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Fiction
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER - NEW YORK TIMES BESTSELLER - The bestselling author of The Marriage Portrait delivers a luminous portrait of a marriage, a family ravaged by grief, and a boy whose name was given to one of the most celebrated plays of all time. - "Of all the stories that argue and speculate about Shakespeare's life ... here is a novel ... so gorgeously written that it transports you." --The Boston Globe England, 1580: The Black Death creeps across the land, an ever-present threat, infecting the healthy, the sick, the old and the young alike. The end of days is near, but life always goes on. A young Latin tutor--penniless and bullied by a violent father--falls in love with an extraordinary, eccentric young woman. Agnes is a wild creature who walks her family's land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon, she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is just taking off when his beloved young son succumbs to sudden fever.
NEW YORK TIMES BESTSELLER • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
“Of all the stories that argue and speculate about Shakespeare’s life ... here is a novel ... so gorgeously written that it transports you." —The Boston Globe
England, 1580: The Black Death creeps across the land, an ever-present threat, infecting the healthy, the sick, the old and the young alike. The end of days is near, but life always goes on. A young Latin tutor—penniless and bullied by a violent father—falls in love with an extraordinary, eccentric young woman. Agnes is a wild creature who walks her family’s land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon, she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is just taking off when his beloved young son succumbs to sudden fever.
“Of all the stories that argue and speculate about Shakespeare’s life ... here is a novel ... so gorgeously written that it transports you." —The Boston Globe
England, 1580: The Black Death creeps across the land, an ever-present threat, infecting the healthy, the sick, the old and the young alike. The end of days is near, but life always goes on. A young Latin tutor—penniless and bullied by a violent father—falls in love with an extraordinary, eccentric young woman. Agnes is a wild creature who walks her family’s land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon, she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is just taking off when his beloved young son succumbs to sudden fever.
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home.
Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.
Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn't ask where it comes from. He knows a discreet jeweler downtown who doesn't ask questions, either.
Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the "Waldorf of Harlem"—and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes.
Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs?
Harlem Shuffle's ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem.
But mostly, it's a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.
A classic book on two of English literature's most iconic characters. First published in 1953, this is one of the earliest and best studies of Sherlock Holmes. S. C. Roberts searches Conan Doyle's stories for clues and develops biographies of the characters, revealing information about their lives and personalities which less observant readers may fail to notice. Holmes & Watson also features two classic "unrecorded adventures"--pastiche tales by a master of the form. This new edition includes an introduction by the President of the Sherlock Holmes Society of London, reflecting on the book's importance as a classic work of Holmesiana.
This "powerful, fresh, and unflinching" reimagining from the award-winning author of the Penelope trilogy breathes life into ancient myth and gives voice to the women who stand defiant in a world ruled by ruthless men (Jennifer Saint).
On the isle of Ithaca, queen Penelope maintains a delicate balance of power. Many years ago, her husband Odysseus sailed to war with Troy and never came home. In his absence, Penelope uses all her cunning to keep the peace--a peace that is shattered by the return of Orestes, King of Mycenae, and his sister Elektra. Orestes' hands are stained with his mother's blood. Not so long ago, the son of Agamemnon took Queen Clytemnestra's life on Ithaca's sands. Now, wracked with guilt, he is slowly losing his mind. But a king cannot be seen to be weak, and Elektra has brought him to Ithaca to keep him safe from the ambitious men of Mycenae. Penelope knows destruction will follow in his wake as surely as the furies circle him. His uncle Menelaus, the battle-hungry king of Sparta, longs for Orestes' throne--and if he can seize it, no one will be safe from his violent whims. Trapped between two mad kings, Penelope fights to keep her home from being crushed by a war that stretches from Mycenae and Sparta to the summit of Mount Olympus itself. Her only allies are Elektra, desperate to protect her brother, and Helen of Troy, Menelaus' wife. And watching over them all is the goddess Aphrodite, who has plans of her own. Each woman has a secret. And their secrets will shape the world.
When Emily Wilson's translation of The Odyssey appeared in 2017--revealing the ancient poem in a contemporary idiom that was "fresh, unpretentious and lean" (Madeline Miller, Washington Post)--critics lauded it as "a revelation" (Susan Chira, New York Times) and "a cultural landmark" (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer's other great epic--the most revered war poem of all time.
The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world--the fierce beauty of nature and the gods' grand schemes beyond the ken of mortals. In Wilson's hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem's deep pathos and reveals palpably real, even "complicated," characters--both human and divine.
The culmination of a decade of intense engagement with antiquity's most surpassingly beautiful and emotionally complex poetry, Wilson's Iliad now gives us a complete Homer for our generation.
WINNER OF THE BIG BOOK AWARD, THE LEO TOLSTOY YASNAYA POLYANA AWARD & THE READ RUSSIA AWARD 'THE MOST IMPORTANT LIVING RUSSIAN WRITER' New Yorker *A NEW STATESMAN BOOK OF THE YEAR 2016* Fifteenth-century Russia It is a time of plague and pestilence, and a young healer, skilled in the art of herbs and remedies, finds himself overcome with grief and guilt when he fails to save the one he holds closest to his heart. Leaving behind his village, his possessions and his name, he sets out on a quest for redemption, penniless and alone. But this is no ordinary journey: wandering across plague-ridden Europe, offering his healing powers to all in need, he travels through ages and countries, encountering a rich tapestry of wayfarers along the way. Accosted by highwaymen, lynched in Yugoslavia and washed overboard at sea, he eventually reaches Jerusalem, only to find his greatest challenge is yet to come. Winner of two of the biggest literary prizes in Russia, Laurus is a remarkably rich novel about the eternal themes of love, loss, self-sacrifice and faith, from one of the country's most experimental and critically acclaimed novelists.
This title presents 13 mini masterpieces from one of the most undeservedly neglected authors of twentieth century strange fiction. Nick Freeman, specialist in Gothic literature at Loughborough University, has selected the contents based on the author's best work. In the midst of this sudden and wild galloping brain-storm I remembered what Ferrers had said about the candlesticks. There was something sinister and uncanny about them. And I knew with a certainty that if I lay and watched I should see something unbearable. The supernatural tales of A. M. Burrage were recognized by contemporaries such as M. R. James and the critic E. F. Bleiler as some of the most imaginative and cleverly told ghost stories in the English language, and yet today his name haunts the fringes of the genre. Burrage was unafraid to position his ghosts among the trappings of modernity, and his experiments with the genre set him apart from the antiquarian 'Jamesian' tradition. Presenting 13 of the author's best tales from the 1920s and 30s - including accounts of uncanny living wax figures, unsettling timeslips into troubled pasts and Burrage's horror masterpiece 'One Who Saw' - this collection is another step towards restoring A. M. Burrage's name to the heights of the best writers of supernatural fiction.
"Backgrounds and Contexts" includes a wealth of archival materials, among them previously unpublished correspondence with Thomas Niles and Alcott's own precursors to Little Women. "Criticism" reprints twenty nineteenth-century reviews. Seven modern essays represent a variety of critical theories used to read and study the novel, including feminist (Catharine R. Stimpson, Elizabeth Keyser), new historicist (Richard H. Brodhead), psychoanalytic (Angela M. Estes and Kathleen Margaret Lant), and reader-response (Barbara Sicherman). A Chronology and Selected Bibliography are also included.
"An atmospheric and evocative whodunnit steeped in suspense, mystery, and illusion." --Nita Prose, #1 New York Times bestseller of The Maid
From the author of the sensational bestseller The Lost Apothecary comes a spellbinding tale about two daring women who hunt for truth and justice in the perilous art of conjuring the dead.
1873. At an abandoned château on the outskirts of Paris, a dark séance is about to take place, led by acclaimed spiritualist Vaudeline D'Allaire. Known worldwide for her talent in conjuring the spirits of murder victims to ascertain the identities of the people who killed them, she is highly sought after by widows and investigators alike.
Lenna Wickes has come to Paris to find answers about her sister's death, but to do so, she must embrace the unknown and overcome her own logic-driven bias against the occult. When Vaudeline is beckoned to England to solve a high-profile murder, Lenna accompanies her as an understudy. But as the women team up with the powerful men of London's exclusive Séance Society to solve the mystery, they begin to suspect that they are not merely out to solve a crime, but perhaps entangled in one themselves...
"An explosive, immersive, time-bomb of a novel. Vengeance is never sweeter than in Sarah Penner's hands." --Laurie Lico Albanese, award-winning author of Hester
From the author of the sensational bestseller The Lost Apothecary comes a spellbinding tale about two daring women who hunt for truth and justice in the perilous art of conjuring the dead.
1873. At an abandoned château on the outskirts of Paris, a dark séance is about to take place, led by acclaimed spiritualist Vaudeline D'Allaire. Known worldwide for her talent in conjuring the spirits of murder victims to ascertain the identities of the people who killed them, she is highly sought after by widows and investigators alike.
Lenna Wickes has come to Paris to find answers about her sister's death, but to do so, she must embrace the unknown and overcome her own logic-driven bias against the occult. When Vaudeline is beckoned to England to solve a high-profile murder, Lenna accompanies her as an understudy. But as the women team up with the powerful men of London's exclusive Séance Society to solve the mystery, they begin to suspect that they are not merely out to solve a crime, but perhaps entangled in one themselves...
"An explosive, immersive, time-bomb of a novel. Vengeance is never sweeter than in Sarah Penner's hands." --Laurie Lico Albanese, award-winning author of Hester