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Design
In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration: bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries.
However, publishers retreated from Nielsen's project in the financially strapped postwar climate, and the publication never happened. A rising star, Nielsen moved on to other work. This world heritage classic's spectacular pen, ink, and watercolor images remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen's death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections.
This publication is a unique compilation of fine art prints and stunning illustrations reproduced directly from Nielsen's original watercolors--the only complete set of his extraordinary drawings to have survived. The book features descriptions of all of the images and three generously illustrated essays on the making of this series, the origin of Nielsen's unique imagery, and a history of the tales. In addition, it shows many unpublished or rarely seen artworks by Nielsen and intricate black-and-white drawings Nielsen created for the original publication.
Weird and Wonderful reveals an engaging and delightful world where imagination is given free rein. This compilation of excerpts and illustrations from 19th and early 20th-century picture books includes artists and authors like Frank Baum, Edward Lear, Gelett Burgess, Peter Newell, John R. Neill, and Charles Doyle. The book is full of rarities from the vault, often paired with an accompanying verse. Every page holds a surprise: Palmer Cox's Brownies make an appearance, as do offerings from Johnny Gruelle, Dorothy Kunhardt, a 1916 work by Hazel Frazee where a pair of elegant ladies plays dominoes, works from Ernst Kreidolf that depict the wonderful beings who inhabit the world of plants, and an anonymous 1884 illustration depicts a hive of winged capital letter Bs carrying signs. Poltarnees's brief, glowing commentary is largely superfluous, as the whimsical, bizarre, and sometimes nightmarish illustrations stand alone as fascinating relics of a bygone era in children's publishing.
These wonders and oddities are sure to captivate connoisseurs and curious young readers with an artistic bent. You will likely long for more of these beguiling images. Luckily, as Poltarnees notes in his introduction: "There are thousands more buried in our library."




