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History World
With equal measures of wit and wisdom, the author of 99 Glimpses of Princess Margaret draws a deeply original, hilarious, and telling portrait of the Queen herself.
She was the most famous person on earth; she first appeared on the cover of Time magazine at the age of three. When she died, few people were old enough to recall a time when she was not alive. Her likeness has been reproduced--in photographs, on stamps, on the notes and coins of thirty different currencies--more than any since Jesus. It is probable that, over the course of her ninety-six years, she was introduced to a greater number of different people than anyone else who has ever lived--likely well over half a million. Yet this most closely observed of all women rarely left any real impression on those she encountered beyond vague notions of her "radiance" and "sense of duty." A high proportion of those she met can remember what they said to her, but not a word of what she said to them. Up until now, the curious tactic employed by biographers of the Queen has been to ignore what is interesting and to concentrate on what is not. Craig Brown, the author of 150 Glimpses of the Beatles and Hello Goodbye Hello, rejects this formula, bringing his kaleidoscopic approach to the most famous--and most guarded-- woman on earth, examining the Queen through a succession of interlocking prisms. With Q, this fantastically funny, marvelously insightful journalist gives us an unforgettable portrait of the omnipresent, elusive Queen Elizabeth II.Our story begins in 1920s London, at a time when women's rights were surging after the long battle for suffrage and nightclubs emerged as spaces where single women could socialise unchaperoned. This was the age of the dance craze and the gender-bending 'Flapper', who inspired the creation of the Gargoyle club, a nocturnal hunting ground for Femmes Fatales.
Meanwhile, London's Bohemia was ruled by the 'Queen of Clubs', Kate Meyrick; the taboo-breaking 'Tiger Woman', Betty May; the original 'Chelsea Girl', Viva King; the artist, Nina Hamnett; the 'Euston Road Venus', Sonia Orwell; and Isabel Rawsthorne, artist, spy, pornographer, model and muse ... to name but a few.
Using previously unpublished memoirs and interviews, Queens of Bohemia creates a soundscape of voices that gives the reader a taste of their world, so exotic and yet often wracked with despair. It offers a unique insight into a generation of women for whom ideals of duty and self-sacrifice had been debunked by the horrors of war and whose morality resided in being true to one's self, as they took their struggle for freedom into the wider world and learned to value their individuality along the way.
Revisit Ghassan Kanafani's pivotal text in a new English edition. Kanafani presents a concrete analysis of the mass uprisings against Zionism, and for independence from British colonialism, taking place in Palestine from 1936 to 1939. With a methodical yet illustrative approach, Kanafani examines the economic, political, social, and cultural conditions that contributed to, and limited, the anti-colonial struggle in this period.
Translated by Hazem Jamjoum, with an introduction from Layan Sima Fuleihan and an afterword from Maher Charif
GHASSAN KANAFANI was a political activist, artist, and writer who gave his life for the Palestinian people. He took part in founding the Popular Front for the Liberation of Palestine (PFLP), and is the accomplished author of many short stories, novels, plays, articles, and studies. Kanafani was assassinated in Beirut by the Israeli Mossad in 1972.
LAYAN SIMA FULEIHAN is a popular educator and organizer. She is the Education Director of The People's Forum and an editor of 1804 Books in New York City.
HAZEM JAMJOUM is a candidate for the Doctor of Philosophy in History and Middle Eastern Studies degree at New York University. His first literary translation of Maya Abu al-Hayyat's La Ahad Ya'rif Zumrat Damih received PEN America's nomination to the New York State Council for the Arts.
MAHER CHARIF is Head of the Research Department at the Institute for Palestine Studies, Associate Researcher at the French Institute for the Near East, and Lecturer at the Faculty of Letters and Human Sciences at Saint Joseph University.
What was medicine like in the time of Shakespeare and Oliver Cromwell? How did Charles I cure a headache, or Samuel Pepys get rid of kidney stones? Katherine Knight opens up the delights of the Stuart medicine cabinet in this fascinating romp through seventeenth-century medicine and cosmetics. Documenting the all-important use of household substances and do-it-yourself remedies, this book looks at the emergence of modern medicine from everyday cures such as herbs, oils and foods.
Offering solutions for all sorts of nasty afflictions, from digestive disturbances to sexually transmitted diseases, it also describes how our seventeenth-century counterparts enjoyed the benefits of soap, moisturiser and toothpaste. With insights into the lives of those who lived in this remarkable period, Secrets of the 17th Century Medicine Cabinet is more than a medical history - it is an intimate investigation into the private lives of the spirited Stuarts.











