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Mythology
Once I thought I glimpsed her high up in a bush, like dirty rags in a gale. Not that so far there has been any gale, or even any wind. The total silent stillness is one of the worst things.
Yes, it is a battle with strong and unknown forces that I have on my hands.
From the shorelines, hills and towns of ancient lands, tales of twisted creatures, sins against nature and pagan revenants have been passed down from generation to generation. In the nineteenth and twentieth centuries, folklore from Wales, Scotland, Ireland, Cornwall, Brittany and the Isle of Man inspired a new strain of strange short stories, penned by writers of the weird and fantastic including masters of the form such as Arthur Machen, Edith Wharton and Robert Aickman.
In this volume, Johnny Mains dives into the archives to unearth a hoard of twenty-one enthralling tales imbued with elements of Celtic folklore, ranging from the 1820s to the 1980s and including three weird lost gems translated from Gaelic. Together they conjure uncanny visions of eternal forces, beings and traditions, resonating with the beguiling essence of this unique branch of strange fiction.
NEW YORK TIMES BESTSELLER
From the New York Times bestselling duo who brought you GLORY: Magical Visions of Black Beauty, comes CROWNED: Magical Folk and Fairy Tales from the Diaspora. Filled with visual magic and storytelling wonder, these stories reimagine our favorite and most beloved childhood fairy tales and folktales to encourage creativity, empower imagination, and foster self-esteem.With a Foreword by Pulitzer Prize winner Salamishah Tillet Revisit beloved classics, but with a twist, such as The Little Mermaid, Sleeping Beauty, Hansel and Gretel, Red Riding Hood, The Poisoned Apple, and find new favorites with stories created especially for the collection: Anansi and the Three Trials, Aku the Sun Maker, How the Zebra Got Its Stripes, The Legend of Princess Yennenga, and John Henry, the Steel-Drivin' Man. A gift that will keep giving, CROWNED is a joyous celebration of Black beauty, determination, and imagination and a must-have for children and parents everywhere. "Once again CreativeSoul Photography captures the beauty, innocence, and magic of black children. This is the book I've been waiting to give my grandchildren. It is a wonder of storytelling and imagery." -- Michael Eric Dyson
More than 200 years ago, two brothers from Kassel, Jacob and Wilhelm Grimm, published the first volume of their collection of German folktales. Over time the stories in their collection grew until finally they numbered 200 fairy tales and ten legends. What was initially an attempt to preserve German traditions for posterity is today the most widely read collection of stories after the Bible. From Snow White to Cinderella and Rapunzel to Rumpelstiltskin, the Brothers Grimm left behind a canon of fairy tales that have become classics of children's literature, part of the UNESCO world heritage, and an indispensable piece of our history and culture. Hans Christian Andersen's own life seemed to be out of a fairy tale--Charles Dickens was among his friends and admirers, and European princes held him in high regard. Through determination, talent, many a fortunate coincidence, and an exuberant imagination, he came out of impoverished circumstances to write himself into world literature. A fairytale kingdom without Andersen would be very impoverished itself and would have to do without characters such as the Snow Queen, the Princess and the Pea, Thumbelina or the Little Match Girl, but also many previously inanimate items which Andersen brought to life: silver shillings and darning needles, and especially his Steadfast Tin Soldier. The Grimms' and Andersen's tales have inspired generations of artists, and each fairy tale in this volume is colorfully interpreted by a famous illustrator: legends such as Kay Nielsen (a leading exponent of the Golden Age of Illustration that ended in the 1920s), the Arts and Crafts master Walter Crane, Arthur Rackham, and the Swiss commercial artist Herbert Leupin. Alongside are silhouettes from historical publications as well as new vignettes that were made especially for this edition, which dance across the pages in an intricate shadow play. Introductory essays, on the fairy tales of the Brothers Grimm as reflected in art and on Andersen as the heart and soul of the modern fairy tale, complement these flights of fancy, as do the short summaries on each fairy tale and artists' biographies. This double-sided book contains the fairy tales of the Brothers Grimm on one side and Hans Christian Andersen's tales on the other, each with its own cover. The following fairy tales are included: The Brothers Grimm: The Frog Prince, The Wolf and the Seven Little Goats, Rapunzel, Hansel and Gretel, The Brave Little Tailor, Cinderella, Mother Holle, Little Red Riding Hood, The Bremen Town Musicians, The Shoemaker and the Elves, Tom Thumb's Travels, Sleeping Beauty, Snow White, Rumpelstiltskin, The Three Feathers, The Golden Goose, The Goose Girl, The Twelve Dancing Princesses, The Star Coins, The Hare and the Hedgehog, Puss 'n Boots Hans Christian Andersen: The Princess and the Pea, The Nightingale, The Swineherd, The Emperor's New Clothes, Twelve by Mail Coach, The Steadfast Tin Soldier, The Snow Queen, Ole Shut-Eye, The Ugly Duckling, Little Ida's Flowers, The Shepherdess and the Chimney Sweep, The Flying Trunk, The Little Match Girl, The Tinderbox
Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales by Christy Williams uses the metaphor of mapping to examine the narrative strategies employed in popular twenty-first-century fairy tales. It analyzes the television shows Once Upon a Time and Secret Garden (a Korean drama), the young-adult novel series The Lunar Chronicles, the Indexing serial novels, and three experimental short works of fiction by Kelly Link. Some of these texts reconfigure well-known fairy tales by combining individual tales into a single storyworld; others self-referentially turn to fairy tales for guidance. These contemporary tales have at their center a crisis about the relevance and sustainability of fairy tales, and Williams argues that they both engage the fairy tale as a relevant genre and remake it to create a new kind of fairy tale.
Mapping Fairy-Tale Space is divided into two parts. Part 1 analyzes fairy-tale texts that collapse multiple distinct fairy tales so they inhabit the same storyworld, transforming the fairy-tale genre into a fictional geography of borderless tales. Williams examines the complex narrative restructuring enabled by this form of mash-up and expands postmodern arguments to suggest that fairy-tale pastiche is a critical mode of retelling that celebrates the fairy-tale genre while it critiques outdated ideological constructs. Part 2 analyzes the metaphoric use of fairy tales as maps, or guides, for lived experience. In these texts, characters use fairy tales both to navigate and to circumvent their own situations, but the tales are ineffectual maps until the characters chart different paths and endings for themselves or reject the tales as maps altogether. Williams focuses on how inventive narrative and visual storytelling techniques enable metafictional commentary on fairy tales in the texts themselves.
Mapping Fairy-Tale Space argues that in remaking the fairy-tale genre, these texts do not so much chart unexplored territory as they approach existing fairy-tale space from new directions, remapping the genre as our collective use of fairy tales changes. Students and scholars of fairy-tale and media studies will welcome this fresh approach.
POPULAR SERIES: The Tales series gives new life to traditional stories. Celebrating the richness of folklore around the world, and featuring the work of beloved contemporary illustrators, these books are treasured by adults and teens alike. TALES THAT TRANSPORT YOU: These folktales are deeply rooted in the landscape of the Polynesian islands. Dramatic mountain peaks, secluded valleys, and mesmerizing ocean vistas offer striking settings for timeless stories of magic. GORGEOUS SPECIAL EDITION: With a mesmerizing full-page illustration for each story, as well as creamy paper, a ribbon page marker, and a handsome hardcover design, this edition is perfect for gifting and display. Perfect for: