Fiction
James Joyce's coming-of-age story, a tour de force of style and technique The first, shortest, and most approachable of James Joyce's novels, A Portrait of the Artist as a Young Man portrays the Dublin upbringing of Stephen Dedalus, from his youthful days at Clongowes Wood College to his radical questioning of all convention. In doing so, it provides an oblique self-portrait of the young Joyce himself. At its center lie questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive in style, the novel subtly and beautifully orchestrates the patterns of quotation and repetition instrumental in its hero's quest to create his own character, his own language, life, and art: "to forge in the smithy of my soul the uncreated conscience of my race." This Penguin Classics edition is the definitive text, authorized by the Joyce estate and collated from all known proofs, manuscripts, and impressions to reflect the author's original wishes. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
George Eliot's first full-length novel, Adam Bede paints a powerful portrait of rural life, seduction, faith, and redemption. First published in 1859, this innovative novel carried its readers back sixty years to a time of impending change for England and the wider world. Eliot's penetrating portrayal of the interaction of ordinary people brought a new social realism to the novel, in which humor and tragedy co-exist, and fellow-feeling is the mainstay of human relationships. This is the first edition based on Eliot's final revision of the novel in 1861, using the definitive Clarendon text. It includes Eliot's journal entry on the real-life origins of the story and broadsheet accounts of Mary Voce, whose execution provided the germ of the novel. Carol Martin's superb Introduction sheds light on the novel's historical context and some of the main issues it explores: the role of work, class, and relations between the sexes, and Eliot's belief that the artist's duty is the faithful representing of commonplace things. The book includes comprehensive notes that identify literary and historical allusions. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
*INSTANT #1 NEW YORK TIMES BESTSELLER*
*INSTANT #1 INDIE BESTSELLER*
*INSTANT USA TODAY BESTSELLER*
*A REESE'S YA BOOK CLUB PICK*
Dana Schwartz's Anatomy: A Love Story is a gothic tale full of mystery and romance. Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who's just trying to survive in a city where it's too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist's Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham's lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought. Because Hazel has made a deal with Dr. Beecham: if she can pass the medical examination on her own, Beecham will allow her to continue her medical career. Without official lessons, though, Hazel will need more than just her books--she'll need corpses to study. Lucky that she's made the acquaintance of someone who digs them up for a living. But Jack has his own problems: strange men have been seen skulking around cemeteries, his friends are disappearing off the streets, and the dreaded Roman Fever, which wiped out thousands a few years ago, is back with a vengeance. Nobody important cares--until Hazel. Now, Hazel and Jack must work together to uncover the secrets buried not just in unmarked graves, but in the very heart of Edinburgh society.
"Funny, wild, witty, and profound. The Ballad of Perilous Graves is the debut of a cosmic storm of talent."―Victor LaValle,
Music is magic in this vibrant and imaginative debut novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song. Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it's simply home. In a world of everyday miracles, Perry might not have a talent for magic, but he does know Nola's rhythm as intimately as his own heartbeat. So when the city's Great Magician starts appearing in odd places and essential songs are forgotten, Perry realizes trouble is afoot. Nine songs of power have escaped from the piano that maintains the city's beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing, and the Haint of All Haints is awake. Nola's time might be coming to an end. Put on your dancing shoes and enjoy this song for New Orleans, the city of music, magic, and dreams. "A beautiful song full of magic and rhythm, darkness and delight." --Christina Henry "A hallucinatory wonder of a debut. Brimming with language and music, this phantasmagoric novel taps the deep root of multi-cultural, multi-racial life in, and beyond, New Orleans." ―Walter Mosley "Vital and appealing, vibrant and propulsive!" --Kelly Link
Originally published in 1868--when it was attacked as an "indecent book" authored by a "traitorous eavesdropper"--Behind the Scenes is the story of Elizabeth Keckley, who began her life as a slave and became a privileged witness to the presidency of Abraham Lincoln. Keckley bought her freedom at the age of thirty-seven and set up a successful dressmaking business in Washington, D.C. She became modiste to Mary Todd Lincoln and in time her friend and confidante, a relationship that continued after Lincoln's assassination. In documenting that friendship--often using the First Lady's own letters--Behind the Scenes fuses the slave narrative with the political memoir. It remains extraordinary for its poignancy, candor, and historical perspective.
First time in Penguin Classics
Toni Morrison's magnificent Pulitzer Prize-winning novel--first published in 1987--brought the unimaginable experience of slavery into the literature of our time and into our comprehension. Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has risked her life in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.
Sethe works at "beating back the past, " but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the "place over there" to claim retribution for what she lost and for what was taken from her. Sethe's struggle to keep Beloved from gaining possession of her present--and to throw off the long-dark legacy of her past--is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.
Upon the original publication of Beloved, John Leonard wrote in the "Los Angeles Times": "I can't imagine American literature without it." In fact, more than a decade later, it remains a preeminent novel of our time, speaking with timeless clarity and power to our experience as a nation with a past of both abominable and ennobling circumstance.
Sethe works at "beating back the past, " but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the "place over there" to claim retribution for what she lost and for what was taken from her. Sethe's struggle to keep Beloved from gaining possession of her present--and to throw off the long-dark legacy of her past--is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.
Upon the original publication of Beloved, John Leonard wrote in the "Los Angeles Times": "I can't imagine American literature without it." In fact, more than a decade later, it remains a preeminent novel of our time, speaking with timeless clarity and power to our experience as a nation with a past of both abominable and ennobling circumstance.
PULITZER PRIZE WINNER - NEW YORK TIMES BESTSELLER - An unflinchingly look into the abyss of slavery, from the acclaimed Nobel Prize winner. This spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.
A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author's grandson.
When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that "if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy." Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for "obscenity" and "instigating hatred between the races."
Wright's once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him--whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to "hurl words into this darkness and wait for an echo." Seventy-five years later, his words continue to reverberate. "To read Black Boy is to stare into the heart of darkness," John Edgar Wideman writes in his foreword. "Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear."
One of the great American memoirs, Wright's account is a poignant record of struggle and endurance--a seminal literary work that illuminates our own time.
A New York Times Bestseller
A Read with Jenna Today Show Book Club Pick!
Longlisted for the Center for Fiction's First Novel Prize "Askaripour closes the deal on the first page of this mesmerizing novel, executing a high wire act full of verve and dark, comic energy."
--Colson Whitehead, author of The Nickel Boys "A hilarious, gleaming satire as radiant as its author. Askaripour has announced himself as a major talent of the school of Ralph Ellison, Paul Beatty, Fran Ross, and Ishmael Reed. Full of quick pacing, frenetic energy, absurd--yet spot on--twists and turns, and some of the funniest similes I've ever read, this novel is both balm and bomb."
--Nafissa Thompson-Spires, author of Heads of the Colored People For fans of Sorry to Bother You and The Wolf of Wall Street--a crackling, satirical debut novel about a young man given a shot at stardom as the lone Black salesman at a mysterious, cult-like, and wildly successful startup where nothing is as it seems. There's nothing like a Black salesman on a mission. An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor. After enduring a "hell week" of training, Darren, the only Black person in the company, reimagines himself as "Buck," a ruthless salesman unrecognizable to his friends and family. But when things turn tragic at home and Buck feels he's hit rock bottom, he begins to hatch a plan to help young people of color infiltrate America's sales force, setting off a chain of events that forever changes the game. Black Buck is a hilarious, razor-sharp skewering of America's workforce; it is a propulsive, crackling debut that explores ambition and race, and makes way for a necessary new vision of the American dream.
A Read with Jenna Today Show Book Club Pick!
Longlisted for the Center for Fiction's First Novel Prize "Askaripour closes the deal on the first page of this mesmerizing novel, executing a high wire act full of verve and dark, comic energy."
--Colson Whitehead, author of The Nickel Boys "A hilarious, gleaming satire as radiant as its author. Askaripour has announced himself as a major talent of the school of Ralph Ellison, Paul Beatty, Fran Ross, and Ishmael Reed. Full of quick pacing, frenetic energy, absurd--yet spot on--twists and turns, and some of the funniest similes I've ever read, this novel is both balm and bomb."
--Nafissa Thompson-Spires, author of Heads of the Colored People For fans of Sorry to Bother You and The Wolf of Wall Street--a crackling, satirical debut novel about a young man given a shot at stardom as the lone Black salesman at a mysterious, cult-like, and wildly successful startup where nothing is as it seems. There's nothing like a Black salesman on a mission. An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor. After enduring a "hell week" of training, Darren, the only Black person in the company, reimagines himself as "Buck," a ruthless salesman unrecognizable to his friends and family. But when things turn tragic at home and Buck feels he's hit rock bottom, he begins to hatch a plan to help young people of color infiltrate America's sales force, setting off a chain of events that forever changes the game. Black Buck is a hilarious, razor-sharp skewering of America's workforce; it is a propulsive, crackling debut that explores ambition and race, and makes way for a necessary new vision of the American dream.
Charles Dickens's most important novel is now available in an edition that provides extensive historical appendices.