whole
In Jason Mott's Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott's novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters' stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it's also about the nation's reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists, it truly becomes its title.
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction One of Philadelphia Inquirer's Best Books of 2021 One of Shelf Awareness's Top Ten Fiction Titles of the Year One of TIME Magazine's 100 Must-Read Books One of NPR.org's Books We Love EW's Guide to the Biggest and Buzziest Books of 2021 One of the New York Public Library's Best Books for Adults San Diego Union Tribune--My Favorite Things from 2021 Writer's Bone's Best Books of 2021 Atlanta Journal Constitution--Top 10 Southern Books of the Year One of the Guardian's (UK) Best Ten 21st Century Comic Novels One of Entertainment Weekly's 15 Books You Need to Read This June On Entertainment Weekly's Must List One of the New York Post's Best Summer Reading books One of GMA's 27 Books for June One of USA Today's 5 Books Not to Miss One of Fortune's 21 Most Anticipated Books Coming Out in the Second Half of 2021 One of The Root's PageTurners: It's Getting Hot in Here One of Real Simple's Best New Books to Read in 2021
An astounding work of fiction from New York Times bestselling author Jason Mott, always deeply honest, at times electrically funny, that goes to the heart of racism, police violence, and the hidden costs exacted upon Black Americans and America as a whole
In Jason Mott's Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott's novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters' stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it's also about the nation's reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists, it truly becomes its title.
In Jason Mott’s Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and urgent: since Mott’s novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour.
As these characters’ stories build and build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it’s also about the nation’s reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America.
Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists it truly becomes its title.
We know that they prayed, sang, and wore long robes, but what was it really like to be a monk? Though monastic living may seem unimaginable to us moderns, it has relevance for today. This book illuminates the day-to-day of medieval European monasticism, showing how you can apply the principles of monastic living, like finding balance and peace, to your life.
With wit and insight, medievalist and podcaster Daniele Cybulskie dives into the history of monasticism in each chapter and then reveals applications for today, such as the benefits of healthy eating, streamlining routines, gardening, and helping others. She shares how monks authentically embraced their spiritual calling, and were also down to earth: they wrote complaints about being cold in the manuscripts they copied, made beer and wine, and even kept bees.
How to Live Like a Monk features original illustrations by Anna Lobanova, as well as more than eighty color reproductions from medieval manuscripts. It is for anyone interested in the Middle Ages and those seeking inspiration for how to live a full life, even when we're confined to the cloister of our homes.