#1 NEW YORK TIMES BESTSELLER - NAACP IMAGE AWARD WINNER - A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present. "[A] groundbreaking compendium . . . bracing and urgent . . . This collection is an extraordinary update to an ongoing project of vital truth-telling."--Esquire NOW AN EMMY-WINNING HULU ORIGINAL DOCUSERIES - A KIRKUS REVIEWS BEST NONFICTION BOOK OF THE CENTURY - AN OPRAH DAILY BEST NONFICTION BOOK OF THE PAST TWO DECADES - FINALIST FOR THE KIRKUS PRIZE - ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, Booklist In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty people stolen from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the source of so much that still defines the United States. The New York Times Magazine's award-winning 1619 Project issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation's founding and construction--and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life. Featuring contributions from: Leslie Alexander - Michelle Alexander - Carol Anderson - Joshua Bennett - Reginald Dwayne Betts - Jamelle Bouie - Anthea Butler - Matthew Desmond - Rita Dove - Camille T. Dungy - Cornelius Eady - Eve L. Ewing - Nikky Finney - Vievee Francis - Yaa Gyasi - Forrest Hamer - Terrance Hayes - Kimberly Annece Henderson - Jeneen Interlandi - Honorée Fanonne Jeffers - Barry Jenkins - Tyehimba Jess - Martha S. Jones - Robert Jones, Jr. - A. Van Jordan - Ibram X. Kendi - Eddie Kendricks - Yusef Komunyakaa - Kevin M. Kruse - Kiese Laymon - Trymaine Lee - Jasmine Mans - Terry McMillan - Tiya Miles - Wesley Morris - Khalil Gibran Muhammad - Lynn Nottage - ZZ Packer - Gregory Pardlo - Darryl Pinckney - Claudia Rankine - Jason Reynolds - Dorothy Roberts - Sonia Sanchez - Tim Seibles - Evie Shockley - Clint Smith - Danez Smith - Patricia Smith - Tracy K. Smith - Bryan Stevenson - Nafissa Thompson-Spires - Natasha Trethewey - Linda Villarosa - Jesmyn Ward
Named one of the Best Nonfiction Books of 2019 by School Library Journal Queer history didn't start with Stonewall. This book explores how LGBTQ people have always been a part of our national identity, contributing to the country and culture for over 400 years. It is crucial for lesbian, gay, bisexual, transgender, and queer youth to know their history. But this history is not easy to find since it's rarely taught in schools or commemorated in other ways. A Queer History of the United States for Young People corrects this and demonstrates that LGBTQ people have long been vital to shaping our understanding of what America is today. Through engrossing narratives, letters, drawings, poems, and more, the book encourages young readers, of all identities, to feel pride at the accomplishments of the LGBTQ people who came before them and to use history as a guide to the future. The stories he shares include those of * Indigenous tribes who embraced same-sex relationships and a multiplicity of gender identities.
* Emily Dickinson, brilliant nineteenth-century poet who wrote about her desire for women.
* Gladys Bentley, Harlem blues singer who challenged restrictive cross-dressing laws in the 1920s.
* Bayard Rustin, Dr. Martin Luther King Jr.'s close friend, civil rights organizer, and an openly gay man.
* Sylvia Rivera, cofounder of STAR, the first transgender activist group in the US in 1970.
* Kiyoshi Kuromiya, civil rights and antiwar activist who fought for people living with AIDS.
* Jamie Nabozny, activist who took his LGBTQ school bullying case to the Supreme Court.
* Aidan DeStefano, teen who brought a federal court case for trans-inclusive bathroom policies.
* And many more! With over 60 illustrations and photos, a glossary, and a corresponding curriculum, A Queer History of the United States for Young People will be vital for teachers who want to introduce a new perspective to America's story.
* Emily Dickinson, brilliant nineteenth-century poet who wrote about her desire for women.
* Gladys Bentley, Harlem blues singer who challenged restrictive cross-dressing laws in the 1920s.
* Bayard Rustin, Dr. Martin Luther King Jr.'s close friend, civil rights organizer, and an openly gay man.
* Sylvia Rivera, cofounder of STAR, the first transgender activist group in the US in 1970.
* Kiyoshi Kuromiya, civil rights and antiwar activist who fought for people living with AIDS.
* Jamie Nabozny, activist who took his LGBTQ school bullying case to the Supreme Court.
* Aidan DeStefano, teen who brought a federal court case for trans-inclusive bathroom policies.
* And many more! With over 60 illustrations and photos, a glossary, and a corresponding curriculum, A Queer History of the United States for Young People will be vital for teachers who want to introduce a new perspective to America's story.
It is crucial for lesbian, gay, bisexual, transgender, and queer youth to know their history. But this history is not easy to find since it’s rarely taught in schools or commemorated in other ways. A Queer History of the United States for Young People corrects this and demonstrates that LGBTQ people have long been vital to shaping our understanding of what America is today.
Through engrossing narratives, letters, drawings, poems, and more, the book encourages young readers, of all identities, to feel pride at the accomplishments of the LGBTQ people who came before them and to use history as a guide to the future. The stories he shares include those of
* Indigenous tribes who embraced same-sex relationships and a multiplicity of gender identities.
* Emily Dickinson, brilliant nineteenth-century poet who wrote about her desire for women.
* Gladys Bentley, Harlem blues singer who challenged restrictive cross-dressing laws in the 1920s.
* Bayard Rustin, Dr. Martin Luther King Jr.’s close friend, civil rights organizer, and an openly gay man.
* Sylvia Rivera, cofounder of STAR, the first transgender activist group in the US in 1970.
* Kiyoshi Kuromiya, civil rights and antiwar activist who fought for people living with AIDS.
* Jamie Nabozny, activist who took his LGBTQ school bullying case to the Supreme Court.
* Aidan DeStefano, teen who brought a federal court case for trans-inclusive bathroom policies.
* And many more!
With over 60 illustrations and photos, a glossary, and a corresponding curriculum, A Queer History of the United States for Young People will be vital for teachers who want to introduce a new perspective to America’s story.
NATIONAL BOOK AWARD WINNER - NEW YORK TIMES BESTSELLER - A renowned historian traces the life of a single object handed down through three generations of Black women to craft a "deeply layered and insightful" (The Washington Post) testament to people who are left out of the archives. WINNER: Frederick Douglass Book Prize, Harriet Tubman Prize, PEN/John Kenneth Galbraith Award, Anisfield-Wolf Book Award, Ralph Waldo Emerson Prize, Lawrence W. Levine Award, Darlene Clark Hine Award, Cundill History Prize, Joan Kelly Memorial Prize, Massachusetts Book Award ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly "A history told with brilliance and tenderness and fearlessness."--Jill Lepore, author of These Truths: A History of the United States In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women's faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward, in the United States. All That She Carried is a poignant story of resilience and love passed down against steep odds. It honors the creativity and resourcefulness of people who preserved family ties when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today. FINALIST: MAAH Stone Book Award, Kirkus Prize, Mark Lynton History Prize, Chatauqua Prize, Women's Prize ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, Time, The Boston Globe, The Atlantic, The Atlanta Journal-Constitution, Smithsonian Magazine, St. Louis Post-Dispatch, Ms. magazine, Book Riot, Library Journal, Kirkus Reviews, Booklist
The 2021 National Book Award winner for nonfiction and Kirkus Prize Finalist - Renowned historian, Tiya Miles, traces the life of a single object handed down through three generations of Black women to craft a testament to extraordinary people whose stories were previously left untold.
"Extraordinary and wide-ranging . . . a literary feat that simultaneously builds and excavates identity."--The New York Times Book Review (Editors' Choice) Roxane Gay's Audacious Book Club Pick - Finalist for the National Book Critics Circle's John Leonard Prize - An acclaimed writer goes searching for the truth about her complicated Southern family--and finds that our obsession with ancestors opens up new ways of seeing ourselves--in this "brilliant mix of personal memoir and cultural observation" (The Boston Globe). ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Time, Entertainment Weekly, The Washington Post, The Boston Globe, The Atlanta Journal-Constitution, Esquire, Garden & Gun Maud Newton's ancestors have fascinated her since she was a girl. Her mother's father was said to have married thirteen times. Her mother's grandfather killed a man with a hay hook. Mental illness and religious fanaticism percolated Maud's maternal lines back to an ancestor accused of being a witch in Puritan-era Massachusetts. Newton's family inspired in her a desire to understand family patterns: what we are destined to replicate and what we can leave behind. She set out to research her genealogy--her grandfather's marriages, the accused witch, her ancestors' roles in slavery and other harms. Her journey took her into the realms of genetics, epigenetics, and debates over intergenerational trauma. She mulled over modernity's dismissal of ancestors along with psychoanalytic and spiritual traditions that center them. Searching and inspiring, Ancestor Trouble is one writer's attempt to use genealogy--a once-niche hobby that has grown into a multi-billion-dollar industry--to make peace with the secrets and contradictions of her family's past and face its reverberations in the present, and to argue for the transformational possibilities that reckoning with our ancestors offers all of us.
The little-known story of the young women who played a vital role in the rise of America's great breweries.
Water, malt, yeast, and hops: these are essential ingredients of beer. Hops, specifically, play an outsized role in determining its flavor and aroma. In Beer Ghosts, Jennifer Jordan takes us back to a brief but pivotal moment in the nineteenth century when Wisconsin produced much of the hops grown in the United States. Yet those long-ago hops are not the only ghosts in Jordan's story. Haunting the pages of this book are the young women whose work at harvest time was key to the rise of the American beer industry.
Until the early twentieth century, the work of picking hops was a time-consuming process that could only be done by hand, one cone at a time. In nineteenth-century Wisconsin, that work was performed almost exclusively by women and girls, who traveled to hop farms in droves as summer came to a close and the harvest began. At the height of the hop boom in the 1860s, farmers and their families laid out beds and prepared food for tens of thousands of seasonal laborers, and hosted parties and dances well into the night. Despite the scale of Wisconsin's hop boom (and subsequent crash), the industry left behind little trace aside from local records and archives. And it is that barely discernible trace that lures Jordan to dig deeper.
Jordan's vivid prose takes us back to this era by drawing on a rich trove of archival sources, from the thousands of hop farmers in the agricultural census to the extraordinary diary of a single hop picker, a young woman named Ella. The history of beer is incomplete without the history of Ella and the others who labored in the hop fields and in the houses that hosted them. In this book, Jordan gives life and voice to these beer ghosts who call to us from the past, showing the rich connections between a nation's beer and the lives that made it possible.
As the United States marks its semiquincentennial in 2026, renowned historian Marc Stein looks back at the politics of another landmark celebration during a time of striking similarities and surprising differences: the US bicentennial in 1976. In the aftermath of Vietnam and Watergate, the bicentennial sparked an extraordinary national conversation about the country's past, present, and future. As patriots, planners, profiteers, and protesters argued about how to commemorate the national birthday, they collectively reimagined the promises and perils of democracy during a transformational decade. From award-winning historian Marc Stein, Bicentennial: A Revolutionary History of the 1970s is an original, illuminating, and insightful study of that era. While focusing on festivities and fights in Philadelphia, the nation's birthplace, the book also explores the many proposed and abandoned celebrations that percolated up around the country. It tells a broadly democratic story of both the "official" bicentennial and counter-bicentennial activism, offering revolutionary perspectives on national politics, social movements, and popular culture. From the queer courtship of President Richard Nixon and Philadelphia Mayor Frank Rizzo to parades and protests with millions of participants, and from a deadly outbreak of Legionnaires' disease at Philadelphia's most prestigious hotel to the establishment of groundbreaking African American, ethnic, and Jewish museums, the bicentennial reveals a kaleidoscope of American peculiarities, problems, and possibilities. The lasting influence of 1976 on one of the nation's great urban centers and the United States as a whole is undeniable. As the nation--once again enmeshed in political and social upheaval--marks its two-hundred-fiftieth birthday in 2026, there is no better time to look back at its two-hundredth and marvel at what has changed, and what has not.
"An eloquent and perceptive series of essays on Black lives in America" -- Kirkus Reviews In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country's fiercest debates and most profound challenges. From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation. Intersectional, personal, and ultimately centered on truth, love, and perseverance, Black Lives, American Love details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America's vastly beautiful possibilities for all its citizens, rather than a few.
During World War I, the publishers of America's crusading black newspapers faced a difficult dilemma. Would it be better to advance the interests of African Americans by affirming their patriotism and offering support of President Wilson's war for democracy in Europe, or should they demand that the government take concrete steps to stop the lynching, segregation, and disfranchisement of blacks at home as a condition of their participation in the war?
This study of their efforts to resolve that dilemma offers important insights into the nature of black protest, race relations, and the role of the press in a republican system. William Jordan shows that before, during, and after the war, the black press engaged in a delicate and dangerous dance with the federal government and white America -- at times making demands or holding firm, sometimes pledging loyalty, occasionally giving in.
But although others have argued that the black press compromised too much, Jordan demonstrates that, given the circumstances, its strategic combination of protest and accommodation was remarkably effective. While resisting persistent threats of censorship, the black press consistently worked at educating America about the need for racial justice.
Drawing on significant recent scholarship on African American urban life over three centuries, Black Urban History at the Crossroads bridges disparate chronological, regional, topical, and thematic perspectives on the Black urban experience beginning with the Atlantic slave trade. Across ten cutting-edge chapters, leading scholars explore the many ways that urban Black people across the United States built their own communities; crafted their own strategies for self-determination; and shaped the larger economy, culture, and politics of the urban environment and of their cities, regions, and nation. This volume not only highlights long-running changes over time and space, from preindustrial to emerging postindustrial cities, but also underscores the processes by which one era influences the emergence of the next moment in Black urban history.