The Newberry Seminars Program is grounded in the idea that people enjoy learning in small classes through an open exchange of knowledge and conversation. Our program offers a stimulating series of non-credit, adult education classes that encourage dialogue on subjects in the humanities that relate to the Newberry’s vast collections. Experts teach literature, music, history, philosophy, religion, language, genealogy, and creative writing in the classrooms of one of the world’s premier research and reference libraries.
Seminars differ in size, duration, cost, and format. The Seminars Program includes three terms:
- Winter/Spring: mid-February through early May
- Summer: June through early August
- Fall: mid-September through early December
For a list of this term’s course offerings, please view our Seminar Schedule
Newberry Seminars
After Nature, W. G. Sebald's first literary work, now translated into English by Michael Hamburger, explores the lives of three men connected by their restless questioning of humankind's place in the natural world. From the efforts of each, "an order arises, in places beautiful and comforting, though more cruel, too, than the previous state of ignorance." The first figure is the great German Re-naissance painter Matthias Grünewald. The second is the Enlightenment botanist-explorer Georg Steller, who accompanied Bering to the Arctic. The third is the author himself, who describes his wanderings among landscapes scarred by the wrecked certainties of previous ages. After Nature introduces many of the themes that W. G. Sebald explored in his subsequent books. A haunting vision of the waxing and waning tides of birth and devastation that lie behind and before us, it confirms the author's position as one of the most profound and original writers of our time.
This tenth anniversary edition of W. G. Sebald's celebrated masterpiece includes a new Introduction by acclaimed critic James Wood. Austerlitz is the story of a man's search for the answer to his life's central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.
Staring unflinchingly into the abyss of slavery, this spellbinding New York Times bestseller transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.
Colm Tóibín's New York Times bestselling novel--also an acclaimed film starring Saoirse Ronan and Jim Broadbent nominated for four Academy Awards including Best Picture--is "a moving, deeply satisfying read" (Entertainment Weekly) about a young Irish immigrant in Brooklyn in the early 1950s. "One of the most unforgettable characters in contemporary literature" (Pittsburgh Post-Gazette), Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to fall in love, devastating news from Ireland threatens the promise of her future. Author "Colm Tóibín...is his generation's most gifted writer of love's complicated, contradictory power" (Los Angeles Times). "Written with mesmerizing power and skill" (The Boston Globe), Brooklyn is a "triumph...One of those magically quiet novels that sneak up on readers and capture their imaginations" (USA TODAY).
"Once you've become a part of this particular patch, you'll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real."
Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its "nobodies nobody knows" the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets. Upon its original publication in 1951, Algren's Chicago: City on the Make was scorned by the Chicago Chamber of Commerce and local journalists for its gritty portrayal of the city and its people, one that boldly defied City Hall's business and tourism initiatives. Yet the book captures the essential dilemma of Chicago: the dynamic tension between the city's breathtaking beauty and its utter brutality, its boundless human energy and its stifling greed and violence. The sixtieth anniversary edition features historic Chicago photos and annotations on everything from defunct slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, "the best book about Chicago."
Many Chicagoans rose in protest over A. J. Liebling's tongue-in-cheek tour of their fair city in 1952. Liebling found much to admire in the Windy City's people and culture-its colorful language, its political sophistication, its sense of its own history and specialness, but Liebling offended that city's image of itself when he discussed its entertainments, its built landscapes, and its mental isolation from the world's affairs. Liebling, a writer and editor for the New Yorker, lived in Chicago for nearly a year. While he found a home among its colorful inhabitants, he couldn't help comparing Chicago with some other cities he had seen and loved, notably Paris, London, and especially New York. His magazine columns brought down on him a storm of protests and denials from Chicago's defenders, and he gently and humorously answers their charges and acknowledges his errors in a foreword written especially for the book edition. Liebling describes the restaurants, saloons, and striptease joints; the newspapers, cocktail parties, and political wards; the university; and the defining event in Chicago's mythic past, the Saint Valentine's Day Massacre. Illustrated by Steinberg, Chicago is a loving, if chiding, portrait of a great American metropolis. A. J. Liebling (1904-63) was a longtime contributor and columnist for the New Yorker. He wrote The Sweet Science and nineteen other books of nonfiction, including Mollie and Other War Pieces, also available in a Bison Books edition. Saul Steinberg was a cartoonist and illustrator best known for his covers and illustrations in the New Yorker.
The third of Dostoevsky's five major novels, Devils (1871-2), also known as The Possessed, is at once a powerful political tract and a profound study of atheism, depicting the disarray that follows the appearance of a band of modish radicals in a small provincial town. This new translation
includes the chapter Stavrogin's confession, initially censored by Dostoevsky's publisher. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert
introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
includes the chapter Stavrogin's confession, initially censored by Dostoevsky's publisher. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert
introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
The four long narratives in W.G. Sebald's The Emigrants at first appear to be the straightforward biographies of four people in exile: a painter, an elderly Russian, the author's schoolteacher as well as his eccentric great-uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories of the Holocaust, he collects documents, diaries, pictures. Each story is illustrated with enigmatic photographs, making The Emigrants seem at times almost like a family album - but of families destroyed. Sebald weaves together variant forms (travelog, biography, autobiography, and historical monograph), combining precise documentary with fictional motifs. As he puts the question to "realism, " the four stories merge gradually into one requiem, overwhelming and indelible.
This is the first comprehensive study of the German occupation of France between 1940 and 1944. The author examines the nature and extent of collaboration and resistance, different experiences of Occupation, the persecution of the Jews, intellectual and cultural life under Occupation, and the
purge trials that followed. He concludes by tracing the legacy and memory of the Occupation since 1945. Taking in ordinary peoples' experiences, this volume uncovers the conflicting memories of occupation which ensure that even today France continues to debate the legacy of the Vichy years.
purge trials that followed. He concludes by tracing the legacy and memory of the Occupation since 1945. Taking in ordinary peoples' experiences, this volume uncovers the conflicting memories of occupation which ensure that even today France continues to debate the legacy of the Vichy years.
The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.