A fascinating selection of Early Medieval objects registered as part of the Portable Antiquities Scheme. From the fall of the Roman Empire to the battle of Hastings, the early-mediaeval period is one of our most engaging historical eras. It covers the formation of the kingdoms and countries of Britain, the establishment of Christianity, Viking invaders and semi-mythical monarchs. Sometimes mischaracterized as the 'Dark Ages', it was actually a time of tremendous advances in art, technology and trade. The fifty objects in this book are some of the most important and interesting archaeological finds illuminating this span of history. They include weaponry, horse fittings, hacksilver hoards and jewellery featuring the sinuous knotwork of the period's animal art, from the humblest of pins and brooches to the gold and garnet wonders of the Staffordshire Hoard. Each was found by a member of the public and reported to the Portable Antiquities Scheme, which has recorded over 1.5 million items in England and Wales. Through these objects and their stories, we can understand this fascinating and perhaps most misunderstood period of history.
An insightful account of how medieval people experienced time. Alle Thyng Hath Tyme recreates medieval people's experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity. Medieval people measured time by natural phenomena such as sunrise and sunset, the motion of the stars, or the progress of the seasons, even as the late-medieval invention of the mechanical clock made time-reckoning more precise. Negotiating these mixed and competing systems, Gillian Adler and Paul Strohm show how medieval people gained a nuanced and expansive sense of time that rewards attention today.
A new account of racial logics in premodern Islamic literature. In Black Knights, Rachel Schine reveals how the Arabic-speaking world developed a different form of racial knowledge than their European neighbors during the Middle Ages. Unlike in European vernaculars, Arabic-language ideas about ethnic difference emerged from conversations extending beyond the Mediterranean, from the Sahara to the Indian Ocean. In these discourses, Schine argues, racialized blackness became central to ideas about a global, ethnically inclusive Muslim world. Schine traces the emergence of these new racial logics through popular Islamic epics, drawing on legal, medical, and religious literatures from the period to excavate a diverse and ever-changing conception of blackness and race. The result is a theoretically nuanced case for the existence and malleability of racial logics in premodern Islamic contexts across a variety of social and literary formations.
"The beauty and levity that Perry and Gabriele have captured in this book are what I think will help it to become a standard text for general audiences for years to come....The Bright Ages is a rare thing--a nuanced historical work that almost anyone can enjoy reading."--Slate
"Incandescent and ultimately intoxicating." --The Boston Globe
A lively and magisterial popular history that refutes common misperceptions of the European Middle Ages, showing the beauty and communion that flourished alongside the dark brutality--a brilliant reflection of humanity itself.
The word "medieval" conjures images of the "Dark Ages"--centuries of ignorance, superstition, stasis, savagery, and poor hygiene. But the myth of darkness obscures the truth; this was a remarkable period in human history. The Bright Ages recasts the European Middle Ages for what it was, capturing this 1,000-year era in all its complexity and fundamental humanity, bringing to light both its beauty and its horrors.
The Bright Ages takes us through ten centuries and crisscrosses Europe and the Mediterranean, Asia and Africa, revisiting familiar people and events with new light cast upon them. We look with fresh eyes on the Fall of Rome, Charlemagne, the Vikings, the Crusades, and the Black Death, but also to the multi-religious experience of Iberia, the rise of Byzantium, and the genius of Hildegard and the power of queens. We begin under a blanket of golden stars constructed by an empress with Germanic, Roman, Spanish, Byzantine, and Christian bloodlines and end nearly 1,000 years later with the poet Dante--inspired by that same twinkling celestial canopy--writing an epic saga of heaven and hell that endures as a masterpiece of literature today.
The Bright Ages reminds us just how permeable our manmade borders have always been and of what possible worlds the past has always made available to us. The Middle Ages may have been a world "lit only by fire" but it was one whose torches illuminated the magnificent rose windows of cathedrals, even as they stoked the pyres of accused heretics.
The Bright Ages contains an 8-page color insert.
Rodney Castleden explores the purpose of great prehistoric projects like Avebury and Stonehenge and the nature of the society which built them
Were prehistoric people like us? How did they live, what did they think and how did they see their world?3000 BC was a moment of great significance in the British Isles. Avebury, Stonehenge and many other major monuments were at vital stages in their construction and use at this time, while writing - often regarded as the ultimate hallmark of civilization - made its first appearance in Europe. Rodney Castleden uses the evidence of archaeological investigations to recreate the society, customs, economy, religion and ritual of Britain 3,000 years ago and to reveal the lost world of prehistoric people.
From the well-built stone houses of Skara Brae to the more primitive wooden huts of Honington in Suffolk, Britain 3000 BC enters the dwellings and lifestyles of neolithic communities and delves into the nature of their society. Trading networks which entailed remarkable journeys and the surge of monument building are, as Rodney Castleden reveals, further indications of the preoccupations and values of prehistoric people. Intricately decorated chamber tombs, long barrows and wooden mortuary buildings show a positive obsession with death. Willingness to engage in projects that individuals would never see completed - such as Stonehenge - and willingness to expend unlimited amounts of effort on their monuments reveal that our distant ancestors had an acute sense of place and a dawning sense of historic time.
Britain 3000 BC will be fascinating reading for everyone who is interested in prehistory, in archaeology and in the magnificent monuments this ancient society left behind.
The now-classic tale of a sixteenth-century miller facing the Roman Inquisition.
The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. Carlo Ginzburg uses the trial records to illustrate the religious and social conflicts of the society Menocchio lived in.
For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed--just as cheese is made out of milk--and worms appeared in it, and these were the angels."
Ginzburg's influential book has been widely regarded as an early example of the analytic, case-oriented approach known as microhistory. In a thoughtful new preface, Ginzburg offers his own corollary to Menocchio's story as he considers the discrepancy between the intentions of the writer and what gets written. The Italian miller's story and Ginzburg's work continue to resonate with modern readers because they focus on how oral and written culture are inextricably linked. Menocchio's 500-year-old challenge to authority remains evocative and vital today.
What we eat, who we are, and the relationship between the two. Eating and Being is a history of Western thinking about food, eating, knowledge, and ourselves. In modern thought, eating is about what is good for you, not about what is good. Eating is about health, not about virtue. Yet this has not always been the case. For a great span of the past--from antiquity through about the middle of the eighteenth century--one of the most pervasive branches of medicine was known as dietetics, prescribing not only what people should eat but also how they should order many aspects of their lives, including sleep, exercise, and emotional management. Dietetics did not distinguish between the medical and the moral, nor did it acknowledge the difference between what was good for you and what was good. Dietetics counseled moderation in all things, where moderation was counted as a virtue as well as the way to health. But during the nineteenth century, nutrition science began to replace the language of traditional dietetics with the vocabulary of proteins, fats, carbohydrates, and calories, and the medical and the moral went their separate ways. Steven Shapin shows how much depended upon that shift, and he also explores the extent to which the sensibilities of dietetics have been lost. Throughout this rich history, he evokes what it felt like to eat during another historical period and invites us to reflect on what it means to feel about food as we now do. Shapin shows how the change from dietetics to nutrition science fundamentally altered how we think about our food and its powers, our bodies, and our minds.
'A magisterial contribution to the understanding of the cultural position of Romani people in Europe. ... nothing short of astounding' Literary Review This remarkable book describes a dark side of European history: the rejection of the Roma from their initial arrival in the late Middle Ages to the present day. To Europeans, the Roma appeared to be in complete contradiction with their own culture, because of their mysterious origins, unknown language and way of life. As representatives of an oral culture, for centuries the Roma have left virtually no written records of their own. Their history has been conveyed to us almost exclusively through the distorted images that European cultures project. Persecuted and shunned, the Roma nonetheless spread out across the continent and became an important, indeed indispensable element in the European imagination. It is impossible to conceive of the culture of Spain, southern France and much of Central Europe without this pervasive Romani influence. Europe and the Roma brilliantly describes the 'fascination and fear' which have marked Europeans' response to the Romani presence. Countless composers, artists and writers have responded to Romani culture and to fantasies thereof. Their projections onto a group whose illiteracy and marginalization gave it so little direct voice of its own have always been a very uneasy mixture of the inspired, the patronizing and the frighteningly ignorant. The book also shows the link between cultural violence, social discrimination and racist policies that paved the way for the genocide of the Roma.
From Neanderthal string to 3D knitting, an "expansive" global history that highlights "how textiles truly changed the world" (Wall Street Journal)
The story of humanity is the story of textiles--as old as civilization itself. Since the first thread was spun, the need for textiles has driven technology, business, politics, and culture.
In The Fabric of Civilization, Virginia Postrel synthesizes groundbreaking research from archaeology, economics, and science to reveal a surprising history. From Minoans exporting wool colored with precious purple dye to Egypt, to Romans arrayed in costly Chinese silk, the cloth trade paved the crossroads of the ancient world. Textiles funded the Renaissance and the Mughal Empire; they gave us banks and bookkeeping, Michelangelo's David and the Taj Mahal. The cloth business spread the alphabet and arithmetic, propelled chemical research, and taught people to think in binary code.
Assiduously researched and deftly narrated, The Fabric of Civilization tells the story of the world's most influential commodity."We are taken on a journey as epic, and varying, as the Silk Road itself.... [The Fabric of Civilization is] like a swatch of a Florentine Renaissance brocade: carefully woven, the technique precise, the colors a mix of shade and shine and an accurate representation of the whole cloth."
--New York Times
"Textile-making hasn't gotten enough credit for its own sophistication, and for all the ways it undergirds human technological innovation--an error Virginia Postrel's erudite and complete book goes a long way toward correcting at last."
--Wired
Funny, informative, and down-to-earth, this ebook features thirteen of the most popular articles from Medievalist.net's Five-Minute Medievalist, Danièle Cybulskie. Readers will learn about everything from the Templars, to popular movie myths, to love and lust advice from a 12th-century priest. Exclusive content includes two never-before-published articles on quirky medieval words we still use every day, and the surprising sexual secrets of the Middle Ages. Unlock the mysteries of the medieval world, five minutes at a time.