Gift Books

In this gorgeously detailed volume, American artist and author Edward Gorey accents amphigory (nonsense verse or composition) with his signature cross-hatched pen-and-ink drawings. A mix of poetry and prose, light-hearted and decidedly more morbid storytelling, the book is sure to satisfy both fans of art and lovers of short stories alike.

Stories included:
The Unstrung Harp
The Listing Attic
The Doubtful Guest
The Object Lesson
The Bug Book
The Fatal Lozenge
The Hapless Child
The Curious Sofa
The Willowdale Handcar
The Gashlycrumb Tinies
The Insect God
The West Wing
The Wuggly Ump
The Sinking Spell
The Remembered Visit

Reader, beware! A cat's name will set the tone for the rest of their personal and professional life. Recent studies from dubious cat blogs have shown that 80 percent of cat owners regret the name they gave their feline friends. The number one reason: it became too popular. Fear not. Whether the goal is a name to carry on family tradition or to find something new and different, The Complete Book of Cat Names is packed with options, along with all-new, cat-themed cartoons by Eckstein, making this crucial step in owning a pet a pleasure.

Here, you will find the most popular cat names (to avoid), bookstore cat names (Homer or Pip), cat names for foodies (S'more or Capers), James Bond villain cats (Golden Paws or Jinx), and many more. In addition, Eckstein provides handy charts for identifying a cat's type (inside or outside, sassy or sweet). It's the perfect gift for any cat owner.

On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand?

In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy--the practice of binding books in this most intimate covering. Dozens of such books live on in the world's most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship.

A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives--captivating and macabre in all the right ways--she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.

Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales by Christy Williams uses the metaphor of mapping to examine the narrative strategies employed in popular twenty-first-century fairy tales. It analyzes the television shows Once Upon a Time and Secret Garden (a Korean drama), the young-adult novel series The Lunar Chronicles, the Indexing serial novels, and three experimental short works of fiction by Kelly Link. Some of these texts reconfigure well-known fairy tales by combining individual tales into a single storyworld; others self-referentially turn to fairy tales for guidance. These contemporary tales have at their center a crisis about the relevance and sustainability of fairy tales, and Williams argues that they both engage the fairy tale as a relevant genre and remake it to create a new kind of fairy tale.

Mapping Fairy-Tale Space is divided into two parts. Part 1 analyzes fairy-tale texts that collapse multiple distinct fairy tales so they inhabit the same storyworld, transforming the fairy-tale genre into a fictional geography of borderless tales. Williams examines the complex narrative restructuring enabled by this form of mash-up and expands postmodern arguments to suggest that fairy-tale pastiche is a critical mode of retelling that celebrates the fairy-tale genre while it critiques outdated ideological constructs. Part 2 analyzes the metaphoric use of fairy tales as maps, or guides, for lived experience. In these texts, characters use fairy tales both to navigate and to circumvent their own situations, but the tales are ineffectual maps until the characters chart different paths and endings for themselves or reject the tales as maps altogether. Williams focuses on how inventive narrative and visual storytelling techniques enable metafictional commentary on fairy tales in the texts themselves.

Mapping Fairy-Tale Space argues that in remaking the fairy-tale genre, these texts do not so much chart unexplored territory as they approach existing fairy-tale space from new directions, remapping the genre as our collective use of fairy tales changes. Students and scholars of fairy-tale and media studies will welcome this fresh approach.