PULITZER PRIZE WINNER - NATIONAL BESTSELLER - NATIONAL BOOK CRITICS CIRCLE WINNER - With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption "features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human" (The Chicago Tribune). One of the New York Times's 100 Best Books of the 21st Century - One of The Atlantic's Great American Novels of the Past 100 Years - A Kirkus Reviews Best Fiction Book of the Century - A Los Angeles Times Best Fiction Book of the Last 30 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. "Pitch perfect . . . Darkly, rippingly funny . . . Egan possesses a satirist's eye and a romance novelist's heart."--The New York Times Book Review
- This imprinted cap is made from 100% cotton.
- Each cap features an unstructured, low-profile design with a soft-lined front.
- Designed with a six-paneled crown and a pre-curved visor.
- Includes a self-fabric closure strap with an antique silver buckle.
- This imprinted cap is made from 100% cotton.
- Each cap features an unstructured, low-profile design with a soft-lined front.
- Designed with a six-paneled crown and a pre-curved visor.
- Includes a self-fabric closure strap with an antique silver buckle.
- The Newberry N graces the front, with 'The Newberry Library' across the back.
WINNER OF THE MIDLAND AUTHORS AWARD FOR HISTORY - LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE - A NEW YORKER BEST BOOK OF THE YEAR - The "illuminating" (New Yorker) story of the Great Chicago Fire: a raging inferno, a harrowing fight for survival, and the struggle for the soul of a city--told with the "the clarity--and tension--of a well-wrought military narrative" (Wall Street Journal) In the fall of 1871, Chicagoans knew they were due for the "big one"--a massive, uncontrollable fire that would decimate the city. It had been bone-dry for months, and a recent string of blazes had nearly outstripped the fire department's already scant resources. Then, on October 8, a minor fire broke out in the barn of Irishwoman Kate Leary. A series of unfortunate mishaps and misunderstandings along with insufficient preparation and a high south-westerly wind combined to set the stage for an unmitigated catastrophe. The conflagration that spread from the Learys' property quickly overtook the neighborhood, and before long the floating embers had been cast to the far reaches of the city. Nothing to the northeast was safe. Families took to the streets with every possession they could carry. Powerful gusts whipped the flames into a terrifying firestorm. The Chicago River boiled. Over the next forty-eight hours, Chicago fell victim to the largest and most destructive natural disaster the United States had yet endured. The effects of the Great Fire were devastating. But they were also transforming. Out of the ashes, faster than seemed possible, rose new homes, tenements, hotels, and civic buildings, as well as a new political order. The elite seized the reconstruction to crack down on vice, control the disbursement of vast charitable funds, and rebuild the city in their image. But the city's working class recognized only a naked power grab that would challenge their traditions, hurt their chances to keep their hard-earned property, and move power out of the hands of elected officials and into private interests. As soon as the battle against the fire ended, another battle for the future of the city erupted between its entrenched business establishment and its poor and immigrant laborers and shopkeepers. An enrapturing account of the fire's inexorable march and an eye-opening look at its aftermath, The Burning of the World tells the story of one of the most infamous calamities in history and the new Chicago it precipitated--a disaster that still shapes American cities to this day.
*2025 Pattis award winner*
Unearths the religious and cultural roots of a powerful political machine that empowered some everyday Chicagoans but ruled all of the city for decades.
In politics, clout is essential. Too often, it determines whether insider access is granted or denied, favors are given or withheld, and payoffs are made or received. But Chicago clout, as we know it today, is even more potent than that--it's the absolute currency of a social, cultural, and political order that is self-reinforcing and self-dealing. Or, at least, it was.
In Clout City, award-winning historian Dominic A. Pacyga reveals how cultural, ethnic, and religious forces created this distinctive system--and ultimately led to its collapse. Tracing clout's origins in the Irish Catholic-dominated working-class neighborhood of Bridgeport, shaped by De La Salle Institute and home to the legendary Daley family, Pacyga shows how communal ties can be a force for good and also the deepest wellspring of corruption. He maps Chicago's unique politics to its remarkable history, from the Great Fire of 1871 through its rise and decline as an industrial center to its emergence as a global city in the early twenty-first century. With deep research and firsthand experience from a lifetime in the city, Pacyga argues that Chicago's politics is understood best as a mixture of cultural and religious influences and more worldly pursuits, exploring how both Jewish and Catholic communalism played central roles in the creation and sustenance of the Chicago machine. Chicago's politics today aren't as defined by its distinctive brand of clout. But they are shaped by clout's decline and the ghost of the machine. Pacyga's tour of the city's multilayered past is an indispensable guide to its present and future.*2026 Pattis Award Winner*
A fascinating look at how coffee tied the economic future of the early United States to the wider Atlantic world
Coffee is among the most common goods traded and consumed worldwide, and so omnipresent its popularity is often taken for granted. But even everyday habits have a history. When and why coffee become part of North American daily life is at the center of Coffee Nation. Using a wide range of archival, quantitative, and material evidence, Michelle Craig McDonald follows coffee from the slavery-based plantations of the Caribbean and South America, through the balance sheets of Atlantic world merchants, into the coffeehouses, stores, and homes of colonial North Americans, and ultimately to the growing import/export businesses of the early nineteenth-century United States that rebranded this exotic good as an American staple. The result is a sweeping history that explores how coffee shaped the lives of enslaved laborers and farmers, merchants and retailers, consumers and advertisers. Coffee Nation also challenges traditional interpretations of the American Revolution, as coffee's spectacular profitability in US markets and popularity on the new nation's tables by the mid-nineteenth century was the antithesis of independence. From its beginnings as a colonial commodity in the early eighteenth century, coffee's popularity soared to become a leading global economy by the 1830s. The United States dominated this growth, by importing ever-increasing amounts of the commodity for drinkers at home and developing a lucrative re-export trade to buyers overseas. But while income generated from coffee sales made up an expanding portion of US trade revenue, the market always depended on reliable access to a commodity that the nation could not grow for itself. By any measure, the coffee industry was a financial success story, but one that runs counter to the dominant narrative of national autonomy. Distribution, not production, lay at the heart of North America's coffee business, and its profitability and expansion relied on securing and maintaining ties first with the Caribbean and then Latin America.
More than one hundred and fifty years after Confederates fired on Fort Sumter, the Civil War still occupies a prominent place in the national collective memory. Paintings and photographs, plays and movies, novels, poetry, and songs portray the war as a battle over the future of slavery, often focusing on Lincoln's determination to save the Union, or highlighting the brutality of brother fighting brother. Battles and battlefields occupy us, too: Bull Run, Antietam, and Gettysburg all conjure up images of desolate landscapes strewn with war dead. Yet the frontlines were not the only landscapes of the war. Countless civilians saw their daily lives upended while the entire nation suffered. Home Front: Daily Life in the Civil War North reveals this side of the war as it happened, comprehensively examining the visual culture of the Northern home front. Through contributions from leading scholars from across the humanities, we discover how the war influenced household economies and the cotton economy; how the absence of young men from the home changed daily life; how war relief work linked home fronts and battle fronts; why Indians on the frontier were pushed out of the riven nation's consciousness during the war years; and how wartime landscape paintings illuminated the nation's past, present, and future. A companion volume to a collaborative exhibition organized by the Newberry Library and the Terra Foundation for American Art, Home Front is the first book to expose the visual culture of a world far removed from the horror of war yet intimately bound to it.