Rooted in visions of Indigenous futurisms, Beyond the Glittering World proclaims and celebrates a rising generation of Indigenous women and genderqueer storytellers. The collection brings together twenty-two emerging and established writers whose poems and stories expand the imagination an. From a museum heist 177 years in the making, to lyrical explorations of love and loss, to a tale where language itself becomes the force that saves the land, this boundary-breaking, genre-bending anthology illuminates the power of Indigenous voices.
Completely updated and expanded, Black Hawk and the Warrior's Path is a masterful account of the life of the Sauk warrior and leader, and his impact on the history of early America.
The compelling teen nonfiction account of how two heritages united in their struggle to gain freedom and equality in America. The first paths to freedom taken by runaway slaves led to Native American villages. There, black men and women found acceptance and friendship among our country's original inhabitants. Though they seldom appear in textbooks and movies, the children of Native and African American marriages helped shape the early days of the fur trade, added a new dimension to frontier diplomacy, and made a daring contribution to the fight for American liberty. Since its original publication, William Loren Katz's Black Indians has remained the definitive work on a long, arduous quest for freedom and equality. This new edition features a new cover and includes updated information about a neglected chapter in American history.
Windy Girl is blessed with a vivid imagination. From Uncle she gathers stories of long-ago traditions, about dances and sharing and gratitude. Windy can tell such stories herself–about her dog, Itchy Boy, and the way he dances to request a treat and how he wriggles with joy in response to, well, just about everything.
When Uncle and Windy Girl and Itchy Boy attend a powwow, Windy watches the dancers in their jingle dresses and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Now Uncle's stories inspire other visions in her head: a bowwow powwow, where all the dancers are dogs. In these magical scenes, Windy sees veterans in a Grand Entry, and a visiting drum group, and traditional dancers, grass dancers, and jingle-dress dancers–all with telltale ears and paws and tails. All celebrating in song and dance. All attesting to the wonder of the powwow.
This playful story by Brenda Child is accompanied by a companion retelling in Ojibwe by Gordon Jourdain and brought to life by Jonathan Thunder's vibrant dreamscapes. The result is a powwow tale for the ages.
I could hand you a braid of sweetgrass as thick and shining as the braid that hung down my grandmother's back. But it is not mine to give, nor yours to take. Wiingaashk belongs to herself. I offer, in her place, a braid of stories meant to heal our relationship with the world.
As a botanist, Robin Wall Kimmerer is trained to use the tools of science to ask questions of nature. As a member of the Citizen Potawatomi Nation, she embraces plants and animals as our oldest teachers. Drawing from her experiences as an Indigenous scientist, Kimmerer demonstrated how when we listen to the languages of other beings--from strawberries and witch hazel to water lilies and lichen--we are capable of understanding the generosity of the earth and learn to give our own gifts in return in her best-selling book Braiding Sweetgrass.
Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth's oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults highlights how acknowledging and celebrating our reciprocal relationship with the earth results in a wider, more complete understanding of our place and purpose.
A Barack Obama Summer Read A Time, The Washington Post, and Publishers Weekly Best of the Year Kirkus Reviews Best Historical Fiction The New York Times bestseller and "horror masterpiece" (NPR) from Stephen Graham Jones--the master of modern horror--is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. "Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror's Moby-Dick." --Vulture "Inventive and spine-tingling...a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite." --The Washington Post A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
"No part of the judiciary exposes the chasm between American ideals and institutional practice like federal Indian law. In By the Fire We Carry, Nagle, a Cherokee journalist, turns a case most Americans haven't heard of into a legal thriller." --New York Times Book Review
NATIONAL BESTSELLER
The New Yorker's Best Books of 2024 - Publishers Weekly Top 10 Book of the Year - NPR 2024 "Books We Loved" Pick - Esquire Best Book of the Year - Kirkus Reviews Best Nonfiction of 2024 - Winner of the J. Anthony Lukas Book Prize - Finalist for the National Book Critics Circle John Leonard First Book Prize
An "impeccably researched" (Washington Post) work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later.
Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests--in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.
In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn't have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle's own Cherokee Nation.
Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.
A bold statement for those living within the industrial prison complex, realized in block prints of the Universal Declaration of Human Rights.
Inside prisons across the U.S., incarcerated
people struggle everyday for their basic rights, claiming again and
again their status as human beings. Here, within the largest democracy
in the world (conditional though it may be), incarcerated people suffer
indignities from terrible living conditions to physical and sexual
violence, all under the aegis of justice.
As a tool to discuss the limits and ideals of
human rights within a carceral state, artists at Stateville Prison, who
struggle daily for their own human rights, created block prints of each
article in the Universal Declaration of Human Rights. The process of
drawing, carving, and inking each print created the time and space for
artists to critique and reflect on the ways the declaration is
simultaneously aspirational, strategic, and fraught with the legacy of
the violence of its founding states. For universal human rights to be
relevant, it is essential that the most impacted people be heard and
their vision of human rights centered.
This book features the 30 brilliantly crafted
prints presented alongside the corresponding articles from the
declaration. The artists and authors ask essential questions of what it
means to build a culture of human rights from below rather than
institute rights from above. What happens when people denied their
rights, begin to reimagine and carve them out once again?
This project was inspired by Meredith Stern's
Universal Declaration of Human Rights print project and developed in a
class taught by Aaron Hughes through the Prison + Neighborhood
Arts/Education Project.
A powerful and mysterious force gives Johnny the gift of time travel and takes him back to important moments in Chickasaw and First American history. Follow Johnny as he journeys into the past, discovers the unconquerable spirit of his ancestors, and at last learns what it means to be Chickasaw. Chickasaw Adventures: The Complete Collection combines all seven of the published Chickasaw Adventures comic books, plus five more never before released, to create a unique, epic graphic novel that brings the history and culture of the Chickasaw people to life. Chickasaw language is incorporated throughout Chickasaw Adventures, and a glossary is included to aid learning.