A Barack Obama Summer Read A Time, The Washington Post, and Publishers Weekly Best of the Year Kirkus Reviews Best Historical Fiction The New York Times bestseller and "horror masterpiece" (NPR) from Stephen Graham Jones--the master of modern horror--is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. "Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror's Moby-Dick." --Vulture "Inventive and spine-tingling...a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite." --The Washington Post A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
I knew the site of the hut and the hill behind it up which I had rushed, and in the flickering glow the eyes of the rats still shone with a sort of phosphorescence. Beyond the genre-defining influence of Dracula, Bram Stoker was also a master of the short story form. This new collection of the author's tales represents his diverse interests in the macabre and uncanny, ranging from the hallucinatory and dreamlike in 'The Shadow Builder' and 'In the Valley of the Shadow' to the more overtly horrifying in the mini- masterpieces of 'The Judge's House' and 'The Burial of the Rats'. Alongside acknowledged classics of the horror short story canon, this new volume also includes obscurities such as the darkly comic 'Old Hoggen: A Mystery' and the morbid fairy tale 'The Castle of the King' to reflect the full brilliance of the legendary writer.
A New York Times Book Review Editors' Pick
"Well worth your time . . . By adding in new characters while adhering to the original story, the author creates something new, strange and thrilling."--Los Angeles Times
"An astonishingly ambitious undertaking . . . you're in the hands of a genuine storyteller."--New York Times Book Review
From the National Book Critics Circle Award-winning author, a feminist reimagining of Herman Melville's classic Moby-Dick through the eyes of one inimitable woman and a diverse, swashbuckling crew
I must work on a ship as a man . . . I must find freedom on the seas.
1843. Ishmaelle is born in a small village on the stormy Kent coast where she grows up swimming with dolphins. After her parents and infant sister die, her brother, Joseph, leaves to find work as a sailor. Abandoned and desperate for a life at sea, Ishmaelle disguises herself as a cabin boy and travels to New York.
Years later, as the American Civil War breaks out, Ishmaelle boards the Nimrod, a whaling ship led by the obsessive Captain Seneca, a Black free man of heroic stature who is haunted by a tragic past. Here, she finds protectors amidst the bloody male violence of whaling and discovers a mysterious bond between herself and the white whale who claimed Seneca's leg.
Built on the bones of Melville's classic, Call Me Ishmaelle is a dynamic new tale, imbued with an eclectic crew--from a Polynesian harpooner to a Taoist Monk--and a powerful exploration of human nature, gender, man's place among the animals, and the nature of home.
Following a near fatal carriage collision, the beautiful young Carmilla is taken in by the narrator Laura and her father. The two young women become strangely attracted to each other, but there seems to be more to Carmilla than meets the eye. After her arrival in the village, local peasants begin to die and Laura falls ill and languishes. What is Carmilla's true identity, and can she be to blame?
A thrilling Victorian tale of horror and mystery and a major influence on Stoker's Dracula, Carmilla remains one of Sheridan Le Fanu's most enduring works. This Valancourt Books edition, the first-ever scholarly edition of Le Fanu's novella, follows the rare original text as it appeared serially in The Dark Blue in 1871-72 (including the original illustrations) and includes a new introduction and footnotes by Jamieson Ridenhour. Also featured in this edition is a wealth of contextual material, including texts by Yeats, Coleridge, Stoker, Padraig Pearse, and others, and the complete texts of Le Fanu's "The Child that Went with the Fairies" and F.G. Loring's "The Tomb of Sarah."
There was no sleep for him that night; he fancied he had seen the stone - which, as you know, was a couple of fields away - as large as life, as if it were on watch outside his window.
The standing stones, stone circles, dolmens and burial sites of the British Isles still resonate with mystery of their primeval origins, enthralling our collective consciousness to this day. Rising up in the field of weird fiction, ancient stones and the rituals and dark forces they once witnessed have inspired a wicked branch of the genre by writers devoted to their eerie potential. Gathered in tribute to these relics of a lost age - and their pagan legacy of blood - are fifteen stories of haunted henges, Druidic vengeance and solid rock alive with bloodlust, by authors including Algernon Blackwood, Lisa Tuttle, Arthur Machen and Nigel Kneale.
A clear-eyed, uncompromising collection of essays from the "conscience of his generation" and the author of 1984 (V. S. Pritchett). One of the most thought-provoking and vivid essayists of the twentieth century, George Orwell fought the injustices of his time with singular vigor through pen and paper. In this selection of essays, he ranges from reflections on his boyhood schooling and the profession of writing to his views on the Spanish Civil War and British imperialism.
The works collected here include "Such, Such Were the Joys," "Shooting an Elephant," "Politics and the English Language," and "Why I Write." Perfect for those new to Orwell's work and a wonderful compilation for the experienced Orwell reader, A Collection of Essays is an invaluable anthology.
The works collected here include "Such, Such Were the Joys," "Shooting an Elephant," "Politics and the English Language," and "Why I Write." Perfect for those new to Orwell's work and a wonderful compilation for the experienced Orwell reader, A Collection of Essays is an invaluable anthology.
'What a terrible calamity, what a stupefying circumstance, if mosquitoes were the size of camels, and a herd of wild slugs the size of elephants invaded our gardens and had to be shot with rifles...' A blue scarab which makes the sound of a terrifying death-tick. A moth with the markings of a dead man's face. An empire of intelligent, aggressive, and colossal ants. The insect kingdom has finally come to seek retribution for humankind's negligence. Never has a creature been so topical - with headlines warning of the mosquito-bearing viruses, fire ants destroying power sources, invasive yellow ladybirds, or an ecological insect apocalypse that threatens the very balance of our natural world. With growing concerns about global warming, pesticides, and genetically modified crops, Eco-Gothic is moving to the fore in modern scholarship, and this collection allows readers to be a fly on the wall to some of the creepiest and crawliest accounts of insectoid horror from the likes of Edgar Allan Poe, E.F. Benson, and Jane G. Austin. Fear indeed walks on many legs.
A blue scarab which makes the sound of a terrifying death-tick. A moth with the markings of a dead man’s face. An empire of intelligent, aggressive, and colossal ants. The insect kingdom has finally come to seek retribution for humankind's negligence. Never has a creature been so topical – with headlines warning of the mosquito-bearing viruses, fire ants destroying power sources, invasive yellow ladybirds, or an ecological insect apocalypse that threatens the very balance of our natural world. With growing concerns about global warming, pesticides, and genetically modified crops, Eco-Gothic is moving to the fore in modern scholarship, and this collection allows readers to be a fly on the wall to some of the creepiest and crawliest accounts of insectoid horror from the likes of Edgar Allan Poe, E.F. Benson, and Jane G. Austin. Fear indeed walks on many legs.
Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback Winner of the 2016 AIGA + Design Observer 50 Books 50 Covers competition For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin's iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today. The Crucible One of the true masterpieces of twentieth-century American theater, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving, but that compels readers to fathom their hearts and consciences in ways that only the greatest theatre can.
"The Dead is one of the twentieth century's most beautiful pieces of short literature. Taking his inspiration from a family gathering held every year on the Feast of the Epiphany, Joyce pens a story about a married couple attending a Christmas-season party at the house of the husband's two elderly aunts. A shocking confession made by the husband's wife toward the end of the story showcases the power of Joyce's greatest innovation: the epiphany, that moment when everything, for character and reader alike, is suddenly clear.