Puzzles
Edward Gorey (American, 1925–2000) Baby Toss (Falling?) With Edward Gorey’s usual flair for the dramatic, this precarious scene suspends time, inviting you to unravel its peculiarities. Is the baby being tossed, or is it falling? What secrets are in the note being passed upstairs? And did the two men with carpetbags just arrive, or are they making a hasty exit? There’s plenty to ponder in this 1000-piece puzzle.
Illustrations from the book covers: Adders on the Heath (1963), The War of the Worlds (1960), The Sot-Weed Factor (1960), Lafcadio’s Adventures (1953), What Nigel Knew (1981), Old Possum’s Book of Practical Cats (1982), Tales of Good and Evil (1957), The Duke of Palermo and Other Plays (1969), The Sibyl in Her Grave (2000), No Vacation for Maigret (1953), Sam and Emma(1971), Amerika (1955), From Beowulf to Virginia Woolf (1963), The Comic Looking Glass (1961), Come Back, Dr. Caligari (1965), Edward Gorey’s Dracula (1979), A Hero of Our Time (1956), The Dream World of Dion McGregor (1964), The Perfect Joy of St. Francis (1955), Chance (1957), Instant Lives (1974), The Autobiography of William Butler Yeats (1958)
What more mayhem could possibly ensue in the drawing room of this mysterious manufacturing magnate? Frawgge Mfrg Co seems to have become a resounding success, if its apparent founder’s handsome top hat and plush, fur-lined overcoat are any indication. But looking stoically down from his portrait on the frog-papered wall, our beloved titan of industry must be wondering what sort of nightmare his success hath wrought. Inside, the tea party looks to have gone horribly awry, while outside we might find ourselves witness to no less than three different homicides.
This puzzle presents artist-author Edward Gorey (1925–2000) at his darkly mischievous best, portraying a cloud of chaos and doom hanging over the impeccably manicured trappings of a vaguely Victorian society.
Edward Gorey is beloved for the boundless imagination and sharp humor exhibited in his more than 100 published works. His profound affection for literature, film, ballet, and storytelling are on display in this puzzle, adapted from a black-and-white drop curtain designed and used for the 1992 Philadelphia and Cambridge productions of Amphigorey: The Musical, which Gorey both wrote and designed the sets for. In this illustration, lackadaisical Edwardian characters lounge across the curtain in a fantasy that could only come from the strangely-wonderful mind of Gorey himself.