This work takes an in-depth look at the world of comic books through the eyes of a Native American reader and offers frank commentary on the medium's cultural representation of the Native American people. It addresses a range of portrayals, from the bloodthirsty barbarians and noble savages of dime novels, to formulaic secondary characters and sidekicks, and, occasionally, protagonists sans paternal white hero, examining how and why Native Americans have been consistently marginalized and misrepresented in comics. Chapters cover early representations of Native Americans in popular culture and newspaper comic strips, the Fenimore Cooper legacy, the "white" Indian, the shaman, revisionist portrayals, and Native American comics from small publishers, among other topics.
Now that the West is no longer so wild, it's easy to dismiss Buffalo Bill Cody's world-famous Wild West shows as promoters of stereotypes and clichés. But looking at this unique American genre from the Native American point of view provides thought-provoking new perspectives. Focusing on the experiences of Native performers and performances, Linda Scarangella McNenly begins her examination of these spectacles with Buffalo Bill's 1880s pageants. She then traces the continuing performance of these acts, still a feature of regional celebrations in both Canada and the United States--and even at Euro Disney.
Drawing on interviews with contemporary performers and descendants of twentieth-century performers, McNenly elicits insider perspectives to suggest new interpretations of their performances and experiences; she also uses these insights to analyze archival materials, especially photographs. Some Native performers saw Wild West shows not necessarily as demeaning, but rather as opportunities--for travel, for employment, for recognition, and for the preservation and expression of important cultural traditions. Other Native families were able to guide their own careers and even create their own Wild West shows.Today, Native performers at Buffalo Bill Days in Sheridan, Wyoming, wear their own regalia and choreograph their own performances. Through dancing and music, they express their own vision of a contemporary Native identity based on powwow cultures. Proud of their skills and successes, Native performers at Euro Disney are establishing promising careers. The effects of colonialism are undeniable, yet McNenly's study reveals how these Native peoples have adapted and re-created Wild West shows to express their own identities and to advance their own goals.
Indigenous people are central to the story of popular culture in the Western Hemisphere, and popular culture is important to many Indigenous people and experiences. This exhibition, drawn from the Newberry’s growing collections for American Indian and Indigenous Studies, shares four centuries of Indigenous creators, athletes, activists, and fans engaged with pop—from pamphlets to comic books, and from daguerreotypes to video games.
This zine -companion to the show is 56 pages long featuring contributions from three Indigenous creators; Lee Francis 4, Hoka Skenandore, and Azie Dungey.
NATIONAL BESTSELLER - SHIRLEY JACKSON AWARD NOMINEE FOR BEST EDITED ANTHOLOGY - BRAM STOKER AWARD NOMINEE FOR SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY - LOCUS AWARD FINALIST A bold, clever, and sublimely sinister collection that dares to ask the question: "Are you ready to be un-settled?" "Never failed to surprise, delight, and shock." --Nick Cutter, author of The Troop and Little Heaven Featuring stories by:
Norris Black - Amber Blaeser-Wardzala - Phoenix Boudreau - Cherie Dimaline - Carson Faust - Kelli Jo Ford - Kate Hart - Shane Hawk - Brandon Hobson - Darcie Little Badger - Conley Lyons - Nick Medina - Tiffany Morris - Tommy Orange - Mona Susan Power - Marcie R. Rendon - Waubgeshig Rice - Rebecca Roanhorse - Andrea L. Rogers - Morgan Talty - D.H. Trujillo - Theodore C. Van Alst Jr. - Richard Van Camp - David Heska Wanbli Weiden - Royce K. Young Wolf - Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai'po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear--and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples' survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.
Norris Black - Amber Blaeser-Wardzala - Phoenix Boudreau - Cherie Dimaline - Carson Faust - Kelli Jo Ford - Kate Hart - Shane Hawk - Brandon Hobson - Darcie Little Badger - Conley Lyons - Nick Medina - Tiffany Morris - Tommy Orange - Mona Susan Power - Marcie R. Rendon - Waubgeshig Rice - Rebecca Roanhorse - Andrea L. Rogers - Morgan Talty - D.H. Trujillo - Theodore C. Van Alst Jr. - Richard Van Camp - David Heska Wanbli Weiden - Royce K. Young Wolf - Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai'po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear--and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples' survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.
Modern Indigenous cuisine from the renowned Native foods educator and former chef of Mitsitam Native Foods Café at the Smithsonian's National Museum of the American Indian From Freddie Bitsoie, the former executive chef at Mitsitam Native Foods Café at the Smithsonian's National Museum of the American Indian, and James Beard Award-winning author James O. Fraioli, New Native Kitchen is a celebration of Indigenous cuisine. Accompanied by original artwork by Gabriella Trujillo and offering delicious dishes like Cherrystone Clam Soup from the Northeastern Wampanoag and Spice-Rubbed Pork Tenderloin from the Pueblo peoples, Bitsoie showcases the variety of flavor and culinary history on offer from coast to coast, providing modern interpretations of 100 recipes that have long fed this country. Recipes like Chocolate Bison Chili, Prickly Pear Sweet Pork Chops, and Sumac Seared Trout with Onion and Bacon Sauce combine the old with the new, holding fast to traditions while also experimenting with modern methods. In this essential cookbook, Bitsoie shares his expertise and culinary insights into Native American cooking and suggests new approaches for every home cook. With recipes as varied as the peoples that inspired them, New Native Kitchen celebrates the Indigenous heritage of American cuisine.
A 2021 Kansas Notable Book Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors presents the images of Native warriors--Wild Hog, Porcupine, and Left Hand, as well as possibly Noisy Walker (or Old Man), Old Crow, Blacksmith, and Tangled Hair--as they awaited probable execution in the Dodge City jail in 1879. When Sheriff Bat Masterson provided drawing materials, the men created war books that were coded to avoid confrontation with white authorities and to narrate survival from a Northern Cheyenne point of view. The prisoners used the ledger-art notebooks to maintain their cultural practices during incarceration and as gifts and for barter with whites in the prison where they struggled to survive. The ledger-art notebooks present evidence of spiritual practice and include images of contemporaneous animals of the region, hunting, courtship, dance, social groupings, and a few war-related scenes. Denise Low and Ramon Powers include biographical materials from the imprisonment and subsequent release, which extend the historical arc of Northern Cheyenne heroes of the Plains Indian Wars into reservation times. Sources include selected ledger drawings, army reports, letters, newspapers, and interviews with some of the Northern Cheyenne men and their descendants. Accounts from a firsthand witness of the drawings and composition of the ledgers themselves give further information about Native perspectives on the conflicted history of the North American West in the nineteenth century and beyond. This group of artists jailed after the tragedy of the Fort Robinson Breakout have left a legacy of courage and powerful art.
An accessible and educational illustrated book profiling 50 notable American Indian, Alaska Native, and Native Hawaiian people, from NBA star Kyrie Irving of the Standing Rock Lakota to Wilma Mankiller, the first female principal chief of the Cherokee Nation An American Indian Library Association Youth Literature Award Young Adult Honor Book! Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this beautifully illustrated collection. From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis--the first Black and Native American female artist to achieve international fame--to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world. This powerful and informative collection also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more. An indispensable read for people of all backgrounds seeking to learn about Native American heritage, histories, and cultures, Notable Native People will educate and inspire readers of all ages.
Of Living Stone: Perspectives on Continuous Knowledge and the Work of Vine Deloria, Jr. is a collection of new essays on the legacy of Vine Deloria, Jr., one of the most influential thinkers of our time. This insightful collection features more than thirty original pieces, bringing together Tribal leaders, artists, scientists, activists, scholars, legal experts, and humorists. A group of French scholars offers surprising perspectives on Deloria's continuing global influence. Readers will find thoughtful and creative views on his wide-ranging and world-changing body of work. Some build upon his ideas while others offer important criticisms. In addition to its content, this volume is unique in that it was designed to center the traditional exercise of continuous knowledge whereby information is routinely shared, considered, and pragmatically adapted as it flows between generations. In this way, people, ideas and traditions remain alive and relevant--not set in stone --as the past is honored by those living in the present as they prepare for the future. The book includes contributions from a number of remarkable individuals, including: Climate expert Margaret Redsteer (Crow) Melanie Yazzie (Diné), host of The Red Power Hour podcast Cheryl Crazy Bull (Sicangu Lakota), president of the American Indian College Fund Activists Faith Spotted Eagle (Yankton Dakota) and Lauren Schad (Cheyenne River Lakota) Writer and producer Migizi Pensoneau (Ponca/Ojibwe) Environmental scientists Kyle Whyte (Citizen Potawatomi) and Ryan Emanuel (Lumbee) Experts on Tribal Governance Deron Marquez (Yuhaaviatam of San Manuel), Frank Ettawageshik (Little Traverse Bay), Norbert Hill (Oneida), Megan Hill (Oneida), and Marty Case. Artists Cannupa Hanska Luger (MHA-Three Affiliated Tribes) and James Johnson (Tlingit) Legal Scholars Sarah Deer (Muscogee), Rebecca Tsosie (Yaqui descent), and Gabe Galanda (Round Valley) Archaeologist Paulette Steeves (Cree-Metis) Scholars of Indigenous Traditions Noenoe Silva (Kānaka Maoli), Natalie Avalos (Chicana of Mexican Indigenous descent), Tom Holm (Cherokee), and Greg Cajete (Tewa-Santa Clara Pueblo). Time magazine named Vine Deloria, Jr. as one of the greatest thinkers of the twentieth century, and his research, writings, and teachings on history, law, religion, and science continue to influence generations of Indigenous peoples and their allies across the world. He authored many acclaimed books, including God Is Red; The Nations Within (with Clifford Lytle); Red Earth, White Lies; Spirit and Reason; and Custer Died for Your Sins.
Mother Earth is calling on us to act--the collective wisdom of thousands of years of Indigenous knowledge can guide us. Indigenuity, or Indigenous ingenuity, stems from an ancient idea and practice that Native peoples have engaged in for millennia. It was born of a careful mindfulness and attentiveness to our planet and all of its creatures, and a recognition that human experience is intertwined with all that surrounds us. As a society, we rarely pay attention to our land, air, and water, exacting a high price for all life on this planet. On Indigenuity is a call for us to learn a key lesson: it's time to apply ancient Indigenous wisdom to solve modern problems. The author, leading Indigenous thinker Daniel Wildcat, discusses some of the most important Native knowledge that is the foundation of science, the environment, biology, and our culture, arguing that restoration through the practice of Indigenuity is essential if we are to make progress toward saving our home. By surrounding ourselves with human creations, Wildcat contends that we have created an "insulated ignorance" for ourselves, and what we need to solve the problems of the twenty-first century is a different perspective. Drawing upon history, personal experiences, and extensive research, Wildcat invites readers on a profound journey of discovery, bridging the gap between how we've already tried to help our planet and the traditional Indigenous knowledge that could be the key to making a real difference.
AN ECONOMIST AND SMITHSONIAN BEST BOOK OF THE YEAR - A landmark work of narrative history that shatters our previous Eurocentric understanding of the Age of Discovery by telling the story of the Indigenous Americans who journeyed across the Atlantic to Europe after 1492 "On Savage Shores not only changes how we think about the first contact between America and Europe but also sets the methodological standard for a new way of understanding the origin of the modern world." --New York Review of Books We have long been taught to presume that modern global history began when the "Old World" encountered the "New", when Christopher Columbus "discovered" America in 1492. But, as Caroline Dodds Pennock conclusively shows in this groundbreaking book, for tens of thousands of Aztecs, Maya, Totonacs, Inuit and others--enslaved people, diplomats, explorers, servants, traders--the reverse was true: they discovered Europe. For them, Europe comprised savage shores, a land of riches and marvels, yet perplexing for its brutal disparities of wealth and quality of life, and its baffling beliefs. The story of these Indigenous Americans abroad is a story of abduction, loss, cultural appropriation, and, as they saw it, of apocalypse--a story that has largely been absent from our collective imagination of the times. From the Brazilian king who met Henry VIII to the Aztecs who mocked up human sacrifice at the court of Charles V; from the Inuk baby who was put on show in a London pub to the mestizo children of Spaniards who returned "home" with their fathers; from the Inuit who harpooned ducks on the Avon river to the many servants employed by Europeans of every rank: here are a people who were rendered exotic, demeaned, and marginalized, but whose worldviews and cultures had a profound impact on European civilization. Drawing on their surviving literature and poetry and subtly layering European eyewitness accounts against the grain, Pennock gives us a sweeping account of the Indigenous American presence in, and impact on, early modern Europe.