"A fascinating collection" of wartime cartoons from the beloved children's author and illustrator (The New York Times Book Review). For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents "a provocative history of wartime politics" (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel's cartoons, alongside "insightful" commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect (Booklist). Pulitzer Prize-winner Art Spiegelman's introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time. "A shocker--this cat is not in the hat!" --Studs Terkel
For fans of unheralded women's stories, a captivating look at Sigrid Schultz--one of the earliest reporters to warn Americans of the rising threat of the Nazi regime "No other American correspondent in Berlin knew so much of what was going on behind the scene as did Sigrid Schultz." -- William L. Shirer, author of The Rise and Fall of the Third Reich We are facing an alarming upsurge in the spread of misinformation and attempts by powerful figures to discredit facts so they can seize control of narratives. These are threats American journalist Sigrid Schultz knew all too well. The Chicago Tribune's Berlin bureau chief and primary foreign correspondent for Central Europe from 1925 to January 1941, Schultz witnessed Hitler's rise to power and was one of the first reporters--male or female--to warn American readers of the growing dangers of Nazism. In The Dragon From Chicago, Pamela D. Toler draws on extensive archival research to unearth the largely forgotten story of Schultz's years spent courageously reporting the news from Berlin, from the revolts of 1919 through the Nazi rise to power and Allied air raids over Berlin in 1941. At a time when women reporters rarely wrote front-page stories and her male colleagues saw a powerful unmarried woman as a "freak," Schultz pulled back the curtain on how the Nazis misreported the news to their own people, and how they attempted to control the foreign press through bribery and threats. Sharp and enlightening, Schultz's story provides a powerful example for how we can reclaim truth in an era marked by the spread of disinformation and claims of "fake news."
There is a hunger for conspiracy news in America. Hundreds of Internet websites, magazines, newsletters, even entire publishing houses, disseminate information on invisible enemies and their secret activities, subversions, and coverups. Those who suspect conspiracies behind events in the news--the crash of TWA Flight 800, the death of Marilyn Monroe--join generations of Americans, from the colonial period to the present day, who have entertained visions of vast plots. In this enthralling book Robert Goldberg focuses on five major conspiracy theories of the past half-century, examining how they became widely popular in the United States and why they have remained so. In the post-World War II decades conspiracy theories have become more numerous, more commonly believed, and more deeply embedded in our culture, Goldberg contends. He investigates conspiracy theories regarding the Roswell UFO incident, the Communist threat, the rise of the Antichrist, the assassination of President John Kennedy, and the Jewish plot against black America, in each case taking historical, social, and political environments into account. Conspiracy theories are not merely the products of a lunatic fringe, the author shows. Rather, paranoid rhetoric and thinking are disturbingly central in America today. With media validation and dissemination of conspiracy ideas, and federal government behavior that damages public confidence and faith, the ground is fertile for conspiracy thinking.
An unprecedented analysis of the origin story of New Mexico's modern water management system. Maria Lane's Fluid Geographies traces New Mexico's transition from a community-based to an expert-led system of water management during the pre-statehood era. To understand this major shift, Lane carefully examines the primary conflict of the time, which pitted Indigenous and Nuevomexicano communities, with their long-established systems of irrigation management, against Anglo-American settlers, who benefitted from centralized bureaucratic management of water. The newcomers' system eventually became settled law, but water disputes have continued throughout the district courts of New Mexico's Rio Grande watershed ever since. Using a fine-grained analysis of legislative texts and nearly two hundred district court cases, Lane analyzes evolving cultural patterns and attitudes toward water use and management in a pivotal time in New Mexico's history. Illuminating complex themes for a general audience, Fluid Geographies helps readers understand how settler colonialism constructed a racialized understanding of scientific expertise and legitimized the dispossession of nonwhite communities in New Mexico.
For three decades following World War II, the Great Lakes overtook Europe as the epicenter of global economic strength. The region was the beating heart of the world economy, possessing all the power and prestige Silicon Valley does today. And no ship represented the apex of the American Century better than the 729-foot-long Edmund Fitzgerald--the biggest, best, and most profitable ship on the Lakes.
But on November 10, 1975, as the "storm of the century" threw 100 mile-per-hour winds and 50-foot waves on Lake Superior, the Mighty Fitz found itself at the worst possible place, at the worst possible time. When she sank, she took all 29 men onboard down with her, leaving the tragedy shrouded in mystery for a half century.
In The Gales of November, award-winning journalist John U. Bacon presents the definitive account of the disaster, drawing on more than 100 interviews with the families, friends, and former crewmates of those lost. Bacon explores the vital role Great Lakes shipping played in America's economic boom, the uncommon lives the sailors led, the sinking's most likely causes, and the heartbreaking aftermath for those left behind--"the wives, the sons, and the daughters," as Gordon Lightfoot sang in his unforgettable ballad.
Focused on those directly affected by the tragedy, The Gales of November is both an emotional tribute to the lives lost and a propulsive, page-turning narrative history of America's most-mourned maritime disaster.
But on November 10, 1975, as the "storm of the century" threw 100 mile-per-hour winds and 50-foot waves on Lake Superior, the Mighty Fitz found itself at the worst possible place, at the worst possible time. When she sank, she took all 29 men onboard down with her, leaving the tragedy shrouded in mystery for a half century.
In The Gales of November, award-winning journalist John U. Bacon presents the definitive account of the disaster, drawing on more than 100 interviews with the families, friends, and former crewmates of those lost. Bacon explores the vital role Great Lakes shipping played in America's economic boom, the uncommon lives the sailors led, the sinking's most likely causes, and the heartbreaking aftermath for those left behind--"the wives, the sons, and the daughters," as Gordon Lightfoot sang in his unforgettable ballad.
Focused on those directly affected by the tragedy, The Gales of November is both an emotional tribute to the lives lost and a propulsive, page-turning narrative history of America's most-mourned maritime disaster.
Examining Filipinx cultural representations in the Midwest since the early twentieth century, Thomas Sarmiento shrewdly considers the impact of American exceptionalism and U.S. imperialism in a region where white, middle class, heterosexual, and Christian is the norm. The Heartland of U.S. Empire offers a cogent analysis of the 1904 St. Louis World's Fair and its infamous Philippine Exhibit alongside minor museum displays and archives of Midwesterners in the Philippines. Sarmiento also considers the "exile literature" of Filipino/American writer Bienvenido Santos as well as the TV shows Glee and Superstore, which provide mainstream visibility of the queer Filipinx Midwest.
He employs a queer, decolonial Filipinx methodology that traces how narratives of America's heartland position Filipinxs in the region as nonnormative due to their racial, gender, sexual, and national statuses. The Heartland of U.S. Empire locates queer Filipinxs in the geographic center of the nation and at the center of cultural narratives, thereby mapping alternative images of diasporic Filipinx identity and experience alongside U.S. regional and national identities, histories, and realities.
In the series Asian American History and Culture
In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms "the sensorial life of empire." In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.
The first full-length biography of civil rights hero and congressman John Lewis "The perfect book, at the right time."--Michael Henry Adams, The Guardian For six decades John Robert Lewis (1940-2020) was a towering figure in the U.S. struggle for civil rights. As an activist and progressive congressman, he was renowned for his unshakable integrity, indomitable courage, and determination to get into "good trouble." In this first book-length biography of Lewis, Raymond Arsenault traces Lewis's upbringing in rural Alabama, his activism as a Freedom Rider and leader of the Student Nonviolent Coordinating Committee, his championing of voting rights and anti-poverty initiatives, and his decades of service as the "conscience of Congress." Both in the streets and in Congress, Lewis promoted a philosophy of nonviolence to bring about change. He helped the Reverend Martin Luther King Jr. and other civil rights leaders plan the 1963 March on Washington, where he spoke at the Lincoln Memorial. Lewis's activism led to repeated arrests and beatings, most notably when he suffered a skull fracture in Selma, Alabama, during the 1965 police attack later known as Bloody Sunday. He was instrumental in the passage of the Voting Rights Act of 1965, and in Congress he advocated for racial and economic justice, immigration reform, LGBTQ rights, and national health care. Arsenault recounts Lewis's lifetime of work toward one overarching goal: realizing the "beloved community," an ideal society based in equity and inclusion. Lewis never wavered in this pursuit, and even in death his influence endures, inspiring mobilization and resistance in the fight for social justice.
WINNER OF THE 2024 PULITZER PRIZE FOR BIOGRAPHY
A finalist for the 2023 National Book Critics Circle Award Named one of the ten best books of 2023 by The Washington Post, Chicago Tribune, and Time A New York Times bestseller and notable book of 2023 One of Barack Obama's favorite books of 2023 One of The New Yorker's essential reads of 2023 A Christian Science Monitor best book of the year One of Air Mail's twelve best books of 2023 A Washington Post and national indie bestseller One of Publishers Weekly's best nonfiction books of 2023 One of Smithsonian magazine's ten best books of 2023"Supple, penetrating, heartstring-pulling and compulsively readable . . . Eig's book is worthy of its subject." --Dwight Garner, The New York Times (Editors' Choice) "[King is] infused with the narrative energy of a thriller . . . The most compelling account of King's life in a generation." --Mark Whitaker, The Washington Post
"No book could be more timely than Jonathan Eig's sweeping and majestic new King . . . Eig has created 2023's most vital tome." --Will Bunch, The Philadelphia Inquirer
Hailed by The New York Times as "the new definitive biography," King mixes revelatory new research with accessible storytelling to offer an MLK for our times. Vividly written and exhaustively researched, Jonathan Eig's King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation's most mourned martyr. In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime. Includes 8 pages of black-and-white photographs
An NPR Best Book of the Year The incredible true story of the last ship to carry enslaved people to America, the remarkable town its survivors founded after emancipation, and the complicated legacy their descendants carry with them to this day--by the journalist who discovered the ship's remains. Fifty years after the Atlantic slave trade was outlawed, the Clotilda became the last ship in history to bring enslaved Africans to the United States. The ship was scuttled and burned on arrival to hide evidence of the crime, allowing the wealthy perpetrators to escape prosecution. Despite numerous efforts to find the sunken wreck, Clotilda remained hidden for the next 160 years. But in 2019, journalist Ben Raines made international news when he successfully concluded his obsessive quest through the swamps of Alabama to uncover one of our nation's most important historical artifacts. Traveling from Alabama to the ancient African kingdom of Dahomey in modern-day Benin, Raines recounts the ship's perilous journey, the story of its rediscovery, and its complex legacy. Against all odds, Africatown, the Alabama community founded by the captives of the Clotilda, prospered in the Jim Crow South. Zora Neale Hurston visited in 1927 to interview Cudjo Lewis, telling the story of his enslavement in the New York Times bestseller Barracoon. And yet the haunting memory of bondage has been passed on through generations. Clotilda is a ghost haunting three communities--the descendants of those transported into slavery, the descendants of their fellow Africans who sold them, and the descendants of their American enslavers. This connection binds these groups together to this day. At the turn of the century, descendants of the captain who financed the Clotilda's journey lived nearby--where, as significant players in the local real estate market, they disenfranchised and impoverished residents of Africatown. From these parallel stories emerges a profound depiction of America as it struggles to grapple with the traumatic past of slavery and the ways in which racial oppression continue to this day. And yet, at its heart, The Last Slave Ship remains optimistic--an epic tale of one community's triumphs over great adversity and a celebration of the power of human curiosity to uncover the truth about our past and heal its wounds.