Books
Literature, puns, and alcohol collide in this clever follow-up to Tequila Mockingbird, the world's bestselling cocktail recipes book. Tim Federle's Tequila Mockingbird has become one of the world's bestselling cocktail books and resonated with bartenders and book clubs everywhere. Now in this much anticipated follow-up, Are You There God? It's Me, Margarita, Federle has shaken up 49 all-new, all-delicious drink recipes paired with his trademark puns and clever commentary on more of history's most beloved books, as well as bar bites, drinking games, and whimsical illustrations throughout. Cocktails include:
Fifty Shades of Grey Goose The Handmaid's Ale Little Soused on the Prairie Tender Is the Nightcap A Room With Vermouth Go Get a Scotch, Man As I Lay Drinking
and much more!
and much more!
Ranging from the Middle Ages, when beautiful calligraphy was a way of celebrating the divine, to the renaissance of the art form by William Morris, to the modern school of calligraphers following in the wake of master typographer Edward Johnston, Patricia Lovett charts the development of calligraphy through the history of European manuscripts. A renowned expert on the history of the form as well as a fine calligrapher herself, she writes--uniquely--from a practitioner's point of view. Large-scale full-color reproductions enable the reader to see the fine detail of each manuscript, and to understand more clearly than ever before the painstaking craft and great artistic skill that were necessary to create these strikingly beautiful pieces of writing.
The Zoo Story. More than fifty years later, master playwright Edward Albee (Who's Afraid of Virginia Woolf? and The Goat, or Who is Sylvia?) wrote a prequel to this classic. Home Story contains the events in Peter's life immediately preceding his encounter with Jerry on the park bench and is every bit as powerful as the original. We meet Ann, Peter's wife, and see the conversation that compelled Peter to go for that fateful walk in the park. For the first time collected in one volume, At Home at the Zoo is a must for any theater lover.
From the publication in 1595 of the first "atlas" by the Flemish cartographer Gerhard Mercator, the term has become a universally adopted title for books containing accurate, uniform and evenly spread maps of all or some of the world. This is an atlas with a difference. Few of the maps in this book could reasonably be called "accurate" in the modern sense and could almost certainly not be used to plan a journey. Yet this atlas can help us to travel in a way that regular atlases do not, because by looking at old maps and getting to know their stories we can be transported back to the times in which they were made. The generous, full-color illustrations of each map in this large-format book range from the Klencke Atlas (1660) to Hokusai's map of China (1840-41), from a 1682 pirate map of Guatemala to 20th-century cartographic postcards featuring maps of Australia.
The British Library's map collection is the national cartographic collection of Britain and numbers around four million maps dating from 15 CE to 2017 CE. These include road maps drawn for 13th century pilgrims and sea charts for 17th-century pirates. They include the first printed map to show the Americas and the last to show English-controlled Calais. They include the world's biggest and smallest atlases. They include maps for kings and queens, popes, ministers, schoolchildren, soldiers, tourists. There are maps which changed the world. As well as comprehensively showcasing the varied and surprising treasures of the British Library's "banquet of maps" for the first time, this book will examine the evolution of humanity's perceptions of the world through maps. By looking at how this map collection was assembled principally over two and a half centuries but in reality over a millennium, the book comprises a cartographic history of the world, as well as vivid celebration of the world's best map collection's best maps.
Winner of the 2008 Pulitzer Prize for Drama and the 2008 Tony Award for Best New Play. Now a major motion picture! A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people. --TimeOut New York Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original. --New York magazine "I don't care if August: Osage County is three-and-a-half hours long. I wanted more." -Howard Shapiro, Philadelphia Inquirer This original and corrosive black comedy deserves a seat at the table with the great American family plays.--Time One of the most bracing and critically acclaimed plays in recent history, August: Osage County is a portrait of the dysfunctional American family at its finest--and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.
August: Osage County has been produced in more than twenty countries worldwide and is now a major motion picture starring Meryl Streep, Julia Roberts, Chris Cooper, Dermot Mulroney, Sam Shepard, Juliette Lewis, and Ewan McGregor. Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.
August: Osage County has been produced in more than twenty countries worldwide and is now a major motion picture starring Meryl Streep, Julia Roberts, Chris Cooper, Dermot Mulroney, Sam Shepard, Juliette Lewis, and Ewan McGregor. Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.
From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.
Traduttore, traditore: An act of translation is always an act of betrayal.
1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he'll enroll in Oxford University's prestigious Royal Institute of Translation--also known as Babel.
Babel is the world's center for translation and, more importantly, magic. Silver working--the art of manifesting the meaning lost in translation using enchanted silver bars--has made the British unparalleled in power, as its knowledge serves the Empire's quest for colonization.
For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide...
Can powerful institutions be changed from within, or does revolution always require violence?
Bad Mexicans tells the dramatic story of the magonistas, the migrant rebels who sparked the 1910 Mexican Revolution from the United States. Led by a brilliant but ill-tempered radical named Ricardo Flores Magón, the magonistas were a motley band of journalists, miners, migrant workers, and more, who organized thousands of Mexican workers--and American dissidents--to their cause. Determined to oust Mexico's dictator, Porfirio Díaz, who encouraged the plunder of his country by U.S. imperialists such as Guggenheim and Rockefeller, the rebels had to outrun and outsmart the swarm of U. S. authorities vested in protecting the Diaz regime. The U.S. Departments of War, State, Treasury, and Justice as well as police, sheriffs, and spies, hunted the magonistas across the country. Capturing Ricardo Flores Magón was one of the FBI's first cases.
But the magonistas persevered. They lived in hiding, wrote in secret code, and launched armed raids into Mexico until they ignited the world's first social revolution of the twentieth century.
Taking readers to the frontlines of the magonista uprising and the counterinsurgency campaign that failed to stop them, Kelly Lytle Hernández puts the magonista revolt at the heart of U.S. history. Long ignored by textbooks, the magonistas threatened to undo the rise of Anglo-American power, on both sides of the border, and inspired a revolution that gave birth to the Mexican-American population, making the magonistas' story integral to modern American life.
"Funny, wild, witty, and profound. The Ballad of Perilous Graves is the debut of a cosmic storm of talent."―Victor LaValle,
Music is magic in this vibrant and imaginative debut novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song. Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it's simply home. In a world of everyday miracles, Perry might not have a talent for magic, but he does know Nola's rhythm as intimately as his own heartbeat. So when the city's Great Magician starts appearing in odd places and essential songs are forgotten, Perry realizes trouble is afoot. Nine songs of power have escaped from the piano that maintains the city's beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing, and the Haint of All Haints is awake. Nola's time might be coming to an end. Put on your dancing shoes and enjoy this song for New Orleans, the city of music, magic, and dreams. "A beautiful song full of magic and rhythm, darkness and delight." --Christina Henry "A hallucinatory wonder of a debut. Brimming with language and music, this phantasmagoric novel taps the deep root of multi-cultural, multi-racial life in, and beyond, New Orleans." ―Walter Mosley "Vital and appealing, vibrant and propulsive!" --Kelly Link
New York Times Bestseller - TIME Magazine's Best Nonfiction Book of 2018 - New York Public Library's Best Book of 2018 - NPR's Book Concierge Best Book of 2018 - Economist Book of the Year - SELF.com's Best Books of 2018 - Audible's Best of the Year - BookRiot's Best Audio Books of 2018 - The Atlantic's Books Briefing: History, Reconsidered - Atlanta Journal Constitution, Best Southern Books 2018 - The Christian Science Monitor's Best Books 2018 -
"A profound impact on Hurston's literary legacy."--New York Times
"One of the greatest writers of our time."--Toni Morrison
"Zora Neale Hurston's genius has once again produced a Maestrapiece."--Alice Walker
A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last Black Cargo ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.
Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.