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From the award-winning author of Parable of the Sower: After the near-extinction of the human race, one young man with extraordinary gifts will reveal whether the human race can learn from its past and rebuild their future . . . or is doomed to self-destruction. In the future, nuclear war has destroyed nearly all humankind. An alien race intervenes, saving the small group of survivors from certain death. But their salvation comes at a cost. The Oankali are able to read and mutate genetic code, and they use these skills for their own survival, interbreeding with new species to constantly adapt and evolve. They value the intelligence they see in humankind but also know that the species--rigidly bound to destructive social hierarchies--is destined for failure. They are determined that the only way forward is for the two races to produce a new hybrid species--and they will not tolerate rebellion. Akin looks like an ordinary human child. But as the first true human-alien hybrid, he is born understanding language, then starts to form sentences at two months old. He can see at a molecular level and kill with a touch. More powerful than any human or Oankali, he will be the architect of both races' future. But before he can carry this new species into the stars, Akin must reconcile with his own heritage in a world already torn in two.
The legendary storytelling and common-sense lessons of Aesop, now freshly repackaged for the Union Square & Co. Signature Clothbound Editions line. The calamities that befall the hapless creatures of Aesop's Fables! The fox can't reach his grapes, then gets attacked by biting flies, and loses his tail in a trap. And things don't go much better for the hare, who is chased relentlessly by a hound, barely escaping with his life--only to be beaten in a race by a lowly tortoise. Misfortune turns to mayhem when a wolf is killed by his sweetheart's father, a sheepdog preys on his own flock, and the mouse and his friend the frog are eaten by a hawk. On the brighter side, a tiny ant saves her new friend the dove from a hunter's arrow, a bat persuades two different weasels not to eat her, and a kid goat uses his wits to escape from the jaws of a hungry wolf... For nearly three thousand years, the fables of Aesop have amused people of all ages as they provide common-sense lessons in the conduct of everyday life. The colorful characters and brief tales, by turns amusing and frightening, deliver a how-to course in applied moral philosophy. This edition features more than forty illustrations by the celebrated artist Ernest Griset.
Full of philosophical puzzles and supernatural surprises, these stories contain some of Borges's most fully realized human characters. With uncanny insight he takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father's "killer," and a man awaiting his assassin in a Buenos Aires guest house. This volume also contains the hauntingly brief vignettes about literary imagination and personal identity collected in The Maker, which Borges wrote as failing eyesight and public fame began to undermine his sense of self. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A USA Today Bestseller! A propulsive and piercing debut, set ten years before the events of Shakespeare's historic play, about the ambition, power, and fate that define one of literature's most notorious figures: Lady Macbeth. Scotland, the 11th Century. Born in a noble household and granddaughter of a forgotten Scottish king, a young girl carries the guilt of her mother's death and the weight of an unknowable prophecy. When she is married, at fifteen, to the Mormaer of Moray, she experiences firsthand the violence of a sadistic husband and a kingdom constantly at war. To survive with her young son in a superstitious realm, she must rely on her own cunning and wit, especially when her husband's downfall inadvertently sets them free. Suspicious of the dark devices that may have led to his father's death, her son watches as his mother falls in love with the enigmatic thane Macbeth. Now a woman of stature, Lady Macbeth confronts a world of masculine power and secures the protection of her family. But the coronation of King Duncan and the political maneuvering of her cousin Macduff set her on a tragic course, one where her own success might mean embracing the very curse that haunts her and risking the child she loves.
Michael Hofmann's startlingly visceral and immediate translation revives Kafka's great comedy, and captures a new Kafka, free from Prague and loose in the new world, a Kafka shot through with light in this highly charged and enormously nuanced translation. Kafka began the first of his three novels in 1911, but like the others, Amerika remained unfinished, and perhaps, as Klaus Mann suggested, "necessarily endless." Karl Rossman, the youthful hero of the novel, "a poor boy of seventeen," has been banished by his parents to America, following a scandal. There, with unquenchable optimism, he throws himself into adventure after misadventure, and experiences multiply as he makes his way into the heart of the country, to The Great Nature Theater of Oklahoma. In creating this new translation, Hofmann, as he explains in his introduction, returned to the manuscript version of the book, restoring matters of substance and detail. Fragments which have never before been presented in English are now reinstated including the book's original "ending."
The San Francisco Chronicle said Hofmann's "sleek translation does a wonderful job" and The New York Times concurred: "Anything by Kafka is worth reading again, especially in the hands of such a gifted translator as Hofmann."
The San Francisco Chronicle said Hofmann's "sleek translation does a wonderful job" and The New York Times concurred: "Anything by Kafka is worth reading again, especially in the hands of such a gifted translator as Hofmann."
NATIONAL BESTSELLER - Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic. "In Silvia Moreno-Garcia's sure hands, every uncovered secret is fraught with intrigue and creeping horror."--Tananarive Due, Bram Stoker Award-winning author of The Reformatory A BEST BOOK OF THE YEAR: NPR, KIRKUS REVIEWS, BOOK RIOT "Back then, when I was a young woman, there were still witches" That was how Nana Alba always began the stories she told her great-granddaughter Minerva--stories that have stayed with Minerva all her life. Perhaps that's why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales. In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay's most famous novel, The Vanishing, was inspired by a true story: Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances. As Minerva descends ever deeper into Tremblay's manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch. Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
"Marvelous . . . [Vonnegut] wheels out all the complaints about America and makes them seem fresh, funny, outrageous, hateful and lovable."--The New York Times In Breakfast of Champions, one of Kurt Vonnegut's most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth. "Free-wheeling, wild and great . . . uniquely Vonnegut."--Publishers Weekly
An instant New York Times bestseller, a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
I knew the site of the hut and the hill behind it up which I had rushed, and in the flickering glow the eyes of the rats still shone with a sort of phosphorescence. Beyond the genre-defining influence of Dracula, Bram Stoker was also a master of the short story form. This new collection of the author's tales represents his diverse interests in the macabre and uncanny, ranging from the hallucinatory and dreamlike in 'The Shadow Builder' and 'In the Valley of the Shadow' to the more overtly horrifying in the mini- masterpieces of 'The Judge's House' and 'The Burial of the Rats'. Alongside acknowledged classics of the horror short story canon, this new volume also includes obscurities such as the darkly comic 'Old Hoggen: A Mystery' and the morbid fairy tale 'The Castle of the King' to reflect the full brilliance of the legendary writer.