THE CLASSIC
NATIONAL BESTSELLER
"A wonderful, splendid
book--a book that should be read by every American, student or otherwise, who
wants to understand his country, its true history, and its hope for the
future." -Howard Fast
Historian Howard Zinn's A
People's History of the United States chronicles American history from the
bottom up, throwing out the official narrative taught in schools--with its
emphasis on great men in high places--to focus on the street, the home, and the
workplace.
Known for its lively, clear
prose as well as its scholarly research, it is the only volume to
tell America's story from the point of view of--and in the words of--America's
women, factory workers, African-Americans, Native Americans, the working poor,
and immigrant laborers. As Zinn shows, many of our country's greatest
battles--the fights for a fair wage, an eight-hour workday, child-labor laws,
health and safety standards, universal suffrage, women's rights, racial
equality--were carried out at the grassroots level, against bloody resistance.
Christopher Columbus's arrival through President Clinton's first term, A
People's History of the United States features insightful analysis of the
most important events in our history. This edition also includes an
introduction by Anthony Arnove, who wrote, directed, and produced The People
Speak with Zinn and who coauthored, with Zinn, Voices of a People's History
of the United States.
"A surprising and ambitious investigation of language and the varied ways women resist the paradoxes of patriarchy both on and off the page."--New York Times
Combining the soul-baring confessional of Brain on Fire and the addictive storytelling of The Queen's Gambit, a renowned puzzle creator's compulsively readable memoir and history of the crossword puzzle as an unexpected site of women's work and feminist protest.
The indisputable "queen of crosswords," Anna Shechtman published her first New York Times puzzle at age nineteen, and later, helped to spearhead the The New Yorker's popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse.
In this fascinating work--part memoir, part cultural analysis--she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the "Crossword Craze" of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they've been allowed to fill, and the ways that they've used puzzles to negotiate the constraints and play of desire under patriarchy.
The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.
John Chester Miller's 1936 biography of Boston's leading Son of Liberty. Sam Adams was instrumental in fomenting rebellion in the American colonies as an ardent patriot. Adams was a Continental Congressman from Massachusetts and a signer of the Declaration of Independence.
NAMED A TOP BOOK OF 2024 BY AMAZON AND WASHINGTON POST
"Hannah Durkin lets the enslaved speak for themselves, and they tell a story not only of unimaginable suffering but also of courage and survival."--Wall Street Journal
"The Survivors of the Clotilda, a comprehensive account of one of the most important parts of American history, is a triumph."--Booklist (starred review)
"A welcome history of defiance and survival."--Kirkus Reviews
Joining the ranks of Rebecca Skloot's The Immortal Life of Henrietta Lacks and Zora Neale Hurston's rediscovered classic Barracoon, an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil, told through the stories of its survivors--the last documented survivors of any slave ship--whose lives diverged and intersected in profound ways.
The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860--more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.
In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda's 110 captives, drawing on her intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship's 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile--an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston--to the foundation of the quilting community of Gee's Bend--a Black artistic circle whose cultural influence remains enormous.
An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.
The Survivors of the Clotilda includes 30 artworks and photographs.
NAMED A TOP BOOK OF 2024 BY AMAZON AND WASHINGTON POST
"Hannah Durkin lets the enslaved speak for themselves, and they tell a story not only of unimaginable suffering but also of courage and survival."--Wall Street Journal
"The Survivors of the Clotilda, a comprehensive account of one of the most important parts of American history, is a triumph."--Booklist (starred review)
"A welcome history of defiance and survival."--Kirkus Reviews
Joining the ranks of Rebecca Skloot's The Immortal Life of Henrietta Lacks and Zora Neale Hurston's rediscovered classic Barracoon, an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil, told through the stories of its survivors--the last documented survivors of any slave ship--whose lives diverged and intersected in profound ways.
The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860--more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.
In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda's 110 captives, drawing on her intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship's 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile--an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston--to the foundation of the quilting community of Gee's Bend--a Black artistic circle whose cultural influence remains enormous.
An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.
The Survivors of the Clotilda includes 30 artworks and photographs.
A dramatic new interpretation of the encounter between Europe and the Americas that reveals the crucial role of animals in the shaping of the modern world.
When the men and women of the island of Guanahani first made contact with Christopher Columbus and his crew on October 12, 1492, the cultural differences between the two groups were vaster than the oceans that had separated them. There is perhaps no better demonstration than the divide in their respective ways of relating to animals. In The Tame and the Wild, Marcy Norton tells a new history of the colonization of the Americas, one that places wildlife and livestock at the center of the story. She reveals that the encounters between European and Native American beliefs about animal life transformed societies on both sides of the Atlantic. Europeans' strategies and motives for conquest were inseparable from the horses that carried them in military campaigns and the dogs they deployed to terrorize Native peoples. Even more crucial were the sheep, cattle, pigs, and chickens whose flesh became food and whose skins became valuable commodities. Yet as central as the domestication of animals was to European plans in the Americas, Native peoples' own practices around animals proved just as crucial in shaping the world after 1492. Cultures throughout the Caribbean, Amazonia, and Mexico were deeply invested in familiarization: the practice of capturing wild animals--not only parrots and monkeys but even tapir, deer, and manatee--and turning some of them into "companion species." These taming practices not only influenced the way Indigenous people responded to human and nonhuman intruders but also transformed European culture itself, paving the way for both zoological science and the modern pet.










