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Cultural Studies
The spaces revealed through the practice of time manipulation in Black cultures lend themselves to storytelling, a time-hopping process that integrates memory and community. Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present. Infused with author and Afrofuturist educator Ytasha Womack's own practice and contemplations, this book, rich in anecdotes, will interrogate Afrofuturism as an experience that unfolds through combinations of being a maker and theorist. Readers will take a creative journey that allows them to bring Afrofuturist practices into their own lives. The goal is to expand imagination, rootedness, and possibility. From Senegalese poet, political theorist, and politician Leopold Sedar Senghor's ideas on the plastic arts and Negritude to writer Malidoma Patrese Some's articulation of water symbolism in Burkina Faso; from tap dance exercises to composer, DJ, and recording artist King Britt's Blacktronica, The Afrofuturist Evolution aims to demonstrate Afrofuturism as embodied theory in practice. This book--in simple, straightforward, but powerful ways--invites readers to bring these practices into their own lives.
An eye-opening, engrossing look at the central role of monsters in the Anglo-Saxon worldview--now in paperback.
This book addresses a simple question: why were the Anglo-Saxons obsessed with monsters, many of which did not exist? Drawing on literature and art, theology, and a wealth of firsthand evidence, Basilisks and Beowulf reveals a people huddled at the edge of the known map, using the fantastic and the grotesque as a way of understanding the world around them and their place within it. For the Anglo-Saxons, monsters helped to distinguish the sacred and the profane; they carried God's message to mankind, exposing His divine hand in creation itself. At the same time, monsters were agents of disorder, seeking to kill people, conquer their lands, and even challenge what it meant to be human. Learning about where monsters lived and how they behaved allowed the Anglo-Saxons to situate themselves in the world, as well as to apprehend something of the divine plan. It is for these reasons that monsters were at the very center of their worldview. From map monsters to demons, dragons to Leviathan, we neglect these beasts at our peril.
This book addresses a simple question: why were the Anglo-Saxons obsessed with monsters, many of which did not exist? Drawing on literature and art, theology, and a wealth of firsthand evidence, Basilisks and Beowulf reveals a people huddled at the edge of the known map, using the fantastic and the grotesque as a way of understanding the world around them and their place within it. For the Anglo-Saxons, monsters helped to distinguish the sacred and the profane; they carried God's message to mankind, exposing His divine hand in creation itself. At the same time, monsters were agents of disorder, seeking to kill people, conquer their lands, and even challenge what it meant to be human. Learning about where monsters lived and how they behaved allowed the Anglo-Saxons to situate themselves in the world, as well as to apprehend something of the divine plan. It is for these reasons that monsters were at the very center of their worldview. From map monsters to demons, dragons to Leviathan, we neglect these beasts at our peril.
By the bestselling author of Fabulosa! and Outrageous!, this reappraisal of camp across time and in all its glorious forms shows how this inescapable part of popular culture has also played an important role in equality movements as a form of protest or resistance. The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a peacock chair, a wig being pulled off and flushed down the toilet, a tantrum over wire coat hangers, a toppled-over Christmas tree, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, a rat underneath a silver serving platter, and an estate agent wearing tiger face paint. Fabulously unrestrained and ever-evolving, camp has captured the cultural imagination for at least 150 years. The term possibly derives from the French se camper, meaning to pose in a bold, provocative or exaggerated fashion. Frequently used to define or deride young heterosexual men, the upper classes, Black people, older women and gay men, camp has also played a key role in equality movements. Paul Baker's highly anticipated reappraisal of camp surveys its touchstones across history and the changing ways that it has been understood. He traces the history of camp from the courts of Louis XIV and trials of Oscar Wilde to the archetypical dandy Beau Brummell and the celebrated playwright Noel Coward; from The Valley of the Dolls, Harlem's drag balls and Brazilian telenovelas through to the modern day divas of Donna Summer, Madonna and Britney Spears. Celebrating camp as an aesthetic, a sensibility and a way of life, this essential dive into an often-derided phenomenon, shows how camp has been a place of refuge and renewal, of heroism and hedonism, and how it is more powerful than ever. 'Glittering cultural armour for dark times. Paul Baker captures the essentially uncapturable phenomenon making it just knowable for all. My dear, she's on fire!' - Damian Barr, writer and broadcaster 'A snappy guide to an all-conquering aesthetic' Financial Times
STEP RIGHT UP and BEHOLD a stupendous COLLECTION of over 250 FEARSOME and FANTASTICAL CREATURES from Every State in the Union!
The Black Dog of Hanging Hills, the Tommyknockers of Pennsylvania, the Banshee of the Badlands--these beasts and hundreds more will hold you spellbound, unable to look away from their frightful features and their extraordinary stories. Come face to face with modern-day dinosaurs, extraterrestrials, dragons, lizard men, giants, and flying humanoids. This illustrated collection includes more than 250 monsters and cryptids that will make your hair stand on end when you hear something go bump in the night.
From Alabama to Wyoming and everywhere in between, these enigmatic abominations lurk in the darkest corners and the deepest shadows. This eye-opening book details the origins, appearance, and behaviors of these bizarre creatures so that if you should come across a terrifying beast in the wild, you'll know exactly what you're dealing with.
Praise:
"Jason Offutt does a special service to the field of cryptozoology with this new book Chasing American Monsters. By keeping all of us up-to-date and incredibly informed--beyond the scope of lesser guidebooks--we have a better head start on knowing where to look for these cryptids. Highly recommended."--Loren Coleman, author of Cryptozoology A to Z and director of the International Cryptozoology Museum
Choosing Family: A Memoir of Queer Motherhood and Black Resistance is a brilliant literary memoir of chosen family and chosen heritage, told against the backdrop of Chicago's North and South Sides. As a multiracial household in Chicago's North Side community of Rogers Park, race is at the core of Francesca T. Royster and her family's world, influencing everyday acts of parenting and the conception of what family truly means. Like Maggie Nelson's The Argonauts, this lyrical and affecting memoir focuses on a unit of three: the author; her wife, Annie, who's white; and Cecilia, the Black daughter they adopt as a couple in their 40s and 50s. Choosing Family chronicles this journey to motherhood while examining the messiness and complexity of adoption and parenthood from a Black, queer, and feminist perspective. Royster also explores her memories of the matriarchs of her childhood and the homes these women created in Chicago's South Side--itself a dynamic character in the memoir--where "family" was fluid, inclusive, and not necessarily defined by marriage or other socially recognized contracts. Calling upon the work of some of her favorite queer thinkers, including José Esteban Muñoz and Audre Lorde, Royster interweaves her experiences and memories with queer and gender theory to argue that many Black families, certainly her own, have historically had a "queer" attitude toward family: configurations that sit outside the white normative experience and are the richer for their flexibility and generosity of spirit. A powerful, genre-bending memoir of family, identity, and acceptance, Choosing Family, ultimately, is about joy--about claiming the joy that society did not intend to assign to you, or to those like you.
A prehistory of transness that recovers early modern theological resources for trans lifeworlds. In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert's invaginated Jesus and Milton's gestational Adam to the ungendered "glorious body" of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative account of theology's value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.
The Bible is teeming with monsters. Giants tromp through the land of milk and honey; Leviathan swims through the wine-dark sea. A stunning array of peculiar creatures, mind-altering spirits, and supernatural hitmen fill the biblical heavens, jarring in both their strangeness and their propensity for violence--especially on God's behalf.
Traditional interpretations of the creatures of the Bible have sanded down their sharp, unsavory edges, transforming them into celestial beings of glory and light--or chubby, happy cherubs. Those cherubs? They're actually hybrid guardian monsters, more closely associated with the Egyptian sphinx than with flying babies. And the seraphim? Winged serpents sent to mete out God's vengeance. Demons aren't at war with angels; they're a distinct supernatural species used by Satan and by God. The pattern is chilling. Most of these monsters aren't God's opponents--they're God's entourage.
Killer angels, plague demons, manipulative spirits, creatures with an alarming number of wings (and eyes all over)--these shapeshifters and realm-crossers act with stunning brutality, each reflecting a facet of God's own monstrosity. Confronting God's monsters--and the God-monster--may be uncomfortable, but the Bible is richer for their presence. It's not only richer; the stories of the monsters of the Bible can be as fun, surprising, and interesting as any mythology. For anyone interested in monsters, myths, folklore, demons, and more, God's Monsters is an entertaining deep dive into the creaturely strangeness of the Bible.
Growing Up in the Gutter offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre's growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Ricardo Quintana-Vallejo analyzes the complex identity formation of first- and subsequent-generation migrant protagonists in globalized rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre. While the most traditional iteration of the bildungsroman--the coming-of-age story--follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialization under capitalism, of citizenship, and of nationhood. Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multidiasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways.
***2021 NATIONAL BOOK AWARD WINNER*** ***THE NATIONAL BESTSELLER*** Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, 2021 Aspen Words Literary Prize Shortlist, 2022 Maya Angelou Book Award Shortlist, 2022 Carnegie Medal Longlist
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction One of Philadelphia Inquirer's Best Books of 2021 One of Shelf Awareness's Top Ten Fiction Titles of the Year One of TIME Magazine's 100 Must-Read Books One of NPR.org's "Books We Love" EW's "Guide to the Biggest and Buzziest Books of 2021" One of the New York Public Library's Best Books for Adults San Diego Union Tribune--My Favorite Things from 2021 Writer's Bone's Best Books of 2021 Atlanta Journal Constitution--Top 10 Southern Books of the Year One of the Guardian's (UK) Best Ten 21st Century Comic Novels One of Entertainment Weekly's 15 Books You Need to Read This June On Entertainment Weekly's "Must List" One of the New York Post's Best Summer Reading books One of GMA's 27 Books for June One of USA Today's 5 Books Not to Miss One of Fortune's 21 Most Anticipated Books Coming Out in the Second Half of 2021 One of The Root's PageTurners: It's Getting Hot in Here One of Real Simple's Best New Books to Read in 2021
An astounding work of fiction from New York Times bestselling author Jason Mott, always deeply honest, at times electrically funny, that goes to the heart of racism, police violence, and the hidden costs exacted upon Black Americans and America as a whole
In Jason Mott's Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott's novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters' stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it's also about the nation's reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists, it truly becomes its title.
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction One of Philadelphia Inquirer's Best Books of 2021 One of Shelf Awareness's Top Ten Fiction Titles of the Year One of TIME Magazine's 100 Must-Read Books One of NPR.org's "Books We Love" EW's "Guide to the Biggest and Buzziest Books of 2021" One of the New York Public Library's Best Books for Adults San Diego Union Tribune--My Favorite Things from 2021 Writer's Bone's Best Books of 2021 Atlanta Journal Constitution--Top 10 Southern Books of the Year One of the Guardian's (UK) Best Ten 21st Century Comic Novels One of Entertainment Weekly's 15 Books You Need to Read This June On Entertainment Weekly's "Must List" One of the New York Post's Best Summer Reading books One of GMA's 27 Books for June One of USA Today's 5 Books Not to Miss One of Fortune's 21 Most Anticipated Books Coming Out in the Second Half of 2021 One of The Root's PageTurners: It's Getting Hot in Here One of Real Simple's Best New Books to Read in 2021
An astounding work of fiction from New York Times bestselling author Jason Mott, always deeply honest, at times electrically funny, that goes to the heart of racism, police violence, and the hidden costs exacted upon Black Americans and America as a whole
In Jason Mott's Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott's novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters' stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it's also about the nation's reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists, it truly becomes its title.
In Jason Mott’s Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and urgent: since Mott’s novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour.
As these characters’ stories build and build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it’s also about the nation’s reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America.
Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists it truly becomes its title.
We know that they prayed, sang, and wore long robes, but what was it really like to be a monk? Though monastic living may seem unimaginable to us moderns, it has relevance for today. This book illuminates the day-to-day of medieval European monasticism, showing how you can apply the principles of monastic living, like finding balance and peace, to your life.
With wit and insight, medievalist and podcaster Daniele Cybulskie dives into the history of monasticism in each chapter and then reveals applications for today, such as the benefits of healthy eating, streamlining routines, gardening, and helping others. She shares how monks authentically embraced their spiritual calling, and were also down to earth: they wrote complaints about being cold in the manuscripts they copied, made beer and wine, and even kept bees.
How to Live Like a Monk features original illustrations by Anna Lobanova, as well as more than eighty color reproductions from medieval manuscripts. It is for anyone interested in the Middle Ages and those seeking inspiration for how to live a full life, even when we're confined to the cloister of our homes.