"Femina is essential reading for anyone who is interested in the Middle Ages and its place in the modern mind." --Dan Jones, bestselling author of Powers and Thrones The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings--a patriarchal society that oppressed and excluded women. Now through a careful examination of the artifacts, writings and possessions they left behind, the influential and multifaceted lives of women are emerging. Femina goes beyond the official records to uncover the true impact of women, such as:
Jadwiga, the only female king in Europe Margery Kempe, who exploited her image and story to ensure her notoriety Loftus Princess, whose existence gives us clues about the beginnings of Christianity in England
In Femina, Oxford and BBC historian Janina Ramirez invites us to see the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories. "A passionate voice for women in history." --Hallie Rubenhold, bestselling author of The Five "Spellbinding, passionate, gripping and magnificently fresh in tone, boldly wide in range, elegantly written, deeply researched, Femina is a ground-breaking history of the Middle Ages." --Simon Sebag Montefiore, bestselling author of Jerusalem: The Biography
In Femina, Oxford and BBC historian Janina Ramirez invites us to see the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories. "A passionate voice for women in history." --Hallie Rubenhold, bestselling author of The Five "Spellbinding, passionate, gripping and magnificently fresh in tone, boldly wide in range, elegantly written, deeply researched, Femina is a ground-breaking history of the Middle Ages." --Simon Sebag Montefiore, bestselling author of Jerusalem: The Biography
THE #1 INTERNATIONAL BESTSELLER
LONGLISTED FOR THE 2023 CUNDIL HISTORY PRIZE
A "Next Big Idea Book Club" Must Read?
A groundbreaking reappraisal of medieval femininity, revealing why women have been written out of history and why it matters
The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the "Dark" Ages were anything but.
Oxford and BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word FEMINA annotated beside them. As gatekeepers of the past ordered books to be burned, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, our view of history has been manipulated.
Only now, through a careful examination of the artifacts, writings and possessions they left behind, are the influential and multifaceted lives of women emerging. Femina goes beyond the official records to uncover the true impact of women, such as:
Jadwiga, the only female king in Europe Margery Kempe, who exploited her image and story to ensure her notoriety Loftus Princess, whose existence gives us clues about the beginnings of Christianity in England
In Femina, Ramirez invites us to see the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.
LONGLISTED FOR THE 2023 CUNDIL HISTORY PRIZE
A "Next Big Idea Book Club" Must Read?
A groundbreaking reappraisal of medieval femininity, revealing why women have been written out of history and why it matters
The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the "Dark" Ages were anything but.
Oxford and BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word FEMINA annotated beside them. As gatekeepers of the past ordered books to be burned, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, our view of history has been manipulated.
Only now, through a careful examination of the artifacts, writings and possessions they left behind, are the influential and multifaceted lives of women emerging. Femina goes beyond the official records to uncover the true impact of women, such as:
In Femina, Ramirez invites us to see the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.
Funny, informative, and down-to-earth, this ebook features thirteen of the most popular articles from Medievalist.net's Five-Minute Medievalist, Danièle Cybulskie. Readers will learn about everything from the Templars, to popular movie myths, to love and lust advice from a 12th-century priest. Exclusive content includes two never-before-published articles on quirky medieval words we still use every day, and the surprising sexual secrets of the Middle Ages. Unlock the mysteries of the medieval world, five minutes at a time.
Medieval children lived in a world rich in poetry, from lullabies, nursery rhymes, and songs to riddles, tongue twisters, and nonsensical verses. They read or listened to stories in verse: ballads of Robin Hood, romances, and comic tales. Poems were composed to teach them how to behave, eat at meals, hunt game, and even learn Latin and French. In Fleas, Flies, and Friars, Nicholas Orme, an expert on childhood in the Middle Ages, has gathered a wide variety of children's verse that circulated in England beginning in the 1400s, providing a way for modern readers of all ages to experience the medieval world through the eyes of its children.
In his delightful treasury of medieval children's verse, Orme does a masterful job of recovering a lively and largely unknown tradition, preserving the playfulness of the originals while clearly explaining their meaning, significance, or context. Poems written in Latin or French have been translated into English, and Middle English has been modernized. Fleas, Flies, and Friars has five parts. The first two contain short lyrical pieces and fragments, together with excerpts from essays in verse that address childhood or were written for children. The third part presents poems for young people about behavior. The fourth contains three long stories and the fifth brings together verse relating to education and school life.
Why is Eastern Europe still different from Western Europe, more than a quarter-century after the collapse of Communism? A History of Eastern Europe 1918 to the Present shows how the roots of this difference are based in Eastern Europe's tortured 20th century.
Eastern Europe emerged in 1918 as the 'lands between', new states whose weakness vis-à-vis Germany and Soviet Russia soon became obvious. The region was the main killing-field of the Second World War, which visited unimaginable horrors on its inhabitants before their 'liberation' by the Soviets in 1945. The imposition of Communist dictatorships on the region, ironically, only deepened Eastern Europe's backwardness. Even in the post-Communist period, its problems continue to make it a fertile breeding-ground for nationalism and political extremism.
A History of Eastern Europe 1918 to the Present explores the comparative backwardness of Eastern Europe and how this has driven strategies of modernisation; it looks at the ways in which the region has served as a giant test-tube for political experimentation and, in particular, at the enduring strength of nationalism, which since 1989 has re-emerged more virulent than ever.
This book in the essential textbook for any student of 20th-century Eastern Europe.
Eastern Europe emerged in 1918 as the 'lands between', new states whose weakness vis-à-vis Germany and Soviet Russia soon became obvious. The region was the main killing-field of the Second World War, which visited unimaginable horrors on its inhabitants before their 'liberation' by the Soviets in 1945. The imposition of Communist dictatorships on the region, ironically, only deepened Eastern Europe's backwardness. Even in the post-Communist period, its problems continue to make it a fertile breeding-ground for nationalism and political extremism.
A History of Eastern Europe 1918 to the Present explores the comparative backwardness of Eastern Europe and how this has driven strategies of modernisation; it looks at the ways in which the region has served as a giant test-tube for political experimentation and, in particular, at the enduring strength of nationalism, which since 1989 has re-emerged more virulent than ever.
This book in the essential textbook for any student of 20th-century Eastern Europe.
A deep dive into the text of Richard III's personal prayer and Book of Hours
As a person's religious convictions can be considered fundamental to their character and behavior, the nature of King Richard III's piety has been the subject of considerable debate. Much of this controversy has focused on the Book of Hours adopted by the king for his own private use following his coronation, and to which certain prayers, including that known as the 'Prayer of Richard III', were added.This study explores the manuscript and the prayer's text. The manuscript (now preserved in Lambeth Palace Library) was originally produced in London around 1420. The text shows the preoccupations of a devout man of the fifteenth century and its decoration puts it in the context of the development of London manuscript illumination of the period. Moreover, in this analysis of the manuscript, the authors offer an insight into the personality of Richard III, one of the most controversial figures in medieval history.
An alternative history of the Renaissance--as seen through the emerging literature of beauty tips--focusing on the actresses, authors, and courtesans who rebelled against the misogyny of their era. Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this fascinating period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century? As the Renaissance visual world became populated by female nudes from the likes of Michelangelo and Titian, a vibrant literary scene of beauty tips emerged, fueling debates about cosmetics and adornment. Telling the stories of courtesans, artists, actresses, and writers rebelling against the strictures of their time, when burgeoning colonialism gave rise to increasingly sinister evaluations of bodies and skin color, this book puts beauty culture into the frame. How to Be a Renaissance Woman will take readers from bustling Italian market squares, the places where the poorest women and immigrant communities influenced cosmetic products and practices, to the highest echelons of Renaissance society, where beauty could be a powerful weapon in securing strategic marriages and family alliances. It will investigate how skin-whitening practices shifted in step with the emerging sub-Saharan African slave trade, how fads for fattening and thinning diets came and went, and how hairstyles and fashion could be a tool for dissent and rebellion--then as now. This surprising and illuminating narrative will make you question your ideas about your own body, and ask: Why are women often so critical of their appearance? What do we stand to lose, but also to gain, from beauty culture? What is the relationship between looks and power?
A New Yorker Best Book of 2025
An irreverent new take on the Renaissance, which reveals it as anything but Europe's golden age.
From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we're told) heralds the dawning of a new world--a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we've told ourselves about Europe's not-so-golden age, myths she sets right with sharp clarity. Palmer's Renaissance is altogether desperate. Troubled by centuries of conflict, she argues, Europe looked to a long-lost Roman Empire (even its education practices) to save it from unending war. Later historians met their own political challenges with a similarly nostalgic vision, only now they looked to the Renaissance and told a partial story. To right this wrong, Palmer offers fifteen provocative portraits of Renaissance men and women (some famous, some obscure) whose lives reveal a far more diverse, fragile, and wild Renaissance than its glowing reputation suggests.
A New Yorker Best Book of 2025
An irreverent new take on the Renaissance, which reveals it as anything but Europe's golden age.
From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we're told) heralds the dawning of a new world--a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we've told ourselves about Europe's not-so-golden age, myths she sets right with sharp clarity. Palmer's Renaissance is altogether desperate. Troubled by centuries of conflict, she argues, Europe looked to a long-lost Roman Empire (even its education practices) to save it from unending war. Later historians met their own political challenges with a similarly nostalgic vision, only now they looked to the Renaissance and told a partial story. To right this wrong, Palmer offers fifteen provocative portraits of Renaissance men and women (some famous, some obscure) whose lives reveal a far more diverse, fragile, and wild Renaissance than its glowing reputation suggests.
Justice in the Question of Palestine is often framed as a question of law. Yet none of the Israel-Palestinian conflict's most vexing challenges have been resolved by judicial intervention. Occupation law has failed to stem Israel's settlement enterprise. Laws of war have permitted killing and destruction during Israel's military offensives in the Gaza Strip. The Oslo Accord's two-state solution is now dead letter.
Justice for Some offers a new approach to understanding the Palestinian struggle for freedom, told through the power and control of international law. Focusing on key junctures--from the Balfour Declaration in 1917 to present-day wars in Gaza--Noura Erakat shows how the strategic deployment of law has shaped current conditions. Over the past century, the law has done more to advance Israel's interests than the Palestinians'. But, Erakat argues, this outcome was never inevitable.
Law is politics, and its meaning and application depend on the political intervention of states and people alike. Within the law, change is possible. International law can serve the cause of freedom when it is mobilized in support of a political movement. Presenting the promise and risk of international law, Justice for Some calls for renewed action and attention to the Question of Palestine.