History
NATIONAL BESTSELLER - "In this highly opinionated and highly readable history, Kurlansky makes a case for why 1968 has lasting relevance in the United States and around the world."--Dan Rather To some, 1968 was the year of sex, drugs, and rock and roll. Yet it was also the year of the Martin Luther King, Jr., and Bobby Kennedy assassinations; the riots at the Democratic National Convention in Chicago; Prague Spring; the antiwar movement and the Tet Offensive; Black Power; the generation gap; avant-garde theater; the upsurge of the women's movement; and the beginning of the end for the Soviet Union. In this monumental book, Mark Kurlansky brings to teeming life the cultural and political history of that pivotal year, when television's influence on global events first became apparent, and spontaneous uprisings occurred simultaneously around the world. Encompassing the diverse realms of youth and music, politics and war, economics and the media, 1968 shows how twelve volatile months transformed who we were as a people--and led us to where we are today.
Winner, 2020 JDC-Herbert Katzki Award for Writing Based on Archival Material, given by the Jewish Book Council
The astonishing story of the efforts of scholars and activists to rescue Jewish cultural treasures after the Holocaust
Beyond Words accompanies a collaborative exhibition at the McMullen Museum of Art, Boston College; Harvard University's Houghton Library; and the Isabella Stewart Gardner Museum. Featuring illuminated manuscripts from nineteen Boston-area institutions, this catalog provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. Entries by eighty-five international experts document, discuss, and reproduce more than two hundred and sixty manuscripts and early printed books, many of them little known before now. Beyond Words also explores the history of collecting such books in Boston, an uncharted chapter in the history of American taste. Of broad appeal to scholars and amateur enthusiasts alike, this catalog documents one of the most ambitious exhibitions of medieval and Renaissance manuscripts ever to take place in North America.
Medieval London, like all premodern cities, had a largely immigrant population-only a small proportion of the inhabitants were citizens-and the newly arrived needed to be taught the civic culture of the city in order for that city to function peacefully. Ritual and ceremony played key roles in
this acculturation process. In Ceremony and Civility, Barbara A. Hanawalt shows how, in the late Middle Ages, London's elected officials and elites used ceremony and ritual to establish their legitimacy and power. In a society in which hierarchical authority was most commonly determined by inheritance of title and office, or sanctified by ordination, civic officials who had been elected to their posts relied on rituals to cement their authority and dominance. Elections and inaugurations had to be very public
and visually distinct in order to quickly communicate with the masses: the robes of office needed to distinguish the officers so that everyone would know who they were. The result was a colorful civic pageantry. Newcomers found their places within this structure in various ways. Apprentices entering the city to take up a trade were educated in civic culture by their masters. Gilds similarly used rituals, oath swearing, and distinctive livery to mark their members' belonging. But these public shows of
belonging and orderly civic life also had a dark side. Those who rebelled against authority and broke the civic ordinances were made spectacles through ritual humiliations and public parades through the streets so that others could take heed of these offenders of the law. An accessible look at late medieval London through the lens of civic ceremonies and dispute resolution, Ceremony and Civility synthesizes archival research with existing scholarship to show how an ever-shifting population was enculturated into premodern London.
this acculturation process. In Ceremony and Civility, Barbara A. Hanawalt shows how, in the late Middle Ages, London's elected officials and elites used ceremony and ritual to establish their legitimacy and power. In a society in which hierarchical authority was most commonly determined by inheritance of title and office, or sanctified by ordination, civic officials who had been elected to their posts relied on rituals to cement their authority and dominance. Elections and inaugurations had to be very public
and visually distinct in order to quickly communicate with the masses: the robes of office needed to distinguish the officers so that everyone would know who they were. The result was a colorful civic pageantry. Newcomers found their places within this structure in various ways. Apprentices entering the city to take up a trade were educated in civic culture by their masters. Gilds similarly used rituals, oath swearing, and distinctive livery to mark their members' belonging. But these public shows of
belonging and orderly civic life also had a dark side. Those who rebelled against authority and broke the civic ordinances were made spectacles through ritual humiliations and public parades through the streets so that others could take heed of these offenders of the law. An accessible look at late medieval London through the lens of civic ceremonies and dispute resolution, Ceremony and Civility synthesizes archival research with existing scholarship to show how an ever-shifting population was enculturated into premodern London.
The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. Carlo Ginzburg uses the trial records to illustrate the religious and social conflicts of the society Menocchio lived in.
For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed--just as cheese is made out of milk--and worms appeared in it, and these were the angels."
Ginzburg's influential book has been widely regarded as an early example of the analytic, case-oriented approach known as microhistory. In a thoughtful new preface, Ginzburg offers his own corollary to Menocchio's story as he considers the discrepancy between the intentions of the writer and what gets written. The Italian miller's story and Ginzburg's work continue to resonate with modern readers because they focus on how oral and written culture are inextricably linked. Menocchio's 500-year-old challenge to authority remains evocative and vital today.
One of our finest narrative historians, Lawrence James has written a genuinely new biography of Winston Churchill, one focusing solely on his relationship with the British Empire. As a young army officer in the late nineteenth century serving in conflicts in India, South Africa, and the Sudan, his attitude toward the Empire was the Victorian paternalistic approach--at once responsible and superior. Conscious even then of his political career ahead, Churchill found himself reluctantly supporting British atrocities and held what many would regard today as prejudiced views, in that he felt that some nationalities were superior to others, his (some might say obsequious) relationship with America reflected that view. This outmoded attitude was one of the reasons the British voters rejected him after a Second World War in which he had led the country brilliantly. His attitude remained decidedly old-fashioned in a world that was shaping up very differently. This ground-breaking volume reveals the many facets of Churchill's personality: a visionary leader with a truly Victorian attitude toward the British Empire.
A massacre in Boston. A tea party. A shot heard around the world. But who was the first casualty of the massacre? How did the tea get to Boston Harbor? What was the Battle of Concord like for a Minute Man? Colonial Comics: New England, 1750-1775 expands the frame of this important period of American history. Unconventional characters come to life, including gravedigging medical students, counterfeiters, female playwrights, instigators of civil disobedience, newspaper editors, college students, rum traders, freemen, and slaves.
The landmark legal document of the United States, the U.S. Constitution comprises the primary law of the Federal Government. Signed by the members of the Constitutional Convention in Philadelphia on September 17, 1787, the Constitution outlines the powers and responsibilities of the three chief branches of the Federal Government, as well as the basic rights of the citizens of the United States. This beautiful gift edition contains the complete text of the United States Constitution, as well as all of its amendments. It is a treasure for Americans of all ages.
Europe's most westerly capital city was established by invaders and was for most of its history the locus of colonial administration, the engine room of foreign power, and a major site of indigenous resistance. From The Act of Union through nineteenth-century decline and into the early years
of Irish independence it was a city identified with poverty, dirt, and decaying splendor. The Celtic Tiger produced sweeping changes, including massive new building projects, and the surprising revelation that Dublin has become fashionable. Siobhán Kilfeather finds the legacy of the past undergoing
a series of transformations in the vibrant atmosphere of contemporary Dublin.
of Irish independence it was a city identified with poverty, dirt, and decaying splendor. The Celtic Tiger produced sweeping changes, including massive new building projects, and the surprising revelation that Dublin has become fashionable. Siobhán Kilfeather finds the legacy of the past undergoing
a series of transformations in the vibrant atmosphere of contemporary Dublin.
A hardcover copy of the draft, preliminary, and final versions of Abraham Lincoln's January 1, 1863 Executive Order--the Emancipation Proclamation--which declared the freedom of 3.1 million of the nation's slaves.
A Times Literary Supplement Book of the Year "Richly evocative and entertaining."--Guardian "An essential book for anyone who wants to Polari bona!"--Attitude "Exuberant, richly detailed. . . . A delightful read."--Tatler Polari is a language that was used chiefly by gay men in the first half of the twentieth century. It offered its speakers a degree of public camouflage and a means of identification. Its colorful roots are varied--from Cant to Lingua Franca to dancers' slang--and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne ("Oh hello Mr Horne, how bona to vada your dolly old eek!"). Paul Baker recounts the story of Polari with skill, humor, and tenderness. He traces its historical origins and describes its linguistic nuts and bolts, explores the ways and the environments in which it was spoken, explains the reasons for its decline, and tells of its unlikely reemergence in the twenty-first century. With a cast of drag queens and sailors, Dilly boys and macho clones, Fabulosa! is an essential document of recent history--a fascinating and fantastically readable account of this funny, filthy, and ingenious language.
In the aftermath of the Franco-Prussian War of 1870-71, a defeated and humiliated France split into cultural factions that ranged from those who embraced modernity to those who championed the restoration of throne and altar. This polarization--to which such iconic monuments as the Sacre-Coeur and the Eiffel Tower bear witness--intensified with a succession of grave events over the following decades: the crash of an investment bank founded to advance Catholic interests; the failure of the Panama Canal Company; the fraudulent charge of treason brought against a Jewish officer, Alfred Dreyfus, which resulted in a civil war between his zealous supporters and fanatical antagonists.
In this brilliant reconsideration of what fostered the rise of fascism and anti-Semitism in twentieth-century Europe, Frederick Brown chronicles the intense struggle for the soul of a nation, and shows how France's deep fractures led to its surrender to Hitler's armies in 1940.
A rising-star historian offers a significant new global perspective on the Revolutionary War with the story of the conflict as seen through the eyes of the outsiders of colonial society Winner of the Journal of the American Revolution Book of the Year Award - Winner of the Society of the Cincinnati in the State of New Jersey History Prize - Finalist for the George Washington Book Prize Over the last decade, award-winning historian Kathleen DuVal has revitalized the study of early America's marginalized voices. Now, in Independence Lost, she recounts an untold story as rich and significant as that of the Founding Fathers: the history of the Revolutionary Era as experienced by slaves, American Indians, women, and British loyalists living on Florida's Gulf Coast. While citizens of the thirteen rebelling colonies came to blows with the British Empire over tariffs and parliamentary representation, the situation on the rest of the continent was even more fraught. In the Gulf of Mexico, Spanish forces clashed with Britain's strained army to carve up the Gulf Coast, as both sides competed for allegiances with the powerful Chickasaw, Choctaw, and Creek nations who inhabited the region. Meanwhile, African American slaves had little control over their own lives, but some individuals found opportunities to expand their freedoms during the war. Independence Lost reveals that individual motives counted as much as the ideals of liberty and freedom the Founders espoused: Independence had a personal as well as national meaning, and the choices made by people living outside the colonies were of critical importance to the war's outcome. DuVal introduces us to the Mobile slave Petit Jean, who organized militias to fight the British at sea; the Chickasaw diplomat Payamataha, who worked to keep his people out of war; New Orleans merchant Oliver Pollock and his wife, Margaret O'Brien Pollock, who risked their own wealth to organize funds and garner Spanish support for the American Revolution; the half-Scottish-Creek leader Alexander McGillivray, who fought to protect indigenous interests from European imperial encroachment; the Cajun refugee Amand Broussard, who spent a lifetime in conflict with the British; and Scottish loyalists James and Isabella Bruce, whose work on behalf of the British Empire placed them in grave danger. Their lives illuminate the fateful events that took place along the Gulf of Mexico and, in the process, changed the history of North America itself. Adding new depth and moral complexity, Kathleen DuVal reinvigorates the story of the American Revolution. Independence Lost is a bold work that fully establishes the reputation of a historian who is already regarded as one of her generation's best. Praise for Independence Lost "[An] astonishing story . . . Independence Lost will knock your socks off. To read [this book] is to see that the task of recovering the entire American Revolution has barely begun."--The New York Times Book Review "A richly documented and compelling account."--The Wall Street Journal
"A remarkable, necessary--and entirely new--book about the American Revolution."--The Daily Beast "A completely new take on the American Revolution, rife with pathos, double-dealing, and intrigue."--Elizabeth A. Fenn, Pulitzer Prize-winning author of Encounters at the Heart of the World
"A remarkable, necessary--and entirely new--book about the American Revolution."--The Daily Beast "A completely new take on the American Revolution, rife with pathos, double-dealing, and intrigue."--Elizabeth A. Fenn, Pulitzer Prize-winning author of Encounters at the Heart of the World
With a novelist's skill and the insight of an historian, bestselling author Ross King recalls a seminal period when Paris was the artistic center of the world, and the rivalry between Meissonier and Manet.
While the Civil War raged in America, another revolution took shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been quite so controversial. The drama of its birth, played out on canvas and against the backdrop of the Franco-Prussian War and the Commune, would at times resemble a battlefield; and as Ross King reveals, it would reorder both history and culture, and resonate around the world.
New York Times Notable Book * NPR Best Books 2015 * Wall Street Journal Best Books of 2015 The acclaimed author of The Good German "deftly captures the ambience" (The New York Times Book Review) of postwar East Berlin in his "thought-provoking, pulse-pounding" (Wall Street Journal) New York Times bestseller--a sweeping spy thriller about a city caught between political idealism and the harsh realities of Soviet occupation. Berlin, 1948. Almost four years after the war's end, the city is still in ruins, a physical wasteland and a political symbol about to rupture. In the West, a defiant, blockaded city is barely surviving on airlifted supplies; in the East, the heady early days of political reconstruction are being undermined by the murky compromises of the Cold War. Espionage, like the black market, is a fact of life. Even culture has become a battleground, with German intellectuals being lured back from exile to add credibility to the competing sectors. Alex Meier, a young Jewish writer, fled the Nazis for America before the war. But the politics of his youth have now put him in the crosshairs of the McCarthy witch-hunts. Faced with deportation and the loss of his family, he makes a desperate bargain with the fledgling CIA: he will earn his way back to America by acting as their agent in his native Berlin. But almost from the start things go fatally wrong. A kidnapping misfires, an East German agent is killed, and Alex finds himself a wanted man. Worse, he discovers his real assignment--to spy on the woman he left behind, the only woman he has ever loved. Changing sides in Berlin is as easy as crossing a sector border. But where do we draw the lines of our moral boundaries? At betrayal? Survival? Murder? Joseph Kanon's compelling thriller is a love story that brilliantly brings a shadowy period of history vividly to life.
The world knows the story of young Emmett Till. In August 1955, the fourteen-year-old Chicago boy supposedly flirted with a white woman named Carolyn Bryant, who worked behind the counter of a country store, while visiting family in Mississippi. Three days later, his mangled body was recovered in the Tallahatchie River, weighed down by a cotton-gin fan. Till's killers, Bryant's husband and his half-brother, were eventually acquitted on technicalities by an all-white jury despite overwhelming evidence. It seemed another case of Southern justice. Then details of what had happened to Till became public, which they did in part because Emmett's mother, Mamie Till-Mobley, insisted that his casket remain open during his funeral. The world saw the horror, and Till's story gripped the country and sparked outrage. Black journalists drove down to Mississippi and risked their lives interviewing townsfolk, encouraging witnesses, spiriting those in danger out of the region, and above all keeping the news cycle turning. It continues to turn. In 2005, fifty years after the murder, the FBI reopened the case. New papers and testimony have come to light, and several participants, including Till's mother, have published autobiographies. Using this new evidence and a broadened historical context, Elliott J. Gorn delves more fully than anyone has into how and why the story of Emmett Till still resonates, and always will. Till's murder marked a turning point, Gorn shows, and yet also reveals how old patterns of thought and behavior endure, and why we must look hard at them.
Compellingly written and even-handed in its judgments, this is by far the clearest account of what has happened through the years in the Northern Ireland conflict, and why. After a chapter of background on the period from 1921 to 1963, it covers the ensuing period-the descent into violence, the hunger strikes, the Anglo-Irish accord, the bombers in England-to the present shaky peace process. Behind the deluge of information and opinion about the conflict, there is a straightforward and gripping story. Mr. McKittrick and Mr. McVea tell that story clearly, concisely, and, above all, fairly, avoiding intricate detail in favor of narrative pace and accessible prose. They describe and explain a lethal but fascinating time in Northern Ireland's history, which brought not only death, injury, and destruction but enormous political and social change. They close on an optimistic note, convinced that while peace-if it comes-will always be imperfect, a corner has now been decisively turned. The book includes a detailed chronology, statistical tables, and a glossary of terms.
For many men of various sexual inclinations, the Second World War offered an unprecedented release from the constraints of civilian life. However, when they returned home they had to face the harsh realities of a restrictive society. Men Without Maps continues the story of these men, whom John Ibson first gave voice to in The Mourning After. Here he uncovers the experiences of men after World War II who had same-sex desires but few, if any, direct, affirmative models of how to build identities and relationships. Though heterosexual men had plenty of cultural maps--provided by their parents, social institutions, and nearly every engine of popular culture--in the years before Pride parades, social organizations for queer persons, or publications devoted to them, gay men lacked such guides. In his survey of the years from shortly before the war up to the gay rights movement of the late 1960s and early '70s, Ibson considers male couples, who balanced domestic contentment with exterior repression, as well as single men, whose solitary lives illuminate unexplored aspects of the queer experience. Men Without Maps shows how, in spite of the obstacles they faced, midcentury gay men found ways to assemble their lives and senses of self at a time of limited social acceptance.
In the sixteenth-century Atlantic world, nature and culture swirled in people's minds to produce fantastic images. In the South of France, a cloister's painted wooden panels greeted parishioners with vivid depictions of unicorns, dragons, and centaurs, while Mayans in the Yucatan created openings to buildings that resembled a fierce animal's jaws, known to archaeologists as serpent-column portals.
In Nature and Culture in the Early Modern Atlantic, historian Peter C. Mancall reveals how Europeans and Native Americans thought about a natural world undergoing rapid change in the century following the historic voyages of Christopher Columbus. Through innovative use of oral history and folklore maintained for centuries by Native Americans, as well as original use of spectacular manuscript atlases, paintings that depict on-the-spot European representations of nature, and texts that circulated imperfectly across the ocean, he reveals how the encounter between the old world and the new changed the fate of millions of individuals.
This inspired work of Atlantic, European, and American history begins with medieval concepts of nature and ends in an age when the printed book became the primary avenue for the dissemination of scientific information. Throughout the sixteenth century, the borders between the natural world and the supernatural were more porous than modern readers might realize. Native Americans and Europeans alike thought about monsters, spirits, and insects in considerable depth. In Mancall's vivid narrative, the modern world emerged as a result of the myriad encounters between peoples who inhabited the Atlantic basin in this period. The centuries that followed can be comprehended only by exploring how culture in its many forms--stories, paintings, books--shaped human understanding of the natural world.
From an award-winning historian, a magisterial account of the revolution that created the modern world The principles of the French Revolution remain the only possible basis for a just society -- even if, after more than two hundred years, they are more contested than ever before. In A New World Begins, Jeremy D. Popkin offers a riveting account of the revolution that puts the reader in the thick of the debates and the violence that led to the overthrow of the monarchy and the establishment of a new society. We meet Mirabeau, Robespierre, and Danton, in all of their brilliance and vengefulness; we witness the failed escape and execution of Louis XVI; we see women demanding equal rights and black slaves wresting freedom from revolutionaries who hesitated to act on their own principles; and we follow the rise of Napoleon out of the ashes of the Reign of Terror. Based on decades of scholarship, A New World Begins will stand as the definitive treatment of the French Revolution.
During the Great War, composers and performers created music that expressed common sentiments like patriotism, grief, and anxiety. Yet music also revealed the complexities of the partnership between France, Great Britain, Canada, and the United States. At times, music reaffirmed a commitment to the shared wartime mission. At other times, it reflected conflicting views about the war from one nation to another or within a single nation.Over Here, Over There examines how composition, performance, publication, recording, censorship, and policy shaped the Atlantic allies' musical response to the war. The first section of the collection offers studies of individuals. The second concentrates on communities, whether local, transnational, or on the spectrum in-between. Essay topics range from the sinking of the Lusitania through transformations of the entertainment industry to the influenza pandemic.Contributors: Christina Bashford, William Brooks, Deniz Ertan, Barbara L. Kelly, Kendra Preston Leonard, Gayle Magee, Jeffrey Magee, Michelle Meinhart, Brian C. Thompson, and Patrick Warfield
Benjamin Franklin's Poor Richard's Almanack was first published in 1733. Facing heavy competition from similar publications, Franklin took the unusual and controversial approach of injecting witty, unexpected entries between standard tables of tides, planetary motion, weather predictions and other facts. In the debut edition, faithfully reproduced here, he included under the heading Principal Kings of Europe, Poor Richard, an American Prince, without subjects, his wife being Viceroy over him, born October 23, 1684, age 49. The Almanack went on to become the most popular book of it's kind in colonial America and was published annually for the next 25 years. This facsimile offers a unique and entertaining look at 18th century American life and humor.
Shortly before he died, Plenty Coups, the last great Chief of the Crow Nation, told his story--up to a certain point. "When the buffalo went away the hearts of my people fell to the ground," he said, "and they could not lift them up again. After this nothing happened." It is precisely this point--that of a people faced with the end of their way of life--that prompts the philosophical and ethical inquiry pursued in Radical Hope. In Jonathan Lear's view, Plenty Coups's story raises a profound ethical question that transcends his time and challenges us all: how should one face the possibility that one's culture might collapse?
This is a vulnerability that affects us all--insofar as we are all inhabitants of a civilization, and civilizations are themselves vulnerable to historical forces. How should we live with this vulnerability? Can we make any sense of facing up to such a challenge courageously? Using the available anthropology and history of the Indian tribes during their confinement to reservations, and drawing on philosophy and psychoanalytic theory, Lear explores the story of the Crow Nation at an impasse as it bears upon these questions--and these questions as they bear upon our own place in the world. His book is a deeply revealing, and deeply moving, philosophical inquiry into a peculiar vulnerability that goes to the heart of the human condition.
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could - or should - be converted or enslaved, maps were uniquely suited for assessing the impact of environment on bodies and temperaments. Through innovative interdisciplinary methods connecting the European Renaissance to the Atlantic world, Davies uses new sources and questions to explore science as a visual pursuit, revealing how debates about the relationship between humans and monstrous peoples challenged colonial expansion.
This book is the first full-length study of the Nova Reperta (New Discoveries), a renowned series of prints designed by Johannes Stradanus during the late 1580s in Florence. Reproductions of the prints, essays, conversations from a scholarly symposium, and catalogue entries complement a Newberry Library exhibition that tells the story of the design, conception, and reception of Stradanus's engravings. Renaissance Invention: Stradanus's "Nova Reperta" seeks to understand why certain inventions or novelties were represented in the series and how that presentation reflected and fostered their adoption in the sixteenth century. What can Stradanus's prints tell us about invention and cross-cultural encounter in the Renaissance? What was considered "new" in the era? Who created change and technological innovation? Through images of group activities and interactions in workshops, Stradanus's prints emphasize the importance of collaboration in the creation of new things, dispelling traditional notions of individual genius. The series also dismisses the assumption that the revival of the wonders of the ancient world in Italy was the catalyst for transformation. In fact, the Latin captions on the prints explain how contemporary inventions surpass those of the ancients. Together, word and image foreground the global nature of invention and change in the early modern period even as they promote specifically Florentine interests and activities.
Great Britain's geopolitical role has undergone many changes over the last four centuries. Once a maritime superpower and ruler of half the world, Britain now occupies an isolated position as an economically fragile island often at odds with her European neighbors.
In The Rise and Fall of the British Empire, Lawrence James has written a comprehensive, perceptive, and insightful history of the British Empire. Spanning the years from 1600 to the present day, this critically acclaimed book combines detailed scholarship with readable popular history. "This is a stylish, intelligent and readable book." --The New York Times Book Review
The tavern, the inn, the coffee house, the tea shop: these are places where, throughout history, we have met and socialized and where the issues of the day could be discussed over a drink. Postal services developed between networks of inns and enabled modern communication. The first insurance companies were created in the coffee houses. Gin palaces prompted moral outrage. The suffragette movement found its birthplace in tea shops which allowed women to meet across social classes. This generously illustrated book unveils the little-known ways that drinks, whether alcoholic or caffeinated, have found their place at the center of our social and political lives.
The Russian Revolution of 1917 transformed the face of the Russian empire, politically, economically, socially, and culturally, and also profoundly affected the course of world history for the rest of the twentieth century. Now, to mark the centenary of this epochal event, historian Steve Smith presents a panoramic account of the history of the Russian empire, from the last years of the nineteenth century to the end of the 1920s when Stalin unleashed violent collectivization of agriculture and crash industrialization upon Russian society. Drawing on recent archival scholarship, Russia in Revolution pays particular attention to the varying impact of the Revolution on different social groups including peasants, workers, non-Russian nationals, the army, women, young people, and the Church. The book provides a fresh approach toward the big, perennial questions about the Revolution and its consequences. Why did the tsarist government's attempt to implement political reform after the 1905 Revolution fail? Why did the First World War bring about the collapse of the tsarist system? Why did the attempt to create a democratic system after the February Revolution of 1917 never get off the ground? Why did the Bolsheviks succeeded in seizing power? Why did Stalin come out on top in the power struggle inside the Bolshevik party after Lenin's death in 1924? A final chapter reflects on the larger significance of 1917 for the history of the twentieth century and, for all its terrible flaws, what the promise of the Revolution might mean for us today.
NEW YORK TIMES BESTSELLER - Winner of the National Book Critics Circle Award From the author of the New York Times bestseller Empire of Pain--a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions A New York Times Top Ten Book of the Year - Long Listed for the National Book Award - Winner of the Orwell Prize - TIME Magazine's Best Nonfiction Book of the Year - Best Book of the Decade by EW and LitHub Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book--as finely paced as a novel--Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga. --New York Times Book Review Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish. Look for Patrick Radden Keefe's latest bestseller, Empire of Pain
An ancient Scots law says that the head of any dead whale found on the Scottish coast automatically becomes the property of the king, and the tail the property of the queen. The Scots excel at elephant polo, a game usually played in the East. The modern game was co-founded in the 1980s in Scotland, and the Scots are top of the leader board! This book contains hundreds of "strange but true" facts and anecdotes about Scottish history. Arranged into a miniature history of Scotland, and with bizarre and hilarious true tales for every era, it will delight anyone with an interest in Scottish history.
The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.
The essential guide to understanding how racism works and how racial inequality shapes black lives, ultimately offering a road-map for resistance for racial justice advocates and antiracists
When #BlackLivesMatter went viral in 2013, it shed a light on the urgent, daily struggles of black Americans to combat racial injustice. The message resonated with millions across the country. Yet many of our political, social, and economic institutions are still embedded with racist policies and practices that devalue black lives. Stay Woke directly addresses these stark injustices and builds on the lessons of racial inequality and intersectionality the Black Lives Matter movement has challenged its fellow citizens to learn. In this essential primer, Tehama Lopez Bunyasi and Candis Watts Smith inspire readers to address the pressing issues of racial inequality, and provide a basic toolkit that will equip readers to become knowledgeable participants in public debate, activism, and politics. This book offers a clear vision of a racially just society, and shows just how far we still need to go to achieve this reality. From activists to students to the average citizen, Stay Woke empowers all readers to work toward a better future for black Americans.
Strange Fruit Volume I is a collection of stories from early African American history that represent the oddity of success in the face of great adversity. Each of the nine illustrated chapters chronicles an uncelebrated African American hero or event. From the adventures of lawman Bass Reeves, to Henry "Box" Brown's daring escape from slavery.
In this revelatory work of social history, C. M. Woolgar shows that food in late-medieval England was far more complex, varied, and more culturally significant than we imagine today. Drawing on a vast range of sources, he charts how emerging technologies as well as an influx of new flavors and trends from abroad had an impact on eating habits across the social spectrum. From the pauper's bowl to elite tables, from early fad diets to the perceived moral superiority of certain foods, and from regional folk remedies to luxuries such as lampreys, Woolgar illuminates desire, necessity, daily rituals, and pleasure across four centuries.
This story begins in the Paris of the 1930s, when artists and writers stood at the center of the world stage. In the decade that saw the rise of the Nazis, much of the thinking world sought guidance from this extraordinary group of intellectuals. Herbert Lottman's chronicle follows the influential players-Gide, Malraux, Sartre, de Beauvoir, Koestler, Camus, and their pro-Fascist counterparts-through the German occupation, Liberation, and into the Cold War, when the struggle between superpowers all but drowned out their voices. "Surprisingly fresh and intense. . . . A retrospective travelogue of the Left Bank in the days when it was the setting for almost all French intellectual activity. . . . Absorbing."-Naomi Bliven, New Yorker "As an introduction to a period in French history already legendary, The Left Bank is superb."-Michael Dirda, Washington Post Book World "An intellectual history. A history of the interaction between politics and letters. And a rumination on the limitless credulity of intellectuals."-Christopher Hitchens, New Statesman
"Invention ... does not consist in creating out of void, but out of chaos"--Mary Shelley In the two hundred years since its first publication, the story of Frankenstein's creation during stormy days and nights at Byron's Villa Diodati on Lake Geneva has become literary legend. In this compelling and innovative book, Daisy Hay stitches together the objects and manuscripts of the novel's turbulent genesis in order to bring its story back to life. Frankenstein was inspired by the extraordinary people surrounding the eighteen-year-old author and by the places and historical dramas that formed the backdrop of her youth. Featuring manuscripts, portraits, illustrations, and artifacts, The Making of Mary Shelley's "Frankenstein" explores the novel's time and place, the people who inspired its characters, the relics of its long afterlife, and the notebooks in which it was created. Hay strips Frankenstein back to its constituent parts to reveal an uneven novel written by a young woman deeply engaged in the process of working out what she thought about the pressing issues of her time: from science, politics, religion, and slavery to maternity, the imagination, creativity, and community. Richly illustrated throughout, this is an astute and intricate biography of the novel for all those fascinated by its essential, brilliant chaos.
Fancy a tipple? Then pull up a stool, raise a glass, and dip into this delightful paean to the grand old saloon days of yore. Written by Chicago-based journalist, playwright, and all-round wit George Ade in the waning years of Prohibition, The Old-Time Saloon is both a work of propaganda masquerading as "just history" and a hilarious exercise in nostalgia. Featuring original, vintage illustrations along with a new introduction and notes from Bill Savage, Ade's book takes us back to the long-gone men's clubs of earlier days, when beer was a nickel, the pretzels were polished, and the sardines were free.
With settlements stretching across a vast expanse and with legends of their exploits extending even farther, the Vikings were the most far-flung and feared people of their time. Yet the archaeological and historical records are so scant that the true nature of Viking civilization remains
shrouded in mystery. In this richly illustrated volume, twelve leading scholars draw on the latest research and archaeological evidence to provide the clearest picture yet of this fabled people. Painting a fascinating portrait of the influences that the "Northmen" had on foreign lands, the contributors trace Viking
excursions to the British Islands, Russia, Greenland, and the northern tip of Newfoundland, which the Vikings called "Vinlund." We meet the great Viking kings: from King Godfred, King of the Danes, who led campaigns against Charlemagne in Saxony, to King Harald Bluetooth, the first of the Christian
rulers, who helped unify Scandinavia and introduced a modern infrastructure of bridges and roads. The volume also looks at the day-to-day social life of the Vikings, describing their almost religious reverence for boats and boat-building, and their deep bond with the sea that is still visible in the
etymology of such English words as "anchor," "boat," "rudder," and "fishing," all of which can be traced back to Old Norse roots. But perhaps most importantly, the book goes a long way towards answering the age-old question of who these intriguing people were. From sagas to shipbuilding, from funeral rites to the fur trade, this superb volume is an indispensable guide to the Viking world.
shrouded in mystery. In this richly illustrated volume, twelve leading scholars draw on the latest research and archaeological evidence to provide the clearest picture yet of this fabled people. Painting a fascinating portrait of the influences that the "Northmen" had on foreign lands, the contributors trace Viking
excursions to the British Islands, Russia, Greenland, and the northern tip of Newfoundland, which the Vikings called "Vinlund." We meet the great Viking kings: from King Godfred, King of the Danes, who led campaigns against Charlemagne in Saxony, to King Harald Bluetooth, the first of the Christian
rulers, who helped unify Scandinavia and introduced a modern infrastructure of bridges and roads. The volume also looks at the day-to-day social life of the Vikings, describing their almost religious reverence for boats and boat-building, and their deep bond with the sea that is still visible in the
etymology of such English words as "anchor," "boat," "rudder," and "fishing," all of which can be traced back to Old Norse roots. But perhaps most importantly, the book goes a long way towards answering the age-old question of who these intriguing people were. From sagas to shipbuilding, from funeral rites to the fur trade, this superb volume is an indispensable guide to the Viking world.
One of the most popular family books ever published. It is a collection of amusements, including parlor theatricals, games of action, games of memory, games requiring wit, ruses, forfeits, puzzles, fireside games for winter evenings, and science, and parlor magic. Filled with over 300 wood engravings which clarify the text and fully explain all the puzzles and other things difficult to describe in writing. This book is sure to entertain any old-fashioned gathering.
Prohibition has long been portrayed as a "noble experiment" that failed, a newsreel story of glamorous gangsters, flappers, and speakeasies. Now at last Lisa McGirr dismantles this cherished myth to reveal a much more significant history. Prohibition was the seedbed for a pivotal expansion of the federal government, the genesis of our contemporary penal state. Her deeply researched, eye-opening account uncovers patterns of enforcement still familiar today: the war on alcohol was waged disproportionately in African American, immigrant, and poor white communities. Alongside Jim Crow and other discriminatory laws, Prohibition brought coercion into everyday life and even into private homes. Its targets coalesced into an electoral base of urban, working-class voters that propelled FDR to the White House.
This outstanding history also reveals a new genome for the activist American state, one that shows the DNA of the right as well as the left. It was Herbert Hoover who built the extensive penal apparatus used by the federal government to combat the crime spawned by Prohibition. The subsequent federal wars on crime, on drugs, and on terror all display the inheritances of the war on alcohol. McGirr shows the powerful American state to be a bipartisan creation, a legacy not only of the New Deal and the Great Society but also of Prohibition and its progeny.
The War on Alcohol is history at its best--original, authoritative, and illuminating of our past and its continuing presence today.
This Is What Democracy Looked Like, the first illustrated history of printed ballot design, illuminates the noble but often flawed process at the heart of our democracy. An exploration and celebration of US ballots from the nineteenth and early twentieth centuries, this visual history reveals unregulated, outlandish, and, at times, absurd designs that reflect the explosive growth and changing face of the voting public. The ballots offer insight into a pivotal time in American history--a period of tectonic shifts in the electoral system--fraught with electoral fraud, disenfranchisement, scams, and skullduggery, as parties printed their own tickets and voters risked their lives going to the polls.
Generous, visionary new work by this major American poet Winner of the Voelcker Award (PEN America) (2016) In To See the Earth Before the End of the World Ed Roberson presents us with 120 new poems, each speaking in his unique voice and seen through his unique eye. Earth and sky, neighborhood life and ancient myths, the art of seeing and the architecture of the imagination are all among the subjects of these poems. Recurring images and ideas construct a complex picture of our world, ourselves, and the manifold connections tying them together. The poems raise large questions about the natural world and our place in it, and they do not flinch from facing up to those questions. Roberson's poems range widely through different scales of time and space, invoking along the way history and myth, galaxies and garbage trucks, teapots and the history of photography, mating cranes and Chicago's political machine. This collection is composed of five sequences, each developing a particular constellation of images and ideas related to the vision of the whole. Various journeys become one journey--an epic journey, invoking epic themes. There are songs of creation, pictures of the sorrows of war, celebrations of human labor and human society, a respect for tools and domestic utensils that are well made, the deep background of the past tingeing the colors of the present, and the tragic tones of endings and laments, a pervading awareness of the tears in things. Most of all, there is the exhilaration of a grand, sweeping vision that enlarges our world.
In this striking study of the pre-Civil War literary imagination, Karen Sánchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood--one in which the racially distinct and physically constrained slave body converged alongside the sexually distinct and domestically circumscribed female body. Moving from the public domain of abolitionist politics to the privacy of lyric poetry, Sánchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly. However, Sánchez-Eppler warns against exaggerating the positive links between literature and politics. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing "difference" in the nineteenth century as in the twentieth. Her insightful examination of these issues makes a distinctive mark within American literary and cultural studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
In this striking study of the pre–Civil War literary imagination, Karen Sánchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood—one in which the racially distinct and physically constrained slave body converged alongside the sexually distinct and domestically circumscribed female body.
Moving from the public domain of abolitionist politics to the privacy of lyric poetry, Sánchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly. However, Sánchez-Eppler warns against exaggerating the positive links between literature and politics. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing “difference” in the nineteenth century as in the twentieth. Her insightful examination of these issues makes a distinctive mark within American literary and cultural studies.
This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.