Newberry Exclusives
Commemorate your visit or simply impress your well read friends with a Newberry branded item.
Poems that traverse and question the lines between human and animal behavior. Experimenting with time, language, and transgressing boundaries, the poems in absolute animal lean into Nabokov's notion that precision belongs to poetry and intuition to science. Rachel DeWoskin's new collection navigates the chaos of societal and mortal uncertainty. Through formal poetry, DeWoskin finds sense amid disorder and unearths connections between the animal and the human, between the ancient and the contemporary, and between languages, incorporating translations from poems dating as far back as the Tang dynasty. From sonnet sequences about heart surgeries to examinations of vole romance and climate change, absolute animal investigates and moves across boundaries and invites us to consider what holds life, what lasts, what dies, and what defines and enriches the experience of being human.
A moving reflection on a subject that touches us all, by the bestselling author of Claire of the Sea Light
Edwidge Danticat's The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. "Writing has been the primary way I have tried to make sense of my losses," Danticat notes in her introduction. "I have been writing about death for as long as I have been writing." The book moves outward from the shock of her mother's diagnosis and sifts through Danticat's writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez's One Hundred Years of Solitude to Toni Morrison's Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a beautiful, heartrending prayer in the voice of Danticat's mother. A moving tribute and a work of astute criticism, The Art of Death is a book that will profoundly alter all who encounter it.
Samantha Baxter has a full, sane life--creative job, lovely family, and all the trappings of middle-age happiness. But when she gets a diagnosis that terrifies her, a lifetime of polite pleasing and putting others first ignites in her a surprising, pure rage. Maybe Sam will survive the surgery, and maybe not, but either way, she'll spend the next three weeks burning her life down: sleeping with a student her daughter's age, speaking every truth she's ever swallowed, and refusing to apologize for her wildest, most essential self.
"Sexy and sad, dark and funny, ruthless and kind, this is Rachel DeWoskin's ferociously feminist masterpiece. Every page of it glitters with rage and with love...It radiates with truth." --CHERYL STRAYED, NYT-bestselling author of Wild, Tiny Beautiful Things, Brave Enough, and Torch
"A wicked, delicious ride towards an ambivalent redemption--angry, hilarious, all too true." --ALLY SHEEDY, actress and author
"Banshee is the kind of book every woman I know wishes she'd written. Fierce, necessary, honest, a burn-it-all-down scorched earth policy to the toxic masculinity of this Age of Terror." --Emily Rapp-Black, author of Poster Child and The Still Point of the Turning World
"Raucous, white-hot, and page-turning brilliance...A singular and vital reading experience." --Gina Frangello, author of A Life in Men
- This imprinted cap is made from 100% cotton.
- Each cap features an unstructured, low-profile design with a soft-lined front.
- Designed with a six-paneled crown and a pre-curved visor.
- Includes a self-fabric closure strap with an antique silver buckle.
- This imprinted cap is made from 100% cotton.
- Each cap features an unstructured, low-profile design with a soft-lined front.
- Designed with a six-paneled crown and a pre-curved visor.
- Includes a self-fabric closure strap with an antique silver buckle.
- The Newberry N graces the front, with 'The Newberry Library' across the back.
Winner of the National Book Critics Circle Award for Autobiography
A National Book Award Finalist
A New York Times Notable Book
A Kirkus Reviews Best Nonfiction Book of the Century From the age of four, award-winning writer Edwidge Danticat came to think of her uncle Joseph as her "second father," when she was placed in his care after her parents left Haiti for America. And so she was both elated and saddened when, at twelve, she joined her parents and youngest brothers in New York City. As Edwidge made a life in a new country, adjusting to being far away from so many who she loved, she and her family continued to fear for the safety of those still in Haiti as the political situation deteriorated.
In 2004, they entered into a terrifying tale of good people caught up in events beyond their control. Brother I'm Dying is an astonishing true-life epic, told on an intimate scale by one of our finest writers.
A National Book Award Finalist
A New York Times Notable Book
A Kirkus Reviews Best Nonfiction Book of the Century From the age of four, award-winning writer Edwidge Danticat came to think of her uncle Joseph as her "second father," when she was placed in his care after her parents left Haiti for America. And so she was both elated and saddened when, at twelve, she joined her parents and youngest brothers in New York City. As Edwidge made a life in a new country, adjusting to being far away from so many who she loved, she and her family continued to fear for the safety of those still in Haiti as the political situation deteriorated.
In 2004, they entered into a terrifying tale of good people caught up in events beyond their control. Brother I'm Dying is an astonishing true-life epic, told on an intimate scale by one of our finest writers.
WINNER OF THE MIDLAND AUTHORS AWARD FOR HISTORY - LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE - A NEW YORKER BEST BOOK OF THE YEAR - The "illuminating" (New Yorker) story of the Great Chicago Fire: a raging inferno, a harrowing fight for survival, and the struggle for the soul of a city--told with the "the clarity--and tension--of a well-wrought military narrative" (Wall Street Journal) In the fall of 1871, Chicagoans knew they were due for the "big one"--a massive, uncontrollable fire that would decimate the city. It had been bone-dry for months, and a recent string of blazes had nearly outstripped the fire department's already scant resources. Then, on October 8, a minor fire broke out in the barn of Irishwoman Kate Leary. A series of unfortunate mishaps and misunderstandings along with insufficient preparation and a high south-westerly wind combined to set the stage for an unmitigated catastrophe. The conflagration that spread from the Learys' property quickly overtook the neighborhood, and before long the floating embers had been cast to the far reaches of the city. Nothing to the northeast was safe. Families took to the streets with every possession they could carry. Powerful gusts whipped the flames into a terrifying firestorm. The Chicago River boiled. Over the next forty-eight hours, Chicago fell victim to the largest and most destructive natural disaster the United States had yet endured. The effects of the Great Fire were devastating. But they were also transforming. Out of the ashes, faster than seemed possible, rose new homes, tenements, hotels, and civic buildings, as well as a new political order. The elite seized the reconstruction to crack down on vice, control the disbursement of vast charitable funds, and rebuild the city in their image. But the city's working class recognized only a naked power grab that would challenge their traditions, hurt their chances to keep their hard-earned property, and move power out of the hands of elected officials and into private interests. As soon as the battle against the fire ended, another battle for the future of the city erupted between its entrenched business establishment and its poor and immigrant laborers and shopkeepers. An enrapturing account of the fire's inexorable march and an eye-opening look at its aftermath, The Burning of the World tells the story of one of the most infamous calamities in history and the new Chicago it precipitated--a disaster that still shapes American cities to this day.
*2025 Pattis award winner*
A NEW YORK TIMES BESTSELLER ONE of the TOP 10 BOOKS OF THE YEAR by THE NEW YORK TIMES * ENTERTAINMENT WEEKLY * SLATE* THE PHILADELPHIA INQUIRER * Also named one of the BEST BOOKS OF THE YEAR by Vanity Fair, Time, NPR, The Guardian, Oprah Daily, Self, Vogue, The New Yorker, BBC, Vulture, and many more! OLIVIA WILDE to direct A24's TV adaptation of THE CANDY HOUSE and A VISIT FROM THE GOON SQUAD! From one of the most celebrated writers of our time comes an "inventive, effervescent" (Oprah Daily) novel about the memory and quest for authenticity and human connection. The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is "one of those tech demi-gods with whom we're all on a first name basis." Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or "externalizing" memory. Within a decade, Bix's new technology, "Own Your Unconscious"--which allows you access to every memory you've ever had, and to share your memories in exchange for access to the memories of others--has seduced multitudes. In the world of Egan's spectacular imagination, there are "counters" who track and exploit desires and there are "eluders," those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles--from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. Intellectually dazzling, The Candy House is also a moving, speculative fiction testament to the tenacity and transcendence of human longing for connection, family, privacy, and love. "A beautiful exploration of loss, memory, and history" (San Francisco Chronicle), "this is minimalist maximalism. It's as if Egan compressed a big 19th-century novel onto a flash drive" (The New York Times).
