Cultural Studies
America is haunted. Ghosts from its violent history--the genocide of Indigenous peoples, slavery, the threat of nuclear annihilation, and traumatic wars--are an inescapable and unsettled part of the nation's heritage. Not merely in the realm of metaphor but present and tangible, urgently calling for contact, these otherworldly visitors have been central to our national identity. Through times of mourning and trauma, artists have been integral to visualizing ghosts, whether national or personal, and in doing so have embraced the uncanny and the inexplicable. This stunning catalog, accompanying the first major exhibition to assess the spectral in American art, explores the numerous ways American artists have made sense of their own experiences of the paranormal and the supernatural, developing a rich visual culture of the intangible. Featuring artists from James McNeill Whistler and Kerry James Marshall to artist/mediums who made images with spirits during séances, this catalog covers more than two hundred years of the supernatural in American art. Here we find works that explore haunting, UFO sightings, and a broad range of experiential responses to other worldly contact.
**SMITHSONIAN MAGAZINE, "10 BEST HISTORY BOOKS OF 2022"**
**AMAZON, "BEST BOOK OF THE MONTH (Nonfiction)"**
**APPLE, "BEST BOOK OF THE MONTH"** From a historian and senior editor at Atlas Obscura, a fascinating account of the daring nineteenth-century women who moved to South Dakota to divorce their husbands and start living on their own terms
**AMAZON, "BEST BOOK OF THE MONTH (Nonfiction)"**
**APPLE, "BEST BOOK OF THE MONTH"** From a historian and senior editor at Atlas Obscura, a fascinating account of the daring nineteenth-century women who moved to South Dakota to divorce their husbands and start living on their own terms
For a woman traveling without her husband in the late nineteenth century, there was only one reason to take the train all the way to Sioux Falls, South Dakota, one sure to garner disapproval from fellow passengers. On the American frontier, the new state offered a tempting freedom often difficult to obtain elsewhere: divorce.
With the laxest divorce laws in the country, five railroad lines, and the finest hotel for hundreds of miles, the small city became the unexpected headquarters for unhappy spouses--infamous around the world as The Divorce Colony. These society divorcees put Sioux Falls at the center of a heated national debate over the future of American marriage. As clashes mounted in the country's gossip columns, church halls, courtrooms and even the White House, the women caught in the crosshairs in Sioux Falls geared up for a fight they didn't go looking for, a fight that was the only path to their freedom.
In The Divorce Colony, writer and historian April White unveils the incredible social, political, and personal dramas that unfolded in Sioux Falls and reverberated around the country through the stories of four very different women: Maggie De Stuers, a descendent of the influential New York Astors whose divorce captivated the world; Mary Nevins Blaine, a daughter-in-law to a presidential hopeful with a vendetta against her meddling mother-in-law; Blanche Molineux, an aspiring actress escaping a husband she believed to be a murderer; and Flora Bigelow Dodge, a vivacious woman determined, against all odds, to obtain a "dignified" divorce.
Entertaining, enlightening, and utterly feminist, The Divorce Colony is a rich, deeply researched tapestry of social history and human drama that reads like a novel. Amidst salacious newspaper headlines, juicy court documents, and high-profile cameos from the era's most well-known players, this story lays bare the journey of the turn-of-the-century socialites who took their lives into their own hands and reshaped the country's attitudes about marriage and divorce.
"A feminist classic."--Judith Shulevitz, New York Times Book Review "A pivotal book, one of those after which we will never think the same again."--Carolyn G. Heilbrun, Washington Post Book World A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
From Ingmar Bergman's The Seventh Seal to Monty Python, an investigation into how eight key films have shaped our understanding of the medieval world. In The Middle Ages and the Movies, eminent historian Robert Bartlett takes a fresh, cogent look at how our view of medieval history has been shaped by eight significant films of the twentieth century. The book ranges from the concoction of sex and nationalism in Mel Gibson's Braveheart, to Fritz Lang's silent epic Siegfried, the art-house classic The Seventh Seal, and the epic historical drama El Cid. Bartlett examines the historical accuracy of these films, as well as other salient aspects--how was Umberto Eco's Name of the Rose translated from page to screen? Why is Monty Python and the Holy Grail funny? And how was Eisenstein's Alexander Nevsky shaped by the Stalinist tyranny under which it was filmed?
The long and pernicious relationship between fast food restaurants and the African American community
Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. In White Burgers, Black Cash, Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities.Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more.
Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal.
A study of teenage witches in twentieth-century American pop culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence.